JULIE LONDON "LONELY GIRL" ORIG. MONO GREEN LABEL- NM- LIBERTY#3012 (1956 )HEAR
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Description
125 LPsFROM THE JAZZ MID-50s (ORIGINALS!)...CONTEMPORARY, EMARCY, VERVE, CORAL LABELS!!!
ALL VINYLS MOSTLY NM!!...MOST DEEP GROOVE!
ARTIST:JULIE LONDON
TITLE: "LONELY GIRL"
WHAT A COVER!
The most sensual voice in the history of jazz!!
Original Mono pressing of the sultry singer's 1956 album. Yes, Julie London is the girl who single handededly launched the Torch Singer genre....and opened the door for every imperfect but sexy vocalist since. The most remarkable thing about Julie London is remarkable indeed: that she used her erotic persona not so much to interpret songs as to change the nature of them to become something other than when sung by anyone else. She used her breathy, sexy, sultry voice not to sing a version of a song that could compete with someone else's on a scale of good to better to best, but to change it's meaning. This, her second album, carries on from where her first left off...soft eroticism and single entendre...songs of yearning and loneliness in Julie's own bedroom whisper...just try to resist! One of the most erotic albums of all time!
Format: Vinyl, LP, Album, Mono, DEEP GROOVE
Country: US
Released: 1956
Genre: JAZZY POP
Style: Vocal
Tracklist
A1 Lonely Girl 2:31
A2 Fools Rush In 2:07
A3 Moments Like This 2:38
A4 I Lost My Sugar In Salt Lake City 2:33
A5 It's The Talk Of The Town 2:35
A6 What'll I Do 2:02
B1 When Your Lover Has Gone 1:54
B2 Don't Take Your Love From Me 2:43
B3 Where Or When 2:35
B4 All Alone 1:48
B5 Mean To Me 2:09
B6 How Deep Is The Ocean 2:10
B7 Remember 1:47
Credits
Engineer – John Neal
Guitar – Al Viola
Photography By – Ray Jones
Producer – Bobby Troup
Vocals – Julie London
Notes
Recorded in Hollywood during April of 1955.
Spectra-Sonic-Sound
[RIAA Curve]
© Liberty Records, Inc., Hollywood, California, U.S.A
Notes
First press with green labels.
VINYL CONDITION: NM!...I CLEANED IT ONLY SUPERFICIALLY SO IF YOU HEAR ANY MINIMAL CLICK IT WILL DISSAPEAR WITH A DEEPER CLEANING....I JUST SCRATCHED ONE WITH A CARDBOARD PARTICLE EMBEDDED IN MY CAMEL HAIR BRUSH!!...NO MARKS NOTICED!
LABELS CONDITION:NM!
COVER CONDITION: NM!!!!! SEE SCAN! WITH LIBERTY INNER SLEEVE!
REMARKS: ORIGINAL!!!!!
THIS LP DESERVES THE FOLLOWING REVIEW:
Review by J.R. SPENCER:
“I am the author of the first book to celebrate Julie London entitled: Lady Liberty--The Definitive Julie London Handbook which was released here on Amazon in November 2013. I'd thought I write a review of this album, as I sometimes see misinformation on Julie's albums.
LONELY GIRL is Julie's second album for Liberty Records released in 1956 and featuring jazz legend Al Viola on guitar. As a jazz pianist/vocalist myself I have worked with Al Viola personally in Southern California, and interviewed him for my book. In my interview with Al, Al discussed Julie (the person, behind the voice) and specifically recording the album Julie.. At Home.
Julie's 2nd husband Bobby Troup produced the album and also wrote the title track "Lonely Girl". With the success of her first album for Liberty Records, Julie is Her Name Volume I, Liberty capitalized on Julie's intimate voice, and her sensual vulnerability. Julie specifically requested sad torch songs of composer Irving Berlin and sings 3 songs of Berlin on the album: "What'll I Do", "How Deep Is the Ocean" and "Remember" My personal favorite track is "Fools Rush In". Ray Jones took the cover photo of Julie wearing a strapless blue/jade gown.
Julie signature sound of cool jazz, intimate torch song would set the place for many artist to copy her. Al used a gut-string Spanish guitar for tracks on this album compared to the electric guitar of Barney Kessel on Julie is Her Name.
The original liner notes mention Julie's clear diction, her exquisite phrasing, simplicity and impeccable intonation as well as her success in movies, specifically featured in the film noir classic "The Red House".
This is a truly beautiful album, as you can tell from all the 5 star reviews, and if you are a Julie fan a must have! This album was very personal for Julie personally, she had suffered greatly in her youth, born to poor vaudeville parents in Santa Rosa, CA. She was also in the mists of a terrible divorce from actor/director Jack Webb, and though she was dating Bobby, they had a very long courtship and did not marry till 1959.
Julie always felt safe in the studio, or in intimate settings but terrified in large performance venues. You hear her sweet vulnerability in her voice and specifically the melancholia on Lonely Girl. She had already made a success from her previous album and Billboard named her the most popular female vocalist of 1955, 1956, and 1957. During her busying recording and performance schedule, she continued to raise her two daughters Stacy and Lisa from Jack Webb, and make movies.
She was first and foremost a loving mother, and felt uncomfortable with the sex kitten pin up role, but she was passionate about cool jazz and torch song, and you can tell she lived and breathed these songs on this album. Many people say: "It sounds she is singing only for me."
Wishing all the Julie fans a beautiful holiday season, and if you are interested in exploring Julie London more. .be sure to check out my book "Lady Liberty: The Definitive Julie London Handbook" which contains over 300 rare photos, discography, filmography, articles and a lot of great surprises.
GENRE: JAZZ
STYLE: POP JAZZ
Lonely Girl is an LP album by Julie London, released by Liberty Records under catalog number LRP-3012 as a monophonic recording in 1956, and later in stereo under catalog number LST-7029 in 1959….The album was reissued, combined with the 1957 Julie London album Make Love to Me, in compact disc form on January 28, 2003 by EMI.
FOR MORE INFO GO TO: Londonjazzcollector.wordpress.com
GENERAL COMMENTS:
Before asking condition questions check the grade and our grading scale below.
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All records are visually graded, A FEW TRACKS ARE PLAYED, NOT ALL.
We do not have the time to play ALL TRACKS or grade each individual track (impossible task due to the time it takes but the grading should be the most accurate possible...a sound clip is included!.
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VINYL GRADING SCALE:
Near Mint (NM)
(Jacket) If the jacket is sealed there may be some minor corner damage from storage, it may or may not have the shrink-wrap, but the jacket itself will be in pristine condition. The corners will show very little wear (there will be no fraying) and will still be somewhat pointy to the touch. The cover will show no more than very minor dents or some single creases, no full bends that will cause multiple creases/damage. There will be no visible ring wear. No writing, rips or tears on the cover or seams. No bubbling, water/mold stains or peeling of the cover in any way. The inside of the gate-fold will be in the same condition. Cutout bin punches, price stickers, staples would start being listed at the NM category and would be noted accordingly as they affect the jacket itself.
(LP) You should not hear any surface noise (snaps,crackles, pops) when you play the record. There will not be any skips or repeats. The LP will retain that just opened appearance. There may be a surface blemish or two, but they will not have any affect on the sound. There will be no warping. There will be no major blemishes, light or deep scratches. The label will be free of writing and stains. There should be no spindle marks.
Excellent (VG++)
(Jacket) May or may not have shrink-wrap but the jacket itself will still be in beautiful condition. The corners will have minimal wear (no fraying).There may be minor dents and creases . Light scratches could be on the jacket, but nothing severe. Depending on age some discolor/yellowing may show, but will not be overbearing. Ring wear should be very minimal or non-existent...no dark, full, half, or quarter rings. No writing rips or tears. No bubbling, water stains or peeling of the cover . All inner gate-folds will be in similar condition. Covers that appear NM but has a notch, Sawcut or a diagonal cut will be graded as VG++!
(LP) You should not hear any sustained surface noise (snaps,crackles, pops) when you play the record. There will not be any skips or repeats. The LP will retain its most of it's glossiness and will appear like new. There may be a few surface blemishes, or a stray light scratch that may cause a moment of crackling, but nothing prolonged, and instances of this will be few. Often this will mostly occur only at the beginning of the groove on each side where the needle dropped. There will be no warping. There will be no deep scratches. There may be minor spotting or fog, but it will not affect the sound. The label will be free of writing and stains. Minimal spindle marks.
Very Good Plus (VG+)
(Jacket) May or may not have shrink wrap. There may be some easier to see imperfections, though nothing that will detract from the overall appearance in a major way. The corners will have some wear and there may be the beginnings of fraying but not full on. Some dents/creases or scratches may be noticeable, but nothing too pronounced. There could be noticeable discolor/yellowing .There may be some minor ring wear at the top and bottom; again you would have to look for it. No writing, rips or tears. Possibly some light bubbling. No water/mold stains or peeling of the cover in any way.
(LP) There may be some blemishes, maybe a scratch or two, but nothing too deep. It will not cause the record to skip or repeat. There will be no prolonged surface noise. There may be some minor warping but it will have no affect on the listening experience at all. Chances are there will be spindle marks. A VG+ record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Very Good (VG/VG-) TO BE SOLD AS IS!!!
(Jacket) May or may not have shrink wrap. There will be some easier to see imperfections, though nothing that will detract from the overall appearance in a major way. The corners will have some wear or fraying possibly causing seam splitting close to the seam. There may be split seams on any side. Usually not full side splits though. Sometimes they may be fixed by tape, sometimes not. Some dents/creases or scratches will be noticeable on the jacket, sometimes pronounced. Discolor and yellowing can be commonplace, as are smaller water/mold stains and some bubbling. There maybe a smaller tear on the cover, but nothing overly pronounced. Ring wear will certainly be pronounced. There may be some writing/defacing, but it will be minor.
(LP) There will be some blemishes, and some few scratches. They should not be at the feel-able stage though. There could be a skip or repeat, but only one or two at most. More often the deeper scratches will cause more frequent and prolonged surface noise. There may be some warping but it will not cause the needle to jump. Chances are there will be spindle marks. A VG/VG- record will obviously have been played and occasionally handled roughly by the original owner.
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