Gram Parsons – Grievous Angel: Vinyl Album, Repress, Jacksonville Pressing; VG+
$
22
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Oh, how I wish my scanner were one inch wider.
Gram Parsons – Grievous Angel
Label:
Reprise Records – MS 2171
Format:
Vinyl, LP, Album, Repress, Jacksonville Pressing
Country:
US
Released:
1974
Genre:
Rock, Folk, World, & Country
Style:
Country Rock, Honky Tonk
Tracklist
Show Credits
A1
Return Of The Grievous Angel
Acoustic Guitar [Rhythm] – Bernie Leadon
Fiddle – Byron Berline
Written-By – Gram Parsons
4:19
A2
Hearts On Fire
Drums – N.D. Smart II
Lead Guitar [Electric Lead] – Bernie Leadon
Written-By – Tom Guidera, Walter Egan
3:50
A3
I Can't Dance
Rhythm Guitar [Electric Rhythm] – Herb Pederson*
Written-By – Tom T. Hall
2:20
A4
Brass Buttons
Electric Piano – Glen D. Hardin*
Written-By – Gram Parsons
3:27
A5
$1000 Wedding
Written-By – Gram Parsons
5:00
Medley Live From Northern Quebec:
B1a
Cash On The Barrelhead
Fiddle, Mandolin – Byron Berline
Vibraphone [Vibes] – Steve Snyder
Written-By – C. Louvin*, I. Louvin*
2:20
B1b
Hickory Wind
Fiddle, Mandolin – Byron Berline
Vibraphone [Vibes] – Steve Snyder
Written-By – Bob Buchanan, Gram Parsons
4:15
B2
Love Hurts
Written-By – Boudleaux Bryant
3:40
B3
Las Vegas
Written-By – Gram Parsons, Rik Grech*
3:29
B4
In My Hour Of Darkness
Dobro – Bernie Leadon
Drums – N.D. Smart II
Fiddle – Byron Berline
Vocals – Linda Ronstadt
Written-By – Emmylou Harris, Gram Parsons
3:42
Please inspect images of record label for label condition, writing, wear, stickers, etc. (A picture is worth a thousand words.)
33 RPM Vinyl Record Grading
I inspect each record visually and play a short section of many of them. Typically I look for and play the portions of the record that show the most marks or rubbing. However, record grading is somewhat subjective so if I miss the mark based on the criteria listed below, let me know.
"NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect.
Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.
Near mint records are shiny and free of visible defects. No writing, stickers, other markings or spindle marks appear on the label. No major factory defects are present; a record and label obviously pressed off center is not Near Mint.
If played, an NM record will do so without surface noise. Near Mint records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.
NM covers have no creases, ring wear or seam splits of any kind.
These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint!
It is estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint. This is why they fetch such high prices, even for more common items. They must meet these standards to qualify.
VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
Very Good (VG)
Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.
VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.
Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too."
Sometimes a 33 RPM album cover has a hole or slot punched in the corner. These are cut-out albums. " Cut-outs are typically wholesaled to retailers as non-returnable items, meaning that the store cannot send them back to the distributor for a refund. The marking also serves to prevent the retailer from attempting to sell the discounted item at the original full price." from Wikipedia.price rating
