JONI MITCHELL Court And Spark EX+ 1974 Asylum NAUTILUS HALF-SPEED MASTERING
$
65
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Description
Vinyl: EX+ Play Graded. Sounds Excellent! Has some marks that don't affect the sound quality. Arista Labels are Clean and Bright. This is the 1980 Nautilus Half Speed Master of the 1974 Asylum Release! NR-11. This is the audiophile acclaimed pressing, Mastered at Half-Speed by Nautilus Recordings of Pismo Beach, CA!! The Original Master two-track tape was used to cut the Master
Lacquers by Jack Hunt at JVC Cutting Center, Hollywood, CA. By running the tapes at Half-Speed, it ensures maximum fidelity, dynamic range and widest possible frequency response. The vinyl is pressed with virgin vinyl. One of Joni's most popular albums and certainly a high-water mark for her, she has the assistance of Robbie Robertson, Larry Carlton, Crosby & Nash, Wayne
Perkins and Cheech & Chong (!) "Help Me" was a monster hit, but check out classics "Free Man In Paris", "Raised On
Robbery", "Twisted", the Title song...this is Joni at her Best...One of Rolling Stone's 500 Greatest Albums of All Time!!! allmusic gives it 5 stars!!!
See Review Below!
In The Dead Wax: Side 1: NR-11-EL-1001-A2 EDP JG/2
Side 2: NR-11-EL-1001-B2 EDP JG/2
Cover: EX+ (see photos) Front, Gatefold and back of cover artwork and text are rich, clear and bright, with minor shelf wear. Initials on front top right corner. Seams, corners and spine are solid and clean, with minor wear. No splits. The spine print is crystal clear.
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping: $4.99 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
Court and Spark Review
by Jason Ankeny
Joni Mitchell reached her commercial high point with Court and Spark, a remarkably deft fusion of folk, pop, and jazz which stands as her best-selling work to date. While as unified and insightful as Blue, the album -- a concept record exploring the roles of honesty and trust in relationships, romantic and otherwise -- moves away from confessional songwriting into evocative character studies: the hit "Free Man in Paris," written about David Geffen, is a not-so-subtle dig at the machinations of the music industry, while "Raised on Robbery" offers an acutely funny look at the predatory environment of the singles bar scene. Much of Court and Spark is devoted to wary love songs: both the title cut and "Help Me," the record's most successful single, carefully measure the risks of romance, while "People's Parties" and "The Same Situation" are fraught with worry and self-doubt (standing in direct opposition to the music, which is smart, smooth, and assured from the first note to the last).
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