FREE 2for1 OFFER-Zappa ?– You Can't Do That On Stage Anymore (Sampler) Label: B

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 6-17-2018

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FREE 2for1 OFFER-Frank Zappa–You Can't Do That On Stage Anymore Sampler-Barking Pumpkin Records ?– D1 74213/LP

COVER-VG+++Gatefold

VINYL-Near MINT

TracklistHide Credits

A1 Plastic People Alto Saxophone – Ian UnderwoodBaritone Saxophone – Motorhead SherwoodBass, Vocals – Roy EstradaDrums – Arthur Dyer Tripp III*, Jimmy Carl BlackGuitar, Vocals – Lowell GeorgeKeyboards, Electronics – Don PrestonLead Guitar, Vocals – F.Z.*Tenor Saxophone – Bunk GardnerTrumpet – Buzz GardnerWritten-By [Music] – Richard BerryWritten-By [Words] – FZ* 4:38 A2 The Torture Never Stops Bass – Patrick O'HearnDrums – Terry BozzioGuitar, Vocals – Adrian BelewKeyboards – Peter Wolf (3), Tommy MarsLead Guitar, Vocals – F.Z.*Percussion – Ed MannWritten-By – FZ* 15:51 B1 Montana (Whipping-floss) Bass – Tom FowlerDrums – Chester ThompsonKeyboards, Vocals – George DukeLead Guitar, Vocals – F.Z.*Percussion – Ruth UnderwoodSaxophone, Vocals – Napoleon Murphy Brock*Written-By – FZ* 10:15 B2 The Evil Prince Bass – Scott ThunesDrums – Chad WackermanGuitar, Vocals – Ike Willis, Ray WhiteKeyboards – Allan ZavodKeyboards, Saxophone, Vocals – Bobby Martin (2)Lead Guitar, Vocals – F.Z.*Written-By – FZ* 7:12 B3 You Call That Music? Baritone Saxophone – Motorhead SherwoodBass, Vocals – Roy EstradaClarinet – Ian UnderwoodDrums – Arthur Dyer Tripp III*, Jimmy Carl BlackGuitar – F.Z.*, Lowell GeorgeKeyboards, Electronics – Don PrestonTenor Saxophone – Bunk GardnerTrumpet – Buzz GardnerWritten-By – FZ* 3:07 C1 Sharleena Bass – Scott ThunesDrums – Chad WackermanGuitar, Vocals – Ike Willis, Ray WhiteKeyboards – Allan ZavodKeyboards, Saxophone, Vocals – Bobby Martin (2)Lead Guitar, Vocals – F.Z.*Soloist, Guitar – Dweezil ZappaWritten-By – FZ* 8:53 C2 Nanook Rubs It Bass – Arthur BarrowDrums – Vinnie ColaiutaGuitar – Warren CuccurulloGuitar, Vocals – Ike WillisKeyboards – Peter Wolf (3)Keyboards, Vocals – Tommy MarsLead Guitar, Vocals – F.Z.*Percussion – Ed MannSlide Guitar, Vocals – Denny WalleyWritten-By – FZ* 11:19 D1 The Florida Airport Tape Bass – Jeff SimmonsDrums – Aynsley DunbarGuitar, Vocals – F.Z.*Keyboards – George DukeKeyboards, Alto Saxophone – Ian UnderwoodVocals – Howard Kaylan, Mark VolmanWritten-By – FZ*, Kaylan*, Volman* 1:03 D2 Once Upon A Time Bass, Vocals – Jim PonsDrums – Aynsley DunbarKeyboards, Alto Saxophone – Ian UnderwoodKeyboards, Electronics – Don PrestonLead Guitar, Vocals – F.Z.*Vocals – Howard Kaylan, Mark VolmanWritten-By – FZ* 4:38 D3 King Kong Bass – Scott ThunesDrums – Chad WackermanGuitar [Stunt Guitar] – Steve VaiGuitar, Vocals – Ray WhiteKeyboards, Saxophone, Vocals – Bobby Martin (2)Keyboards, Vocals – Tommy MarsLead Guitar, Vocals – F.Z.*Percussion – Ed MannWritten-By – FZ* 3:11 D4 Dickie's Such An Asshole Bass – Tom FowlerDrums – Chester Thompson, Ralph HumphreyKeyboards, Vocals – George DukeLead Guitar, Vocals – F.Z.*Percussion – Ruth UnderwoodSaxophone, Vocals – Napoleon Murphy Brock*Trombone – Bruce Fowler*Written-By – FZ* 6:48 D5 Cosmic Debris Bass – Scott ThunesDrums – Chad WackermanGuitar, Vocals – Ike Willis, Ray WhiteKeyboards – Allan ZavodKeyboards, Saxophone, Vocals – Bobby Martin (2)Lead Guitar, Vocals – F.Z.*Written-By – FZ* 4:45

Companies etc

• Phonographic Copyright (p) – Barking Pumpkin Records
• Copyright (c) – Barking Pumpkin Records
• Published By – Munchkin Music
• Published By – Frank Zappa Music
• Published By – Limax Music
• Manufactured By – Barking Pumpkin Records
• Distributed By – Barfko-Swill
• Recorded By – UMRK Mobile
• Recorded By – Island Mobile
• Recorded By – EMI Remote Facility
• Recorded By – Record Plant Mobile Studio
• Recorded At – The Factory, Bronx, NY
• Recorded At – Hemmerleinhalle, Germany
• Recorded At – Columbia University
• Recorded At – Universal Amphitheatre
• Recorded At – Hammersmith Odeon
• Recorded At – Rainbow Theatre London
• Recorded At – Parc Des Expositions
• Recorded At – The Roxy
• Recorded At – Paramount Theatre, Seattle
• Remixed At – UMRK

Credits

• Design [Package] – Art Hotel, Inc.*, Jeff Fey*
• Engineer [Remote] – Bob Stone (tracks: C1)
• Mastered By – Bernie Grundman
• Producer, Arranged By, Compiled By, Edited By, Liner Notes – Frank Zappa
• Recorded By – Davey Moire (tracks: A2), Dick Kunc (tracks: A1, B3), F.Z.* (tracks: D1), Kerry McNabb(tracks: D4), Mark Pinske (tracks: B2, C1, D3, D5), Mick Glossop (tracks: C2)
• Supervised By [Engineering Supervision For The Entire Series], Remix – Bob Stone

Notes

Don't forget to register to vote! 

This was (in Zappa’s own words) a “sneak preview” to the “You Can’t Do That On Stage Anymore” series, consisting of six double-CD sets of live material; from 1965 to 1988 (Zappa’s first CD-only release).

Barcode and Other Identifiers

• Barcode: 0 1334-74213-1 5
• Rights Society: ASCAP
• Rights Society: BMI

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Rating System

 

Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.

Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.

 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a V G+++ record highly acceptable.

Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.