HOLLIES BUTTERFLY VERY RARE ORIG '67 BRITISH PRESS UK PARLOPHONE STEREO LP MINT

$

128

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·       THE HOLLIES – BUTTERFLY  - ORIGINAL BRITISH PRESSING – ORIGINAL 1967 PARLOPHONE RECORDS STEREO LP PCS-7039

·       ORIGINAL U.K. PRESSING

·       VERY RARE , TRUE FIRST, ORIGINAL BLACK PARLOPHONE LABEL WITH YELLOW PARLOPHONE LOGO AND THE INSCRIPTION “SOLD IN THE U.K. SUBJECT TO PRICE LISTS (etc.)" ACROSS THE CENTER OF THE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       ORIGINAL LAMINATED COVER

·       ORIGINAL FLIP-BACK COVER (1/2-INCH MARGINS OF THE FRONT PANEL ARE FOLDED AND PASTED ONTO THE BACK PANEL)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…/-2...'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The Hollies have always been one of my guilty pleasures. Considered lightweight to the other bands of their time, the Hollies consistently released one pop gem after another. My favorite LP by this band is the LP Butterfly. It is a somewhat neglected release that I believe is one of the definitive psychedelic pop albums. One of the unfortunate problems of psychedelia is that a band’s ideas and intentions often surpassed their recording capacity, often sounding muffled and amateurish. Butterfly escapes this fate as the Hollies were consistent hit makers and benefitted from an A-list recording budget. Thus, Butterfly features plenty of exotic instrumentation and full, live orchestration. Much of their experimentation on the album reflected other prominent releases of the past year (Sgt. Peppers, The Byrds’ Younger than Yesterday, etc.) but these ideas had not yet passed their freshness date and the phenomenal songwriting of Clarke-Hicks-Nash more than compensated for any redundancies. Apparently, as I have read elsewhere, the band as a whole was not too excited about the dive into psychedelia that they had begun with Evolution and continued here. This caused creative strain and Graham Nash would depart for America shortly after this album, but on Butterfly the tension provides a perfect balance between pop and psychedelia.

Butterfly starts with “Dear Eloise,” a lurching number that provides sort of a manifesto for the rest of the album with it’s tripped out mellotron passage shifting into a full blast pop-rock section rivaling even some of the better Lennon/McCartney singles. Nash would also specifically reference The Beatles on the sitar-laden “Maker,” which is not as complex as George Harrison’s sitar excursions, but has more of an immediate pop edge. The band scores with the soaring “Would You Believe,” which is my personal favorite on the album, and the poppy “Step Inside,” which recalls prime 1965 Brit-invasion pop. On the other side of the spectrum, the band tries to search for the astral sounds of the day on the one-two punch of “Try It” and “Elevated Observations?” Their “experimentation” here is rather tepid when compared with Syd Barrett’s Pink Floyd, The Soft Machine, or a host of the edgier psych bands, but their pop instincts save the day and make the songs enjoyable, if a bit dated. The closing title track is a much better bit of orchestration, and sound of a piece with contemporary Moody Blues efforts. “King Midas in Reverse,” which may be The Hollies’ best psychedelic number, includes amazing vocal harmonies and what starts as deceptively simple production morphing into a huge orchestral wall of sound. “Everything Is Sunshine” is an enjoyable but run-of-the-mill B-side.

Note: As was the practice in the mid-60’s, this U.K. LP was sliced apart in the U.S., with cuts dropped/substituted and the running order shuffled. It counterpart was released on Epic in the U.S., “Dear Eloise/King Midas in Reverse”

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THIS IS A RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record comes in the original “Made in England” stock inner sleeve.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-        Minor 1/2-inch tear (cut) noted on the flip-back of the cover on back panel (NO piece of the cover is missing!)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1 (front side) and 2 (back side).

-        Cover has a partially split top seam (between 2 and 4 inches  / 5 to 10 centimeters)

-         Cover has one corner slightly worn / dinged / bent (nothing significant)

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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