HEARTBREAKERS (JOHNNY THUNDERS) "L.A.M.F." 1977 TRACK 2409-218 VG/EX.OOP RARE

$

40

LAST YEAR I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE RECORD COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!)

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), OR IF THERE'S SOME REFLECTIONS. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING. ALL RECORDS WILL MAIL OUT INSIDE A PROTECTIVE PLASTIC OUTER SLEEVE,

THIS HAS BEEN VISUALLY & PLAY GRADED

ARTIST- HEARTBREAKERS (JOHNNY THUNDERS & JERRY NOLAN NEW YORK DOLLS)

TITLE- “L.A.M.F.” U.K. 1ST PRESSING

TRACK LISTING- SEE PHOTOS & BELOW

Companies, etc.

• Printed By – MacNeill Press Ltd.
• Manufactured By – Polydor Ltd.
• Distributed By – Polydor Ltd.
• Phonographic Copyright (p) – Track Records Ltd.
• Pressed By – Phonodisc Ltd.
• Lacquer Cut At – Master Room
• Published By – Chappell & Co. Ltd.
• Published By – Copyright Control
• Published By – Warner Bros. Music Ltd.

Credits

• Bass – Billy Rath
• Design [Cover Graphics] – Tony Peyton Graphics
• Drums – Jerry Nolan
• Lacquer Cut By – Porky (5)
• Lead Guitar, Vocals – Johnny Thunders, Walter Lure
• Photography By [Cover] – Roberta Bayley
• Producer – Daniel Secunda, Speedy Keen*

Notes

YEAR OF RELEASE- 1977

LABEL- TRACK RECORDS

CAT.#- 2409-218

RECORD CONDITION- VG+ CONDITION. NICE SHINY BLACK LUSTER, NO MARKS, DINGS, ETC.ETC. VERY CLEAN! NO AUDIBLE SURFACE NOISE AT ALL. THIS IS SUPER CLEAN!. LIGHT SURFACE NOISE ON THE LEAD IN GROOVES WHEN THE SONGS KICK IN YOU CAN'T HEAR IT AT ALL.

JACKET CONDITION- EXCELLENT CONDITION,

ADDITIONAL INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. ORIGINAL PRESSING. U.K. IMPORT. THERE'S A LITTLE GLARE IN THE PICTIRE OF THE FRONT OF THE COVER, IN THE UPPER LEFT CORNER, IT'S NOT A TEAR OR ANYTHING, JUST GLARE FROM THE LIGHT

MORE INFO ON THE ARTIST & RELEASE- The Heartbreakers, also known as Johnny Thunders and the Heartbreakers to distinguish them from Tom Petty's band, were an American punk rock band, formed in New York City in May, 1975. The band spearheaded the first wave of punk rock.

History

In May 1975, Johnny Thunders (vocals/guitar) and Jerry Nolan (drums) quit the New York Dolls, the same week that Richard Hell (vocals/bass) left Television. Their first gig was on May 31 of that year, at the Coventry, a rock club in Queens. The trio soon added Walter Lure (guitar/vocals) to the line-up. Lure had previously played with a glam-punk band called the Demons.

In early 1976 Thunders walked out on the line-up, due to Hell's attempts to impose his will on the band and on their performances, and Lure and Nolan followed, so in effect the band left Hell. Richard Hell was replaced by Billy Rath. Hell then went on to form his own band, with his name prominent in the band name: Richard Hell and the Voidoids.

Arriving for a European tour just as the UK punk scene was building momentum, the Heartbreakers developed a following in and around London. The band's members and image were widely associated with drug use, specifically heroin. The Sex Pistols invited the band to open for them on the ill-fated Anarchy Tour (the Sex Pistols at this time were managed by Malcolm McLaren, who had previously managed The New York Dolls). The Heartbreakers briefly signed with Track Records. Their debut, and only studio album, L.A.M.F. was poorly received (the titular initialisation represents a phrase from New York street-slang and graffiti, "Like A Mother-Fucker"). The release of the album created conflict within the band, due to the poor quality of the recording and difficulty in the mastering process, the blame for which rests with producer Speedy Keen. Jerry Nolan left the band at this point because he didn't like the mix of the album (Nolan had had a go at re-mixing the album himself, but wasn't satisifed with the results). The band reformed in 1979 for a few farewell shows at Max's Kansas City with drummer Ty Stix sitting in for Nolan. These shows recorded and released under the title Live at Max's Kansas City '79. The Heartbreakers' 1977 song, "London Boys", is a swipe at the Sex Pistols, in response to the Pistols' "New York", a put-down of the New York Dolls.

After their initial break up, the band reformed occasionally to play at New York clubs. Live shows often consisted of songs performed with the New York Dolls or taken from Thunders' solo career. Billy Rath left the band in 1985 and was replaced by Tony Coiro.

Johnny Thunders died in 1991. His body was found in a hotel room in New Orleans. While Thunders' death may have been drug-related, there is some controversy surrounding the facts of his death as the level of methodone in Thunders' body may not have constituted a fatal dose.

The last time the Heartbreakers played was at the Johnny Thunders Memorial Concert, with Walter Lure, Jerry Nolan, Tony Coiro and Joey Pinter, the latter playing in place of Thunders. This line up, together with Jeff West, released Rent Party in 1994, as The Waldos.

Jerry Nolan died in 1992 following a stroke he suffered in hospital, whilst being treated for meningitis and pneumonia.

Richard Hell rarely plays music live, concentrating instead on writing and spoken-word performances.

Walter Lure works as a stock broker on Wall Street but still performs in NYC with his current Waldos lineup. He also travels around the globe playing when his day job allows the time for it. In 2007 Walter Lure teamed up with Belgian punk rocker Dee Jaywalker and went on a short European tour which resulted in a live album, released on Nicotine Records. Lure played three UK concerts in August 2013.

Billy Rath disappeared from the music scene after leaving the Heartbreakers in the mid-1980s, and he undertook a period of rehabilitation to recover from the effects of sustained abuse of drugs and alcohol. Rath then went on to study for a degree in psychology and a postgraduate qualification in theology. He has also embraced religion and has worked as a counsellor for people with drug and alcohol problems. After being persuaded to attend the Max's Kansas City reunion gig in September 2010, Rath went on to form a band, The Street Pirates, with Joey Kelly on lead vocals (Buddy Love / Joey Kelly Allstars / Dive Bar Romeos), Johnny Rao on guitar (David Johansen, Sylvain Sylvain & Helen Schneider), Joy Ryder on background vocals (Avis Davis) and Bill Tello on drums (Hudson Dusters). Drummer Sesu Coleman (The Magic Tramps / Alan Vega) was Rath's first choice for the Street Pirates however Frankie Dell (Dead Cowboys / Trash Mavericks) was called in last minute to quickly replace Bill Tello on drums. After a few gigs in the New York City area with the current line up, Rath then moved up north to Massachusetts and formed a totally different band. He died on 16 August 2014, aged 66. 

L.A.M.F. is the only studio album by the American band The Heartbreakers, which included Johnny Thunders, Jerry Nolan, Walter Lure and Billy Rath. The music is a mixture of punk and rock and roll.

The acronym "L.A.M.F." stands for "Like A Mother Fucker"; in a 1977 interview in the UK monthly magazine Zigzag, Thunders said this originated from New York gang graffiti. Thunders claimed the gangs would add the LAMF tag after writing their gang name. However, if they were on another gang's territory they would write "D.T.K.L.A.M.F" (Down To Kill Like A Mother Fucker). The original, vinyl release of the album has been criticised for having a lackluster sound, despite several attempts to remix it.

Background

The Heartbreakers had been trying to get a record contract in the United States since their formation in 1975.

In the fall of 1976, Malcolm McLaren, who had informally managed the New York Dolls in their waning days, invited the band to come to England and participate in the Sex Pistols' Anarchy tour, along with The Clash and The Damned, who were replaced by Buzzcocks shortly after the tour commenced. The band accepted the offer, arriving in London on December 1, the same day that the Pistols swore at Bill Grundy on live, prime-time television, which precipitated the cancellation of most of the tour.

Stranded in England with little money after the Anarchy tour came to a halt, the band contemplated a retreat to New York, but their manager, Leee Black Childers, convinced them to stay in England, believing that they would be more successful there. After several gigs in London, Track Records offered the Heartbreakers a recording contract.

Track asked the band to sign to the company as "The Chris Stamp Band Ltd." a holding company owned by Track, with the proviso that if that holding company went out of business, the rights to any recordings the band made would revert to the band's own business partnership. The band agreed and signed on to Track.

Recording session order

The band prepared for the album with a three-day demo session at Essex Studios in late February 1977, followed by two live shows at London's Speakeasy Club, which were recorded by Track Records for future release.

Six songs: "All By Myself", "Let Go", "Get Off The Phone", "I Wanna Be Loved", "Can't Keep My Eyes On You", and "I Love You" were recorded at Essex with Track staff producer Speedy Keen. The band then switched to Ramport Studios (owned by The Who) to record eight more songs. During a break in the recording, the Who's Pete Townshend invited the Heartbreakers to appear as extras in the movie version of Quadrophenia.

Post-production

Mixing the recording was problematic. The band went to different studios, each member trying their own mixes. Each mix would be considered and rejected, after which band members returned to the studio to try to remix it. The band was later alleged to have used taxicabs to commute between London and Birmingham, billed to Track Records, to replenish their drug supply. The mixing sessions lasted through the summer of 1977, as they continued playing live.

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