GEORGE HARRISON All Things Must Pass MINT '70 Apple STCH 639 1ST PRESS w POSTER
$
180
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Description
Vinyl: MINT! TOP COPY! ARCHIVAL! Appears to have never been played! Apple Photo Labels are Clean and Bright. This is the Apple STCH 639 Triple LP 1ST PRESSING!! This is the audiophile acclaimed pressing, pressed at Capitol's renowned Los Angeles, CA Pressing Plant!! George's Masterpiece! Universally Acclaimed as the Finest of All The Beatles' Solo Efforts. This one takes us on so many separate journeys, it's dizzying to consider them all...and in collaboration with a who's who on the Rock scene at that time: Ringo, Eric Clapton, Dave Mason, Bobby Whitlock, Badfinger, and many others...some personal fave songs: If Not For You, Beware Of Darkness, The Ballad Of Sir Frankie Crisp, Let It Down...ok, and My Sweet Lord incorporates Hindu bhajan tradition with Gospel...'nuff said! Epic and Crucial. One of Rolling Stone's 500 Greatest Albums of All Time!! allmusic gives it 5 stars!!!
See Review Below!
In The Dead Wax: Matrices, etched, on both sides. Also: the * glyph on all 6 sides ((Pressed at Capitol's Los Angeles, CA Pressing Plant))
Box: VG++ (see photos) Includes all the custom credits/lyrics inner sleeves, in crisp, Minty condition, by the way! Includes the Poster in Minty Condition! No pinholes, tape residue, etc. Appears to have never been used! Suitable for Framing! The photo is, like the cover photo, taken at George's Estate, Friar Park, Henley-On-Thames. Nice matte tones on cover. Front and and inside of Box artwork and text are rich, clear and bright, with some shelf wear. Seams and corners are solid and clean with minor wear. No splits. No writing. No stickers. Spine print is crystal clear.
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Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
All records are packaged securely with the vinyl sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.All Things Must Pass Review
by Richie Unterberger
[-]Without a doubt, George Harrison's first solo recording, originally issued as a triple album, is his best. Drawing on his backlog of unused compositions from the late Beatles era, Harrison crafted material that managed the rare feat of conveying spiritual mysticism without sacrificing his gifts for melody and grand, sweeping arrangements. Enhanced by Phil Spector's lush orchestral production and Harrison's own superb slide guitar, nearly every song is excellent: "Awaiting on You All," "Beware of Darkness," the Dylan collaboration "I'd Have You Anytime," "Isn't It a Pity," and the hit singles "My Sweet Lord" and "What Is Life" are just a few of the highlights. A very moving work, with a slight flaw: the jams that comprise the final third of the album are somewhat dispensable, and have probably only been played once or twice by most of the listeners who own this record. Those same jams, however, played by Eric Clapton, Carl Radle, Bobby Whitlock, and Jim Gordon (all of whom had just come off of touring as part of Delaney & Bonnie's band), proved to be of immense musical importance, precipitating the formation of Derek & the Dominos. Thus, they weren't a total dead end, and may actually be much more to the liking of the latter band's fans.
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