HAWKWIND Doremi Fasol Latido 72, inc N/M INNER & POSTER
  £   52
  $   69

 


£ 52 Sold For
Oct 6, 2009 Sold Date
Sep 29, 2009 Start Date
£   14 Start price
9   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Delivering Quality Music to the World.

Artist or Band: HAWKWIND

Album Title: Doremi Fasol Latido.

Producer(s): Hawkwind.

TRACK LIST:

Side 1: Brainstorm; Space is Deep; One Change.

Side 2: Lord of Light; Down Through the Night; Time We Left This World Today; The Watcher.

Label/Format: United Artists (Please see my label scan).

Label Conditions: Both very clean and attractive with only a tiny few ultra light spindle marks.

Cat Number: UAG 29364.

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 132 grams. [These days, many modern Audiophile reissues are pressed on super-heavyweight 180 gram vinyl. Only a small percentage of ‘vintage vinyl’ was ever pressed this heavy. Records pressed in the 1960s averaged around 135 to 145 grams. Records pressed in the 1970s were usually lighter and averaged more around 115 – 125 grams. Some records pressed around 1973 were very thin and light due an oil crisis and shortage around this time. Some records were even issued on recycled vinyl from this period and sounded poor with crackle and surface noise evident from the very first play. If any record I buy is deemed ‘recycled’, I will never offer it, I have a very simple test to detect these records if I suspect this to be the case other than audible imperfection. Some records from this period were even pressed on other materials the most notable was ‘Dynaflex’, used by RCA around this time. Although inferior to vinyl, this at least mostly sounded reasonably acceptable but pressings on this material were wafer thin and flimsy. Beyond the 70s, many records often became thinner and lighter still but most played fine but were never quite the quality as from the ‘Golden Era’]. (This was based on ‘average’ weights for 50 records from these eras.

Country of Manufacture & Rarity: The record was manufactured in Germany for the UK market. Some UK pressings are available as well but these are usually thinner pressed and usually seen inside the matt covers. It was not unusual for UA albums to be manufactured in Germany at this time. The labels are just the same but have a black overprint on the ‘manufactured in England’ on the rims and ‘Manufactured in Germany’ added. This still has the UK Cat. No. and UK-style matrix numbers, more detail on that below. The original copies of this album had a very shiny real silver looking cover, this was replaced by a matt version which is far more common. Also with an inner and the elusive poster which is now quite rare and sort-after. Complete examples of this classic Hawkwind album are hard to find especially with the cover, inner and poster in superb condition.

Original Year of Release: 1972

Matrix Nos: UAG 29364 A-2U [29364-A] / UAG 29364 B-2U [29364-B]

Run-Out Groove Etchings: ‘PECKO’ / ‘PORKY’

Musicians: Lemmy - vocals, bass, guitar; Simon King - drums; Simon House - violin; Del Dettmar - synthesiser; Dik Mik - generators, electronics; Dave Brock - vocals, guitars; Nick Turner - vocals, saxophone, flute.

Brief Info: Hawkind’s third album and more brilliant space-rock again featuring the heavy bass chords of Lemmy. A no-nonsense full-on acid rock classic and one of my favourite ‘Hawks’ albums ever. This German pressing sounds incredible with power and dynamics I hardly thought possible - it makes the UK pressing sound muted in comparison. I had the chance to crank this up today and the sound totally blew me away. This record has marks, mostly paper scuffs but they are all ignored totally and this record plays superbly. The immense power and intensity of Lemmy’s bass on ‘Time We Left This World Today’ has to be heard to be believed. This band were never quite the same after his departure. Play this album as loud as possible to set the controls for the next dimension in entertainment.

This Cover’s Potential for Wear: Very High. This has the original silver foil shiny cover that may have been a specialised printing job and thus the German manufacture, although the cover itself has no imprint or country of manufacture. Later examples with the more basic matt cover are more easily found and are more durable. This rarer original is highly prone to ringwear, rubbing and most of all, tarnishing and dulling to the silver areas, few ever avoid it and although this one has a little of all the aforementioned, it’s still an exceptional one and it still looks attractive and shiny.

Cover Grade and Format: EX a single, unlaminated format with the real silver look finish with shiny surface. There are no printing credits but DA/DA/72 is printed on the bottom right corner of the back.

Cover Front: Looking much different to the Garrod & Lofthouse version, both sides have the silver foil shiny surfaces on the non-black areas. The silver artwork and text on the front is superb and still shines with no rubbing, damage or tarnishing. Very unusual to say the least. There is mild traces of rubbing on the black areas and a ring arc near the top, few ever avoid it. The cover was printed in silver and black overprinted. This is definitely the case as any chips or rubs that occur that remove the black has silver below and traces of this appears on the lightly rubbed bottom edge. Glad to state barely any chipping traces on the front at all or few creases either. All considered this fragile and delicate front looks lovely.

Cover Back: The back is exceptional and has only light rubbing/dull near the top round the inside flipback area. Most all of the silver areas retain immense shine and freshness and has avoided tarnish and ringwear. Hardly a crease to be seen and any marks are few and fine. This will take a huge amount of beating overall.

Top & Bottom Edges: Faint rub traces top. The bottom has mild rubbing exposing some faint traces of silver.

Right Edge(s), and Type: Clean, sharp with no wear or feathering. Record enters on this edge.

Spine and Text: The spine is incredible fragile and few will survive much better than this. Solid, straight with minimal compression, all the silver text is perfect and unworn. Can hardly believe this myself, every figure and letter is pristine with great shine and clarity. Any rubbing or chipping to the black ink is microscopic.

Corners: All four as practically as made with any tip rubs tiny and faint. All retain superb shape too.

Cover Summary: An immensely wear-prone cover, this example totally defies its vulnerability and will prove difficult to find better. This superb item should please most realistic collectors.

The Inner: Practically Mint as made and never seen a better example and probably never will again. This has the shaped corners and flipback construction. Unlined with no edge splits or repairs. Ultra clean, no marks or creases with a perfect recessed opening – anyone needing an inner upgrade need not look any further.

The Poster: Mint(-), the minus being a couple of faint and small tone spots on the white back. This scarce poster is unmounted e.g. no pin-holes, cellotape or blu-tack marks, and looks fantastic. No splits, tears or creasing, all the folds are as strong as when made and I doubt if this one has hardly ever been unfolded or even seen light-of-day. Again a near unbeatable upgrade example, do not underestimate the scarcity of a complete copy of this album.

Vinyl Condition/Visual Grading: For looks, I have to grade EX(-) because it has several paper marks or surface scuffs. These have NO sound whatsoever and this record plays a full grade above its visual grading. Slightly strange this, the last four copies of this album I have seen have all had surface marks and scuffs, this absolutely true. Still a fine visual copy that is clean with fine shine, intense black and very solidly pressed. The label visuals in terms of spindle marks indicates hardly played and how these scuffs occurred, well not sure because the rest of the set is superb. Still the marks don’t sound and the record plays with fantastic sound. Visually a decent record that should please manycollectors but not the perfectionists of course.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippetts or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This German-pressed record plays a full grade above its visual grading with practically nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high, literally as good as it ever gets. A title best enjoyed at volume and this super-clean example allows just that. Minimal surface sound, even on the few quiet passages and no pops or clicks were noted and this is an exceptional clean pressing. The marks are purely lie on the surface and have no relevance to sound or audio quality. I truthfully swear this record has more detail and better dynamics than any UK pressing I have heard. Not an audiophile masterpiece, I am not saying that, but the early Hawkwind albums have a reputation for slightly muted sound. But this was an eye and ear opener, this does sound more detailed and open and the instruments sharper with better sonic values. My LP12 will bring out the finer details but only if they are present to be bought out in the first place. Both channels are clean and sharp, I am certain this record has been played only lightly and it would not surprise me at all if some of these scuffs were present from purchase day. Of course I cannot prove this but the fact I have seen similar marks on other examples is baffling. Nothing spoilt my pleasure when play-grading this wonderful record. This copy will prove very difficult to find significantly better for quality sound and on that basis can be warmly recommended. If the record’s marks are an issue or you feel unsure, please do not bid.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12 with Ittok Mk IV arm and Ortofon Samba Moving Coil cartridge (tracks at 1.8 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.

First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.

POSTING & PACKING: What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, mostly the very next day after payment is received or within three days maximum (unless on holiday). All records are posted in professional boxes (NOT mailers) with the record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with TWO VERY THICK stiffners for even extra protection – these are FOUR TIMES thicker than commercial stiffners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed. The cover will be placed within a BRAND NEW heavy duty soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. Printed address labels are used for clarity as well as a sender label. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and offer probably the best-value and safest shipping possible. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than 0.1 per percent based on over 5,000+ items sold in over 8 years of Ebay trading and I consider that pretty exceptional. I discount of course for multiple purchases with a maximum of FOUR records per packet. I will not respond to questions on shipping costs as all the details are included in the advert.

NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.

Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (First Class Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500).

Posting & Packing: ALL EUROPE & SCANDINAVIA including RUSSIA and nearby countries. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£39 maximum]) = £8. (insurance optional extra £3).

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (any part); Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£39 maximum]) = £12. (insurance optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund minus the Posting and All Ebay costs as long as the item detail has been read and understood. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer. If any overseas collector does not understand anything in my listing, please email and ask me to help.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.




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