JOHN LENNON & YOKO ONO Two Virgins NM 1968 RARE Apple T-5001 1ST PRESS BEATLES
  $   120

 


$ 120 Sold For
Feb 24, 2021 Sold Date
Nov 2, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  NM  Play Graded.  Plays like New!!  Has a mark on side 2 that does not affect the sound quality.  Apple Photo Labels are Clean and Bright. This is the Original 1968 Apple 1st Pressing! T-5001.  One of the most notorious records in history, especially considering that it is rarely listened to on its own merits.  Famously rejected for distribution by Apple's longtime distributors, Capitol, the deed went to Tetragrammaton.   Ringo's first reaction to seeing his famous, married bandmate naked on the cover a record with his lover beside him, is my favorite:  he remarked to John:  "I see you have The (London) Times, there..."  
See Review Below!
In the Dead Wax:  Side 1:  T-5001-1 Side 2:  T-5001-2

Cover: NM  (see photos)  Nice high gloss on cover. Front and back of cover artwork and text are rich, clear and bright, with minimal storage wear on the top and bottom of the front cover. Seams, corners and spine are solid and clean, essentially flawless.  No splits.  No writing.  
See my other listings for other Beatles & Related items.  I also have a treasure trove of Beatles LPs, 45s and memorabilia yet to be listed.  Let me know what you're looking for.  You can also click on "Save This Seller" and you'll be among the first to be notified when I  post new listings.
Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping:  FREE domestic shipping! Tracking Included.  Combine any additional items and they're also shipped FREE!  If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.   
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.   


AllMusic Review by William Ruhlmann

At the time of its release, this duo album by John Lennon and Yoko Ono gained its greatest notice for its cover, a photograph that depicted the two standing before the camera naked. The recording, too, can be described as naked, in that it contains no music that would interfere with one's ability to hear the normal sounds of life. The record is not unlike what you might get if you turned on a tape recorder for a random half-hour in your home -- snatches of inaudible conversation far away from the microphone, footsteps, wind, and so on. Conceptual "music" in the Cage-ian sense, yes, but not popular music of the kind with which John Lennon had been previously associated in any sense at all.



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