JIMMY REED I'M JIMMY REED VERY RARE 1957 VEE JAY MONO LP DG BEAUTIFUL
$
52
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Description
WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· JIMMY REED - I'M JIMMY REED (JIMMY REED’S FIRST ALBUM) – 1958 VEE JAY RECORDS MONO LP-1004
· GENUINE U.S. PRESSING
· DEEP GROOVE PRESSING
· VERY EARLY PRESSING CIRCA 1961/62 ON BLACK VEE JAY LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW”) BAND ALONG THE LABEL’S EDGE AND “OVAL” VERSION OF THE LABEL (VEE JAY LOGO IS ENCIRCLED BY A WHITE OVAL LINE)
· RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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In deciding where to start listening to Jimmy Reed, the man and his record label made it easy -- at the beginning. His debut LP release, I'm Jimmy Reed, was about as strong a first album as was heard in Chicago blues, but also no stronger (relatively speaking) than the first long-players issued of Muddy Waters, Howlin' Wolf and Co. As was the case with most bluesmen of his generation, Reed's debut LP was really a collection of single sides than an actual album of new material (though some of it did hail from its year of release), consisting of tracks he'd recorded from June 1953 ("Roll & Rhumba") through March 1958 ("You Got Me Crying" etc.). So it's no surprise that it rivals The Best of Muddy Waters or any of the other 12" platters that were showing up from Reed's rivals at the end of the 1950s -- most of the blues labels put together their LPs the same way at first. But that also turns I'm Jimmy Reed into a treasure-trove of prime material from his repertory, including the songs on which he'd built his reputation over the previous five years, key among them "Honest I Do," "Ain't That Lovin' You Baby," "You Got Me Dizzy," and "You Don't Have to Go," plus their highly relevant B-sides, which help give this album more depth and breadth than a formal hits collection would have had. And in addition to Reed's singing and harp work, the album is also a superb showcase for guitarists Eddie Taylor and John Brim (the latter on the earliest material here), and drummer Earl Palmer.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The great Bluesman's freshman effort…and one of the critical albums of the modern blues era. Absolutely indispensable.
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) Mono pressing of this title is much rarer, and by far more preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.
(e) True Stereo copies of this album are NOT known to exist.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split bottom seam (between 4 and 6 inches / 10 to 15 centimeters)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Cover shows JUST A HINT of yellowing on back side, apparently from aging.
- Cover has some visible fraying/tattering on the bottom seam.
- Cover has all four corners slightly worn (nothing significant)
- Cover has a few tiny wrinkles along the spine (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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