Father John Misty Fear Fun LP Vinyl Limited LTD LOSER Edition Pink Marble NM-
$
158
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Well here it is my copy of Father John Misty's "Fear Fun" Loser Edition.... A super rare 1st pressing (only 850 were made)...and features pink marble vinyl. I looked everywhere and can't find the demo cd that came with it, so that is not included. I am listing the condition of this record as NM-...I see no surface marks and in all honesty I have only played this record a handful of times (like my copy of Nootropics). I am not a professional record grader but rest assured, I do take excellent care of my records.
Here's some more info I copied from the internet...
Tracks:
- Funtimes in Babylon
- Nancy From Now On
- Hollywood Forever Cemetery Sings
- I'm Writing a Novel
- O I Long to Feel Your Arms Around Me
- Misty's Nightmares 1 & 2
- Only Son of the Ladiesman
- This Is Sally Hatchet
- Well, You Can Do It Without Me
- Now I'm Learning to Love the War
- Tee Pees 1-12
- Everyman Needs a Companion
When discussing ‘Father John Misty’, Tillman paraphrases Philip Roth: ’It’s all of me and none of me, if you can’t see that, you won’t get it’. What I call it is totally arbitrary, but I like the name. You’ve got to have a name. I never got to choose mine.”
He goes on, “‘People who make records are afforded this assumption by the culture that their music is coming from an exclusively personal place, but more often than not what you hear are actually the affectations of an ’alter-ego’ or a cartoon of an emotionally heightened persona,” says Josh Tillman, who has been recording/releasing solo albums since 2003 and who recently left Seattle’s Fleet Foxes after playing drums from 2008-2011. “That kind of emotional quotient isn’t sustainable if your concern is portraying a human-being made up of more than just chest-beating pathos. I see a lot of rampant, sexless, male-fantasy everywhere in the music around me. I didn’t want any alter-egos, any vagaries, fantasy, escapism, any over-wrought sentimentality. I like humor and sex and mischief. So when you think about it, it’s kind of mischievous to write about yourself in a plain-spoken, kind of explicitly obvious way and call it something like ‘Misty’. I mean, I may as well have called it ‘Steve’”.
Musically, Fear Fun consists of such disparate elements as Waylon Jennings, Harry Nilsson, Arthur Russell, “All Things Must Pass,” and “Physical Graffiti,” often within the same song. Tillman’s voice has never been better and often sounds like Roy Orbison, “The Caruso of Rock”, at his most joyous, while the music maintains a dark, mysterious and yet conversely playful, almost Dionysian quality. Lyrically, his absurdist fever dreams of pain and pleasure elicit, in equal measures, the blunt descriptive power of Bukowski or Brautigan, the hedonist-philosophy of Oscar Wilde and the dried-out wit of Loudon Wainwright III.
price rating