ISLEY BROTHERS GIVIN' IT BACK VERY RARE SEALED ORIG '71 T-NECK PROMO LP wSTICKER
$
204
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
WE CURRENTLY HAVE MORE THAN 1,000 LISTED ITEMS
►Click here to see ALL our ROCK auctions ►Our PSYCH & PROGRESSIVE auctions ►Our PUNK & NEW WAVE auctions ► Our JAZZ auctions ►Our BLUE NOTE JAZZ auctions ►Our BLUES auctions ►Our CLASSICAL auctions ►Our COUNTRY auctions ►Our FUNK auctions ►Our LATIN auctions ►Our METAL auctions►Our REGGAE auctions ►Our SOUL auctions ► Our STILL SEALED ITEMS ►Our PROMO auctions ►Our AUDIOPHILE auctions
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
· THE ISLEY BROTHERS – GIVING IT BACK – ORIGINAL 1971 T-NECK RECORDS STEREO LP TNS-3008
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· *** PROMOTIONAL COPY; THE RECORD (PROBABLY) HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· GUARANTEED ORIGINAL ORANGE T-NECK LABEL WITH BLUE “T” LOGO AND BLACK PRINT
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL UNIPAK-STYLE COVER (ONE SIDE OF THE GATEFOLD OPENS, THE OTHER ONE IS A SINGLE-PLY CARDBOARD)
· COVER HAS A NIFTY “HEART” STICKER STILL AFFIXED TO THE SHRINK WRAP
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 5.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
Givin' It Back is as much a time capsule as an album. Not that it can't be enjoyed on its own absolute musical terms by someone just off a boat who wasn't even around in 1971, but to really appreciate how daring it was and how delightful it is, that side of its history should be known. Those who are old enough should recall the time whence it came, an era in which hatred and disunity over the Vietnam War, civil rights, school desegregation, the environment, and a multitude of other issues were threatening what seemed, potentially, like the beginning of a new civil war, this one not between states but between factions and ethnic and racial groups in 1,000 individual neighborhoods. The opening cut of Givin' It Back, "Ohio/Machine Gun," is a slap-in-your-face reminder of just how angry the times and the people were. The track evokes instant memories of the campus bloodshed of 1970, not just at Kent State but also the often-forgotten killings a few days later at Jackson State University in Mississippi, where the victims of a fusillade of sheriff's deputies' bullets were black students. More than that, the track itself is also a reminder of the divisions that existed on the left; to listen to pundits on the right, the anti-war and civil rights movements, along with the counterculture, were all part of one vast, organized, calculated left-wing conspiracy. The truth is that there was nearly as big a split, culturally and politically, between young blacks and young whites on the left and on college campuses as there was anywhere else in the population. Blacks reacting to years of oppression had little use for mostly middle-class white college students, however sympathetic many of them purported to be to their situation, while well-meaning white students and activists couldn't begin to know what privation of the kind experienced by blacks and Hispanics in most American towns and cities was. In music, too, there was a lot of division; blacks usually didn't resonate to the top artists in the white world and, in particular, were oblivious to (and even resentful of) the adoration accorded Jimi Hendrix by the white community. So, when the Isley Brothers -- whose appeal among black audiences was unimpeachable -- opened Givin' It Back with a conflation of Neil Young's "Ohio" and Jimi Hendrix's "Machine Gun," they were speaking to anger and bloodshed in the streets, but they were also performing an act of outreach that was about as radical as any they could have committed on record in 1971. That they incorporated a prayer into their reformulation of the two songs, amid Ernie Isley's and Chester Woodard's guitar pyrotechnics, turned it into one of the most powerful and personal musical statements of its era, and it's worth the price of the album just for the one cut. Givin' It Back is filled with virtues of that kind, however; it was the first Isley Brothers album to rely entirely on outside material, but the group's reworkings of songs by James Taylor ("Fire and Rain") and Stephen Stills ("Love the One You're With") show no lack of originality. They're unafraid to take the song apart and rebuild it from the ground up, smoothing Bob Dylan's "Lay Lady Lay" into a sensual soul ballad, turning the James Taylor number into a sweaty, earnest shouter, and transforming War's "Spill the Wine" into an extended workout for voices, electric guitars (several layers deep), flute, and percussion. The album was also an early showcase for Bill Withers, whose funky blues "Cold Bologna" is covered by the group with the composer -- who was about to emerge as a major star in his own right -- on guitar. And the closer, "Love the One You're With," is sent soaring to heights that the Stephen Stills original could only gaze up at. Givin' It Back is often held at arm's length by soul listeners, who don't regard it as central to what the Isley Brothers or their music are about; on the contrary, the group is so successful at remaking all of the songs here their own in style and approach and sending careful messages (alas, largely lost with the passage of time) in their selection as well as their content, that it really represents a lot of what the Isley Brothers and soul music were about in 1971, and it's still great listening.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) The record is believed to come in its original stock inner sleeve.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a visible "wrinkle"(crease) in one of the corners. (VISIBLE ON BACK SIDE ONLY)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
WANT A DISCOUNT ?!?
IT’S EASY: CLICK ►HERE TO see HOW!
(please note recent changes in our policy)
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:
►OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ►ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 14 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
© 2001,2007 MDJ. All rights reserved.
price rating