IGGY POP & THE STOOGES "NIGHT OF THE IGUANA-LIVE IN N.Y.1973" STILL SEALED RARE

$

35

TWO YEARS AGO I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE MUSIC COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!). THIS ITEM IS FROM HIS COLLECTION.

THE PHOTO'S MAY BE A LITTLE BLURRY, HAVE A LITTLE GLARE, SOME REFLECTIONS OR IN SOME CASES YOU MAY SEE SPECKS OF DUST. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. I DO COMBINE SHIPPING. BUT I DO NOT ACCEPT “BEST OFFERS”, THE MONIES GO TO MY FRIENDS WIDOW.

THESE ARE VISUALLY & PLAY GRADED.

ARTISTS: IGGY POP & THE STOOGES

TITLE: “NIGHT OF THE IGUANA-LIVE IN N.Y.1973”

TRACK LISTING: SEE BELOW

Notes

Barcode and Other Identifiers

• Matrix / Runout: STOOG - A
• Matrix / Runout: STOOG - B

LABEL: N/A

CAT.#: N/A

YEAR: 1977

RECORD CONDITION: STILL SEALED IN ORIGINAL SHRINK WRAP

SLEEVE CONDITION: THE JACKET IS STILL SEALED.

MORE INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. THIS IS STILL SEALED AND AN “UNOFFICIAL” RECORDING & RELEASE. NO RESERVE.

MORE INFO ON THE ARTISTS/RELEASE:

The Stooges, also known as Iggy and the Stooges, were an American rock band formed in Ann Arbor, Michigan in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Iggy Pop. 

After releasing two albums—The Stooges (1969) and Fun House (1970)—the group disbanded briefly, and reformed with a different lineup to release Raw Power (1973) before breaking up again in 1974. The band reunited in 2003 until dissolving in 2016 following the deaths of Scott Asheton and saxophonist Steve Mackay. Ron Asheton participated in the reunion until his death in 2009.

The Stooges are widely regarded as a seminal proto-punk act. The band was inducted into the Rock and Roll Hall of Fame in 2010. In 2004, Rolling Stone ranked them 78th on their list of the 100 greatest artists of all time.

History[edit]

Formation (1967–68)[edit]

Iggy Pop (born James Newell Osterberg) played drums in several Ann Arbor-area bands as a teenager, including the Iguanas and, later, the Prime Movers. The Prime Movers nicknamed Osterberg "Iggy" in reference to his earlier band. 

Osterberg was first inspired to form the Stooges after meeting blues drummer Sam Lay during a visit to Chicago. Upon returning to Detroit, Osterberg sought to create a new form of blues music that was not derivative of historical precedents. Ron Asheton (guitar) and Scott Asheton (drums) and Dave Alexander (bass guitar) composed the rest of the band, with Osterberg as main singer. Osterberg became interested in Ron Asheton after seeing him perform in the Chosen Few (a covers band), believing "I’ve never met a convincing musician that didn’t look kind of ill and kind of dirty, and Ron had those two things covered!" The three nicknamed Osterberg "Pop" after a local character whom Osterberg resembled. Shortly after witnessing an MC5 concert in Ann Arbor, Osterberg began using the stage name Iggy Pop, a name that he has used ever since.

Though the Stooges had formed, Iggy Pop attributes two key motivating influences to move the band forward. The first was seeing the Doors perform at a homecoming dance for the University of Michigan. The second was seeing an all-girls rock band from Princeton, New Jersey called the Untouchable perform. In a 1995 interview with Bust Magazine, he relates:

I had the Stooges. And we did not have the balls to get out and do it. There were two things that made us do it; one was seeing that show (the Doors), we saw that show and I just thought, well, this is so brazen, there is no excuse for us not to do it anymore. And the other thing was we went to New York. We had gone to New York a couple of months before that just to check out the scene, and we had never been to a place like New York… we went down around Eighth Street there where all the young tourists hang out, and we met these girls from New Jersey, from Princeton, they had a band called the Untouchable, and we’re like, "Oh, you’ve got a band, sure, ha ha ha," and they said "Well, come to our house and see us play." And we didn’t have anywhere to crash, and they played for us, and they completely rocked, and we were really ashamed.

The band's 1967 debut was at their communal State Street house on Halloween night, followed by their next live gig, January 1968.[13] During this early period, the Stooges were originally billed as the "Psychedelic Stooges" at the Grande Ballroom in Detroit, Michigan, and other venues, where they played with the band MC5 and others. At one of their early Grande Ballroom performances, Asheton's guitar neck separated from the body forcing the band to stop playing during the opening song, "I Wanna Be Your Dog".

The group's early sound differed from their later music; critic Edwin Pouncey writes:

The Stooges' early musical experiments were more avant garde than punk rock, with Pop incorporating such household objects as a vacuum cleaner and a blender into an intense wall of feedback that one observer described as sounding like "an airplane was landing in the room." Homemade instruments were also incorporated to flesh out the overall sound. The 'Jim-a-phone' involved pushing feedback through a funnel device which was raised and lowered to achieve the best effect. There was also a cheap Hawaiian guitar which Pop and guitarist Ron Asheton would take turns in plucking to produce a simulated sitar drone, while drummer Scott Asheton pounded away at a set of oil drums with a ball hammer. 

First two albums and first breakup (1968–71)[edit]

The Stooges soon gained a reputation for their wild, primitive live performances. Pop, especially, became known for his outrageous onstage behavior—smearing his bare chest with hamburger meat and peanut butter, cutting himself with shards of glass, and flashing his genitalia to the audience. Pop is sometimes credited with the invention or popularization of stage diving.

In 1968 Elektra Records sent DJ/publicist Danny Fields to scout the MC5, resulting in contracts for both that band and the Stooges. The contracts were at different pay rates: MC5 $20,000, the Stooges $5,000, as revealed in the 2016 Jim Jarmusch film, Gimme Danger. In 1969, the band released their self-titled debut album; sales were low and it was not well-received by critics at the time.

In 1970, their second album, Fun House, was released, featuring the addition of saxophonist Steve Mackay. On June 13 of that year, television recorded the band at the Cincinnati Pop Festival. While performing the songs "T.V. Eye" and "1970", Pop leapt into the crowd, where he was hoisted up on people's hands, and proceeded to smear peanut butter all over his chest. In a broadcast interview at WNUR Northwestern University radio station in Evanston, Illinois in 1984, Stiv Bators of the Lords of the New Church and the Dead Boys confirmed the long-standing rumor that it was he who had provided the peanut butter, having carried a large tub from his home in Youngstown, OH and handing it up to Iggy from the audience.

Fun House was also poorly received by critics and the general public. Alexander was dismissed in August 1970 after arriving at the Goose Lake International Music Festival too drunk to play. He was replaced by a succession of new bass players, including former roadie Zeke Zettner and James Recca. Around this time, the band expanded their line-up by adding a second guitar player, roadie Bill Cheatham, who was eventually replaced by James Williamson, a childhood friend of the Ashetons and Alexander.

By this time, the Stooges, with the notable exception of Ron Asheton, had all become serious heroin users. The drug was introduced to the band by new manager John Adams. Their performances became even more unpredictable, and Pop often had trouble standing up on stage due to his extreme drug abuse. Elektra soon eliminated the Stooges from its roster, and the band had a hiatus for several months. The final line-up was Pop, the Asheton brothers, Recca and Williamson. 

The breakup of the Stooges was formally announced on 9 July 1971. 

Raw Power and second breakup (1972–74)[edit

With the band having broken up, Pop met David Bowie on 7 September 1971 at Max's Kansas City, and the pair instantly became good friends. The next day, on the advice of Bowie, Pop signed a recording contract with pop music manager Tony DeFries' company, MainMan. A few months later, Tony DeFries and Pop met Clive Davis from CBS/Columbia Records and got a two-album recording deal. In March 1972, DeFries brought Pop and Williamson to the UK, and the pair attempted to reconstitute the Stooges with British musicians, but finding no suitable additions, brought the Asheton brothers back into the band (this "second choice" decision rankled Ron Asheton, as did his change from guitar to bass). This line-up, billed as Iggy & the Stooges, recorded their third album, the influential Raw Power, which was released in 1973.

At the time, the album (which showcased Williamson's intensely melodic solos and chromatic riffs, in contrast to Asheton's minimalistic, groove-oriented approach) was criticized by diehard fans who said that Bowie had mixed it poorly (in subsequent years, various unofficial fan recordings were assembled and released as the album Rough Power; in 1997, the album was re-mixed by Iggy Pop and re-released). Although the album sold rather poorly and was regarded as a commercial failure at the time of its release, Raw Power would go on to become one of the cornerstones of early punk rock.

With the addition of a piano player (briefly Bob Sheff and then Scott Thurston), the Stooges toured for several months, starting in February 1973. Around this time they also made a number of recordings that became known as the Detroit Rehearsal Tapes, including a number of new songs that might have been included on a fourth studio album had the band not been dropped by Columbia soon after the release of Raw Power. In 1973, James Williamson was briefly dismissed due to criticism from the band's management company (likely pertaining to his tempestuous relationship with Cyrinda Foxe, a close friend of road manager Leee Black Childers); guitarist Tornado Turner replaced him for a single gig (on 15 June 1973 at the Aragon Ballroom, Chicago, Illinois), but Williamson soon returned to the group. 

The Stooges disbanded in February 1974 as a result of dwindling professional opportunities; this factor was compounded by Pop's ever-present heroin addiction and erratic off-stage behavior. The last half of the band's last performance of this era (on 9 February 1974 in Detroit, Michigan) was captured and was released later (in 1976) as the live album Metallic K.O. (along with the first half of an earlier show on 6 October 1973 at the same venue). A 1988 expanded release of the album with the title Metallic 2X K.O. included the two halves of each show. In 1998, the album was re-released under the original title with the order of the shows reversed, (mostly) expanded tracks and more complete set-lists.

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