JOHN CAGE & DAVID TUDOR Indeterminacy 2 LP Folkways '59 w/book orig set ft3704
  $   94

 


$ 94 Sold For
Oct 7, 2014 Sold Date
Mar 8, 2012 Start Date
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Description

JOHN CAGE & DAVID TUDOR Indeterminacy 2 LP Folkways '59 w/book original double lp box set ft3704, vg to vg++ lp's (side three only has a small section of lightly tactile marks/scratches, but overall the rest of the lp's are a very clean playable vg++ shape) book has some small cut marks to cover, vg+ box has corner damage but seam on spine is intact/together. rare set! ink stamps on labels and box and book states "p.t.h.s. interdisciplinary studies"

John Cage & David Tudor - Indeterminacy: New Aspect of Form in Instrumental and Electronic Music -Folkways FT-3704

(2) LP set in box with booklet.

 

Three corners of the box have seam splits as shown.

Ink stamp on the cover, booklet, and both labels of both LP's as shown.  Small "cuts" in the last page only, of the booklet as shown.

Records are VG/VG++



John Cage / Reading • David Tudor / Music -- Indeterminacy 2xLP

New Aspect of Form in Instrumental and Electronic Music

Original 1959 US release on Folkways Records (catalog # FT 3704, blue labels with silver print), with booklet.

Late in September in 1958 I was in Stockholm in a hotel. I set about writing the present lecture which I was obliged to give a week later at the Brussels Fair. I recalled a remark made years before by David Tudor that I should make a talk that was nothing but stories. The idea was appealing when he gave it to me but I had never acted on it. A few weeks before, in Darmstadt, Karlheinz Stockhausen had said, "I'll publish your Brussels talk in Die Reihe." I replied, "You'd better wait and see what it is I write." He said, "No matter what it is, I'll publish it." My intention in putting 90 stories together in an unplanned way is to suggest that all things, sounds, stories (and, by extension, beings) are related, and that this complexity is more evident when it is not over-simplified by an idea of relationship in one person's mind. Most of the stories are things that happened that stuck in my mind. Others I read in books and remembered, those for instance, from Kwang-Tse and Sri Ramakrishna. The 2nd, 15th, 16th, 46th, and 75th stories are to be found somewhere in the literature surrounding Zen. David Tudor: piano, whistles, tape machines, and amplified slinky.

David Tudor plays material from his part of the Concert for Piano and Orchestra (1957-58), using tracks from the Fontana Mix (1958-59) as noise elements where these arae notated in Concert


Tracks:

    A Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music 22:30
    B Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music 22:30
    C Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music 22:30
    D Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music 22:30

    Credits:
    Artwork By [Cover Design] - Ronald Clyne
    Performer [Music] - David Tudor
    Performer [Reading] - John Cage
    Photography - David Gahr
    Producer - John Cage , Moses Asch

    Notes: with book




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Vinyl grading is usually based on the Goldmine standard and is as follows:

“SS” Still Sealed – For the collector that demands nothing but perfection.

“M” Mint - a near perfect, or unplayed record.

“NM” Near Mint - in factory fresh condition, like new.

EX+ - close to like new with only superficial signs of use that don't affect play. Will satisfy all but the most vain and demanding collector.

EX - a used, reasonable copy. Shows slight signs of wear.

VG+ - There will be obvious signs of wear and the possibility a few skuffs and/or light surface noise between tracks or during quiet passages, but still quite nice.

VG - significant wear and marks and usually quite noticeable surface noise,still plays great.

Good - In the record world, "Good" is not good! From here on down, we're talking about beat-up records!





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