Hell Comes To Your House rare Comp LP Bemisbrain VG++ Social Distortion 45 Grave
$
50
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
<div style="text-align:center"><img src="http://ti2.auctiva.com/sw/java.gif" border="0"><br><table align="center"><tr><td><a style="text-decoration:none" href="http://store.auctiva.com/DesignerSunglasses4DivaEyewear"><img src="http://ti2.auctiva.com/sw/browse1.gif" border="0"></a></td><td height="23px" valign="middle" align="center"><font face="arial" size="2"><b><a href="http://store.auctiva.com/DesignerSunglasses4DivaEyewear">DesignerSunglasses4DivaEyewear</a> Store</b></font></td></tr></table></div>
Check out my other items!
Rare Record
in Ex Condition insert included
Hell Comes To Your House
Label: Bemisbrain Records ?– BB 123/124 Format: Vinyl, LP, Album, CompilationCountry: US Released: Nov 1981 Genre: Rock Style: Punk, Hardcore, Goth Rock, Deathrock, New Wave
Tracklist Hide Credits
A1 Social Distortion – Lude Boy Producer – Ron Gowdy* Written-By – J. Beahns*, M. Ness* 2:01 A2 Social Distortion – Telling Them Producer – Ron Gowdy* Written-By – Social Distortion 3:10 A3 Legal Weapon – Daddy's Gone Mad Producer – Ron Gowdy* Written-By – B. Hansen*, Kat Arthur 2:38 A4 Red Cross* – Puss 'N' Boots Written-By – Johansen*, Sylvain* 2:37 A5 Modern Warfare – Out Of My Head Producer – Modern Warfare Written-By – J. Bemis* 1:43 A6 Modern Warfare – Street Fightin' Man Arranged By – Ron Gowdy* Producer – Modern Warfare Written-By – Richard*, Jagger* 1:30 A7 Secret Hate – Deception Producer – Steve Sinclair (2) Written-By – Secret Hate 1:42 A8 Secret Hate – New Routine / Suicide Producer – Steve Sinclair (2) Written-By – Secret Hate 2:10 A9 Conservatives – Suburban Bitch Written By – Butthole Written-By – Clower* 1:20 A10 Conservatives – Just Cuz / Nervous Written By – Shane Written-By – Clower* 1:35 B1 45 Grave – Evil Producer – Paul B. Cutler Written-By – 45 Grave 2:56 B2 45 Grave – Concerned Citizen Producer – Paul B. Cutler Written-By – Cutler* 1:46 B3 45 Grave – 45 Grave Producer – Paul B. Cutler Written-By – Cancer*, Bolles*, Cutler* 3:24 B4 Christian Death – Dogs Producer – Mike Patton (2) Written-By – R. Agnew*, R. Williams* 2:56 B5 100 Flowers – Reject Yourself Producer – Vitus Matare* Written-By – Talley-Jones*, Johansen* 2:31 B6 Rhino 39 – Marry It Producer – Steve Sinclair (2) Written-By – Rhino 39 2:27 B7 Super Heroines – Death On The Elevator Producer – Steve Sinclair (2) Written-By – Eva O 1:28 B8 Super Heroines – Embalmed Love Producer – Steve Sinclair (2) Written-By – Eva O, S. Ross* 2:35Companies etc
- Mastered At – Kendun Recorders
- Mastered At – Greg Lee Processing – L-7332
- Recorded At – Orange County Recorders
- Recorded At – Kitchen Sync Studios
- Engineered At – Orange County Recorders
Credits
- Compiled By [Concept & Programming] – Ron Gowdy* (tracks: A1 to A10), Steve Sinclair (2) (tracks: B1 to B8)
- Cover, Photography By – Peggy Photo
- Engineer – Randy Burns (tracks: A1 to A3, A5 to B8)
- Mastered By – Jeff Sanders
Notes
All songs engineered at Orange County Recorders July-September 1981 except "Puss 'n' Boots" recorded at Kitchen Sync.Mastered at Kendun Recorders.
Executive production: Bemisbrain Records.
Side A & B are reversed on back cover.
Includes a lyric sheet.
Barcode and Other Identifiers
- Matrix / Runout (Runout Side A [Etched]): BB123 JS·KENDUN L-7332
- Matrix / Runout (Runout Side B [Etched]): BB124 JS·KENDUN MASTERED ON A FULL MOON L-7332-X
- Rights Society: BMI
- Rights Society: ASCAP
<img src="http://ti2.auctiva.com/web/aswCredit.gif" border="0"><br><a href="http://www.auctiva.com/?how=scLnk1" target="_blank"><img src="http://ti2.auctiva.com/images/sc1line1.gif" border="0"></a>
VINYL ALBUM GRADING/CONDITION
Guidelines for assessing the grading / condition of used records (based on Goldmine Grading for Records)
MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.
NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.
EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.
VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.
GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will havedistracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be
![STEVIE WONDER, Songs In The Key Of Life [w/booklet] USA 1st pressing Exc- 2LP+45](https://www.popsike.info/php/thumbnail.php?url=https://www.popsike.pics/pix/20241201/387680060743.jpg)
