JETHRO TULL Stand Up LP ISLAND 1969 UK repress+foc+Pink Rim+Pop Up IAN ANDERSON
  €   28
  $   33

 


€ 28 Sold For
Feb 2, 2016 Sold Date
Jan 30, 2016 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description


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JETHRO TULL

GLEN CORNICK, IAN ANDERSON, CLIVE BUNKER, MARTIN LANCELOT BARRE 

Jethro Tull were a unique phenomenon in popular music history. 

Their mix of hard rock; folk melodies; blues licks; surreal, impossibly dense lyrics; 

and overall profundity defied easy analysis, but that didn't dissuade fans from giving them 

11 gold and five platinum albums. At the same time, critics rarely took them seriously,

and they were off the cutting edge of popular music since the end of the 1970s. 

But no record store in the country would want to be without multiple copies 

of each of their most popular albums

"STAND UP"

Produced by Terry Ellis and Ian Anderson

1969     LP     ISLAND RECORDS     ILPS STEREO 9103


MADE IN ENGLAND     4TH  PRESSING

on ISLAND "PINK RIM" LABELS + POP UP COVER

This version: unlaminated gatefold cover

Pink Rim Island labels 

Without  'Printed and made by Ernest J. Day & Co. Ltd., London W.11.' on back sleeve

Barcode and Other Identifiers

LABEL:  ISLAND -  PINK LABEL - BLACK TEXT

Catalog on cover: (spine) ILPS 9103 STEREO (rear) ILPS STEREO 9103 

Catalog on labels: ILPS 9103 (Side 1 / Side 2)

Matrix / Runout (Side A, Stamped): ILPS 9103 A-3U

Matrix / Runout (Side B, Stamped): ILPS 9103 A-3U

On labels: All titles  written by Ian Anderson and published by Chrysalis Music

Produced by: Terry Ellis and Ian Anderson

?1969 Island Records Ltd.  

STEREO

Chrysalis Production

On Inside Sleeve: Some new songs for you. They were composed by Ian Anderson,

recorded in Morgan Studio with engineer Andy Johns, and are published by Chrysalis Music.

Strings on 'Reasons for waiting' were arranged and conducted by David Palmer

The cover was based on ideas from.........

On Back Sleeve: Island Records Ltd, Basing Street London W.11.

 from my records collection

tracklisting

Side A: A NEW DAY YESTERDAY - JEFFREY GOES TO LEICESTER SQUARE

BOUREE - BACK TO THE FAMILY - LOOK INTO SUN

Side B: NOTHING IS EASY - FAT MAN - WE USED TO KNOW

REASONS FOR WAITING - FOR A THOUSAND MOTHERS

  grading

RECORD  VG+ but (please, read above description)

SLEEVE STRONG VG+ but (please, see pictures and read above description)

There are still elements of blues present in their music, but except for the opening track, 

"A New Day Yesterday," it is far more muted than on their first album -- new lead guitarist Martin Barre 

had few of the blues stylings that characterized Mick Abrahams' playing. Rather, the influence of 

English folk music manifests itself on several cuts, including "Jeffrey Goes to Leicester Square" and "Look into the Sun." 

The instrumental "Bouree," which could've passed for an early Blood, Sweat & Tears track, became 

a favorite concert number, with an excellent solo bit featuring Cornick's bass, although at this point Anderson's flute 

playing on-stage needed a lot of work. As a story-song with opaque lyrics, jarring tempo changes, 

and loud electric passages juxtaposed with soft acoustic-textured sections, "Back to the Family" is an early forerunner 

to Thick as a Brick. Similarly, "Reasons for Waiting," with its mix of closely miked acoustic guitar 

and string orchestra, all hung around a hauntingly beautiful folk-based melody, pointed in the direction 

of that conceptual piece and its follow-up, A Passion Play. The only major flaw in this album is the mix, 

which divides the electric and acoustic instruments and fails to find a solid cente...(AllMusic)


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