GENTLE GIANT 1st. Superb Early Vertigo Spaceship EX+ LP
£
22
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29
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Description
ONEADAYRECORDS – Delivering Quality Music to the World
Please see my Detailed Packing Description Further Down & All Shipping Rates.
Artist or Band: GENTLE GIANT
Album Title: Gentle Giant.
Producer(s): Tony Visconti.
TRACK LIST:
Side 1: Giant; Funny Ways; Alucard; Isn’t It Quiet and Cold?
Side 2: Nothing At All; Why Not?; The Queen.
Label/Format: Vertigo – Spaceship format (Please see my label scan).
Label Conditions: Both very clean and highly attractive with only ultra light and faint spindle traces and no wear around the hole area. Without doubt, this lovely record has barely been played.
Cat Number: 6360020.
Mode / Speed: Stereo / 33.3 rpm.
Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.
Weight of this Record: 120 grams. [These days, many modern Audiophile reissues are pressed on super-heavyweight 180 gram vinyl. Only a small percentage of ‘vintage vinyl’ was ever pressed this heavy. Records pressed in the 1960s averaged around 135 to 145 grams. Records pressed in the 1970s were usually lighter and averaged more around 115 – 125 grams. Some records pressed around 1973 were very thin and light due an oil crisis and shortage around this time. Some records were even issued on recycled vinyl from this period and sounded poor with crackle and surface noise evident from the very first play. If any record I buy is deemed ‘recycled’, I will never offer it, I have a very simple test to detect these records if I suspect this to be the case other than audible imperfection. Some records from this period were even pressed on other materials the most notable was ‘Dynaflex’, used by RCA around this time. Although inferior to vinyl, this at least mostly sounded reasonably acceptable but pressings on this material were wafer thin and flimsy. Beyond the 70s, many records often became thinner and lighter still but most played fine but were never quite the quality as from the ‘Golden Era’]. (This was based on ‘average’ weights for 50 records from these eras.
Country of Manufacture: England.
Rarity: Scarce on either Spaceship or the original Swirl label. Being honest, I have seen far more of these on the Spiral label than the slightly later Spaceship format, but of course, the serious Vertigo collectors want the Swirl no matter what the cost. And cost is a major factor on this one: Swirl prices are Spiralling almost out of control these days and this is a perfect opportunity for the progressive fan to own this brilliant album without the huge cost of a first press. For those who just want the music and cover with no concern of label design, this is superb example. Same record – different label – the sound is identical – your choice.
Original Year of Release: 1970. This one would have been pressed around 1972-73.
Matrix Nos: 6360020 1Y // 1 420 1 1 3 / 6360020 2Y // 3 420 05 1 1
Musicians: Gary Green – lead guitar, 12 string guitar, flute, backing vocals; Kerry Minnear – keyboard, some bass, cello, synthesiser, lead vocals, backing vocals, tuned percussion; Derek Shulman – lead vocals, backing vocals, bass; Phil Shulman – sax, trumpet, recorder, lead vocals, backing vocals; Ray Shulman – most bass, violin, some guitar, percussion, backing vocals; Martin Smith – drums, percussion, xylophone. Guests: Paul Cosh – tenor horn, Claire Deniz – cello.
Brief Info: Superb debut album from these complex progsters. This is probably the most accessible of their early ‘Spiral’ albums, but is still fairly challenging. Famed for complex music patterns with many time, structure and tempo changes - you either love or loathe them, but for sure they were original and had their own unique very polished sound. Highly talented multi-instrumentalists, they usually appealed to fans of Yes, King Crimson, van der Graaf Generator and similar bands. This 1970 first album included their famous Gentle Giant artwork that, like most from this Vertigo era, was highly wear-prone. This has very little to fault and is up there with the best I have personally seen. The record looks hardly played and sounds fantastic with nigh-on pristine sound throughout. One for the vinyl collector who simply wants a near perfect record and clean cover and not the expense of a Swirl original. Bar the label, there is no real differences of note and with first issues now going well into three figures for even excellent (or lesser) examples, this could prove to be the ultimate bargain buy.
Cover Grade and Format: Well worthy of EX+, few wear this well. An unlaminated gatefold format. Printed and made in England by Howard’s.
Cover Front: One of the very best in the Vertigo catalogue, all prog fans will know this cover design well and here it looks fabulous. This front has little wear and any blemishes are fine, faint and minor. Ultra faint pressmarks in the centre of the giant’s forehead, but look hard. Clean, unfaded with no creasing, even though this is a spaceship repress, the cover retains the Spiral logo.
Cover Back: Immaculate bar one tiny rub near the bottom left corner. Bear in mind I have turned this cover for photographing to see the picture right-reading. Ultra clean, no ring marks or creasing, almost as good as they realistically get.
Cover Inner Gatefold: The inside is near perfect and practically devoid of any wear or marks. The faintest of faint traces of set-off being ultra critical.
Top Edges: Barely any noteworthy wear, odd small rub near the right corner.
Bottom Edges: A few tiny surface chips or faint rub traces, more near the right corner on the front.
Right Edge(s), and Type: Clean, sharp with barely any wear and no feathering or trimming. The back edge is closed hence the record enters on the front.
Spine and Text: The spine is also in super condition and devoid of the usual rubbing most are seen with. Any present on this is ultra faint and small, a trace on the top fold and near the ends. Solid, straight, uncompressed and square, both right edges meet up perfectly together and parallel.
Corners: The corners have rubbed but mostly lightly, most on bottom right front which is near moderate. Most all retain fine to very fine shape.
Cover Summary: A very strong all round example of this very fragile 70’s cover, one that will prove very difficult to find much better (and possibly very expensive). This highly attractive and one of the best within the Vertigo catalogue should please most collectors.
The Inner: The original polylined inner is included in around EX- condition. Barely any real wear but has darkned with age around the edges, this being glue darkening which few excape totally.
Vinyl Condition/Visual Grading: EX+, A super visual copy that is very clean, shiny, intense black and quite solidly pressed. A copy with minimal plays on all the evidence with just ultra fine and faint surface traces that have no sound of course. Look hard to even see any, this a lovely fresh looking record that should please most collectors.
Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippetts or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]
Sound Quality and Audio Grading: This superb progressive gem plays even above its high visual grading with nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds are minimal indeed and no pops or clicks were noted and this is an exceptional clean pressing for a highly demanding album that has a fair number of quiet passages. Few copies will outperform this early pressed spaceship significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly and has been carefully handled and stored. Nothing spoilt my pleasure when play-grading this wonderful record. This record will prove very difficult to find significantly better and can be strongly recommended. All the top quality sound without potentially the very high cost, makes sense to me. Enjoy it for what it is, a progressive rock classic.
Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with QED Silver terminated cable). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.
First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.
PACKING - THIS IS WHAT YOU GET - PLEASE SEE MY TYPICAL PACKING BOX PICTURE.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional thick boxes (NOT Mailers or Cruciforms, these do not offer maximum protection). The record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with THREE or EVEN FOUR ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. The thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. Please see my picture of a typical finished box packet that will now be used on ALL transactions as from now. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. These boxes and ultra thick double-wall stiffners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand based on over 6,000+ items sold in over 8 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffners cannot be bent by hand, so what chance 3 or 4 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FOUR records per box (one double can sometimes be included subject to total weight). I will not respond to questions on shipping costs as all the details are included here and on ALL of my adverts. Details below:
NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.
Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £2 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£40 maximum]) = £9. (insurance optional extra £3). Add £2.50 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£39 maximum]) = £13. Add £4 per extra LP. (insurance optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.
On 19-Aug-10 at 23:28:25 BST, seller added the following information:
price rating