HERBIE HANCOCK CROSSINGS RARE ORIG 1972 WARNER WHITE LABEL PROMO LP w/INSERT 1A
$
51
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WE CURRENTLY HAVE ALMOST 1100 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· HERBIE HANCOCK – CROSSINGS – ORIGINAL 1972 WARNER BROTHERS RECORDS STEREO LP BS-2617
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, PROMO-ONLY INSERT (NOT FOUND IN REGULAR, STOCK COPIES) CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL WARNER BROTHERS LABEL WITH A “SHIELD” (WB) LOGO AT THE TOP OF THE LABEL, WHITE PROMO VERSION
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· COVER HAS A NIFTY STICKER STILL AFFIXED TO THE FRONT PANEL
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 6.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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With the frenzied knocking of what sounds like a clock shop gone berserk, Crossings takes the Herbie Hancock Sextet even further into the electric avant-garde, creating its own idiom. Now, however, the sextet has become a septet with the addition of Dr. Patrick Gleeson on Moog synthesizer, whose electronic decorations, pitchless and not, give the band an even spacier edge. Again, there are only three tracks -- the centerpiece being Hancock's multi-faceted, open-structured suite in five parts called "Sleeping Giant." Nearly 25 minutes long yet amazingly cohesive, "Sleeping Giant" gathers a lot of its strength from a series of funky grooves -- the most potent of which explodes at the tail-end of Part Two -- and Hancock's on-edge Fender Rhodes electric piano solos anticipate his funk adventures later in the '70s. Bennie Maupin's "Quasar" pushes the session into extraterrestrial territory, dominated by Gleeson's wild Moog effects and trumpeter Eddie Henderson's patented fluttering air trumpet. Even stranger is Maupin's "Water Torture," which saunters along freely with splashes of color from Hancock's spooky Mellotron and fuzz-wah-pedaled Fender Rhodes piano, Gleeson's electronics, and a quintet of voices. Still a challenging sonic experience, this music (which can be heard on Warners' Mwandishi two-CD set) has yet to find its audience, though the electronica-minded youth ought to find it dazzling.
(EXCERPT FROM AN ONLINE REVIEW BY RICHARD S. GINELL, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical or discography information on this album, including track listing ►click here
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THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) The album comes with original promo-only insert
(d) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(e) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 20:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Minor shelf wear noted on the seams (nothing significant)
- The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 2 inches / 1 inch = 2.5 centimeters).
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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