H. H. Stuckenschmidt - Einführung In Die Neue Musik Mit Ausgewählten Tonbeispielen

Rare Original Germany Pressing "WERGO ‎– WER 60005/I u. II" 2xLP

Tracks :

A1 Analyse Von Hans Heinz Stuckenschmidt

A2 Tonbeispiel 1. Du Lehnest Wider Eine Silberweide Aus Op. 15

Composed By – Arnold Schönberg

A3 Analyse Von Hans Heinz Stuckenschmidt

A4 Tonbeispiel 2. Nacht Aus "Pierrot Lunaire"

Composed By – Arnold Schönberg

Lyrics By [German Translation] – Otto Erich Hartleben

A5 Analyse Von Hans Heinz Stuckenschmidt

A6 Tonbeispiel 3. Schlußsatz Aus "L'Histoire Du Soldat"

Composed By – Igor Strawinsky

Lyrics By – Ch. F. Ramuz

A7 Analyse Von Hans Heinz Stuckenschmidt

A8 Tonbeispiel 4. Aus "Hyperprism"

Composed By – Edgard Varese

B1 Analyse Von Hans Heinz Stuckenschmidt

B2 Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25

Composed By – Arnold Schönberg

B3 Analyse Von Hans Heinz Stuckenschmidt

B4 Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25

Composed By – Arnold Schönberg

B5 Analyse Von Hans Heinz Stuckenschmidt

B6 Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25

Composed By – Arnold Schönberg

B7 Analyse Von Hans Heinz Stuckenschmidt

B8 Tonbeispiel 5. 2. Satz Aus "Suite Für Klavier" Op. 25

Composed By – Arnold Schönberg

B9 Analyse Von Hans Heinz Stuckenschmidt

B10 Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24

Composed By – Anton Webern

B11 Analyse Von Hans Heinz Stuckenschmidt

B12 Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24

Composed By – Anton Webern

B13 Analyse Von Hans Heinz Stuckenschmidt

B14 Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24

Composed By – Anton Webern

B15 Analyse Von Hans Heinz Stuckenschmidt

B16 Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24

Composed By – Anton Webern

B17 Analyse Von Hans Heinz Stuckenschmidt

B18 Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24

Composed By – Anton Webern

B19 Analyse Von Hans Heinz Stuckenschmidt

B20 Tonbeispiel 6. 2. Satz Aus "Konzert", Op. 24

Composed By – Anton Webern

B21 Analyse Von Hans Heinz Stuckenschmidt

C1 Tonbeispiel 7. 1. Satz Aus "Konzert Für Klavier Und Blasorchester"

Composed By – Igor Strawinsky

C2 Analyse Von Hans Heinz Stuckenschmidt

C3 Tonbeispiel 8. 3. Satz Aus "Musik Für Saiteninstrumente, Schlagzeug Und Celesta"

Composed By – Béla Bartók

C4 Analyse Von Hans Heinz Stuckenschmidt

C5 Tonbeispiel 9. Aus "Kontrapunkte"

Composed By – Karlheinz Stockhausen

D1 Analyse Von Hans Heinz Stuckenschmidt

D2 Tonbeispiel 10. "Etude Aux Allures"

Composed By – Pierre Schaeffer

D3 Analyse Von Hans Heinz Stuckenschmidt

D4 Tonbeispiel 10. "Etude Aux Allures"

Composed By – Pierre Schaeffer

D5 Analyse Von Hans Heinz Stuckenschmidt

D6 Tonbeispiel 11. Aus "Il Canto Sopreso"

Composed By – Luigi Nono

D7 Analyse Von Hans Heinz Stuckenschmidt

D8 Tonbeispiel 12. "Le Marteau Sans Maitre"

Composed By – Pierre Boulez

Lyrics By [Text] – René Char

D9 Analyse Von Hans Heinz Stuckenschmidt

D10 Tonbeispiel 13. Aus "Kammermusik 58" Nach Hölderlins "In Lieblicher Blaue"

Composed By – Hans Werner Henze

Enlarge Pictures For All Details/Tracks

Condition Vinyl   :        EX - / very few light marks / small pen marks on labels

Condition Sleeve  :      VG ++ / light age wear / small pen marks on booklet

*Condition is based on visual grading - Please Read scale below 

WORLDWIDE & COMBINED SHIPPING

                                   __________________________________________

Check out my other items!

worldwide AIRMAIL shipment.

buyer pays shipment.

*Payment - Pay pal.

*All payment to be received within 6 days unless mutually agreed.

*Feel Free To Ask Me Any Questions. All questions through eBay - 'ask the seller'.

*Tracking Number will only be provided if the Item is registered (additional $4.00).

*Upon receiving payment, item will be shipped within 48 hours.

*Packaging : All vinyl sent in professional boxes. Vinyl is removed from covers to prevent seam split.

*IF YOU'RE NOT SATISFIED WITH YOUR ITEM PLEASE LET ME KNOW AND I'LL REFUND YOUR PAYMENT 

Gradings : (*Condition is based on visual grading)
 
Mint - The record is in brand new condition With no surface marks or deterioration in sound quality. The cover & any extra items (inserts, etc) are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Excellent - The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging may have slight wear and / or creasing.

Very Good - The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

Good - The record has been played so much that the sound quality has noticeably deteriorated, may have some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.