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FREE 2for1 OFFER-Def Leppard   ?– Hysteria- Mercury ?– 422 830 675-1 Q-1/LP

COVER-MINT Minus

VINYL-MINT Minus -original inner sleeve

Tracklist

A1 Women 5:41 A2 Rocket 6:34 A3 Animal 4:02 A4 Love Bites 5:46 A5 Pour Some Sugar On Me 4:25 A6 Armageddon It 5:21 B1 Gods Of War 6:32 B2 Don't Shoot Shotgun 4:10 B3 Run Riot 4:38 B4 Hysteria 5:49 B5 Excitable 4:19 B6 Love And Affection 4:35

Companies etc

• Published By – Bludgeon Riffola Ltd.
• Published By – Zomba Enterprises, Inc.
• Published By – Why Bother Ltd.
• Published By – Warner Bros. Music
• Published By – Zomba Music Publishers
• Phonographic Copyright (p) – Phonogram Ltd. (London)
• Copyright (c) – Bludgeon Riffola Ltd.
• Manufactured By – PolyGram Records, Inc.
• Marketed By – PolyGram Records, Inc.
• Mastered At – Masterdisk
• Mixed At – Battery Studios, London
• Recorded At – Wisseloord Studios
• Recorded At – Windmill Lane Studios
• Recorded At – Studio Des Dames
• Pressed By – Specialty Records Corporation

Credits

• Backing Vocals [All] – Bankrupt Brothers, The
• Bass – Baron Beaverbrook "Sir Richard" Rick "Sav" Savage*
• Booking [At I.C.M.] – Marsha Vlasic
• Booking [At I.T.B.] – Rod MacSween
• Drums – Civilian Rick "O.B. Oblivion, Dick, Bus Head" Allen*
• Engineer [Additional] – Erwin Musper, Pete Williscroft, Ronald Prent
• Engineer [Mixes] – Mike Shipley, Nigel Green
• Guitar [Guitars] – Air Commodore Phil "Felix, P.C., The Guru, Wambo, Tap" Collen, B.T.H.*, Wing Commander Steve "Steamin', Dreamy, Snikker, Mayhem, P.T.W." Clark, A.H.D.*
• Illustration, Artwork, Design – Satori (14)
• Lead Vocals – Joe "King Kreosote, The Diplomat" Elliott*
• Management [Managed By] – Q Prime Inc.
• Mastered By – Bob Ludwig, Howie Weinberg
• Performer [Def Leppard] – Joe "King Kreosote, The Diplomat" Elliott*, Air Commodore Phil "Felix, P.C., The Guru, Wambo, Tap" Collen, B.T.H.*, Civilian Rick "O.B. Oblivion, Dick, Bus Head" Allen*, Baron Beaverbrook "Sir Richard" Rick "Sav" Savage*, Wing Commander Steve "Steamin', Dreamy, Snikker, Mayhem, P.T.W." Clark, A.H.D.*
• Photography By [Individual Photos] – Laurie Lewis (4)
• Photography By [Live Photo] – Ross Halfin
• Producer – Robert John "Mutt", Mr. Green Thumb" Lange*
• Producer [Assisted By], Engineer – Nigel "See Elsewhere For Details" Green*
• Programmed By [Fairlight Programming] – Legendary Philip "Art School" Nicholas*
• Technician [Tape Operator] – Mark Flannery
• Written-By – Joe Elliott, Phil Collen, Rick Savage, Mutt Lange*, Steve Clark (5)

Notes

Printed inner sleeve with informations, live photo, and liner notes.

Catalog# on labels and inner sleeve: 422 830 675-1 Q-1
Catalog# on spine: 830 675-1 Q-1

All songs published by Bludgeon Riffola Limited / Zomba Enterprises Inc. (ASCAP) (on labels)
All songs published by: In the U.K./Ireland: Why Bother Ltd./Warner Bros. Music/Zomba Music Publishers. In Australia/New Zealand: Bludgeon Riffola Ltd./Warner Bros. Music/Zomba Music Publishers. In the Rest of The Known Universe: Bludgeon Riffola Ltd./Zomba Music Publishers. Thanks to Jan Garner, Ralph Simon and Clive Calder at Zomba for their help and encouragement. (on inner sleeve)
? 1987 Phonogram Ltd. (London)
© 1987 Bludgeon Riffola Ltd.
A Bludgeon Riffola Recording
Hysteria was recorded at: Wisseloord Studios, Hilversum, Holland: Thanks to Bart, Bert, Inge, Joke, Ronald, Irwin, Jan Fred, Peter, Freek, Henk and Henk, Albert Boekholt, Albert Hartwig, Junior, Miriam, Petra, Ilse and Lex. Windmill Lane Studio 2, Dublin, Ireland: Thanks to Irene, Bronwen, Suzanne, Ann Fox and Mark Flannery. Studio Des Dames, Paris, France: Thanks to Marcel.
Hysteria was mixed at Battery Studios, London, England.
Direct Metal Mastering at Masterdisk.
Manufactured and marketed by PolyGram Records, Inc., 810 Seventh Avenue, New York, N.Y. 10019.
Printed in U.S.A.

Very Special Thanks: Cliff Burnstein, Mutt Lange, Peter "Motor" Mensch.

Special Thanks: Steve Cater, Jack Cummins, Marty Goldberg, James Harman, Malvin Mortimer, Jeff Rich, Mike Rogers, Andrew Snelling and Ann Waddingham.

Thanks: Fred Ball, Jim Barber, Ray Burmiston, Nick "Telegram" Cua, d drums, Neil "Nellie" Dorfsman, Paddy Freeny, Billy Gibbons, Danny Gottlieb, Ross Halfin, Ian Jeffery, Clive Jewett, Maurice Jones, Fritz and Chris from Kick Music, O.J. Kilkenny III, Phamous MacMahon, Moray McMillan, Brian May and Jobby, MCD Promotions, (MacCann and Desmond), Ben Meldon, Rocky Newton, Tim Parsons, Marion Smith, Roy Teysse, Dave Thoener, Joannie Turnbull, Charles Wilkins, Pete Wooliscroft, and Robbie Wooten.

Rick Allen and everybody involved with Def Leppard would like to especially thank Doreen Billington, Eileen Pearle, Dr. Page, Dr. Ewans, the staff at the Royal Hallamshire, and everybody who wrote, called and supported us after the accident. He's back, we're back and we'll see you on tour in 1987/8/9!

Thanks to everybody at Phonogram: In the UK: Gillian Gould, Francesca Sayers, John Watson, David Simone, Tony Powell, Bob Fisher, and "Bad" Bernadette Coyle. Internationally: Lisa Anderson, Sian Thomas, Lee Kavanagh, and all at Phonogram Netherlands, France and Ireland who helped us along during this recording. Oh yes, thanks to the 40 odd Polygram/Phonogram folks who endured with us all at Mannheim, West Germany, August, 1986.

Def Leppard Salutes "Captain Love" for his contributions to the creation of this record. If you delve into this list, you, too, will understand and appreciate this man's importance (not to mention, the entire history of the world since 1984!).

Booked in North America at I.C.M., New York and in the rest of the world at I.T.B., London.

Additional Advice given by: Martin Goldberg and Ann Waddingham, Prager and Fenton, London, England. Bruce Slayton and Victor Wlodinguer, Robbins, Spielman, Slayton and Halfon, New York, N.Y. James H.K. Harman, Theodore Goddard, London, England. Andrew Snelling and the staff at Barclays Bank, Earls Court Road, London, England.

The Members of Def Leppard Play and Recommend the Following Equipment:
Rick plays Simmons Drum Pads and various Simmons Drum Machines, Shark Foot Pedals and Zildjian Cymbals. Rick and all of us would like to thank Bas, Lloyd and Andy at Simmons Electronics, Arndt Anderson of Shark and the legendary Ian Croft at Zildjian for putting Richard back behind the drums.

Sav plays Hamer Basses exclusively. Thanks to Paul Hamer and Joel Danzig at Hamer Guitars.

Phil plays Jackson Guitars equipped with Kahler tremolo arms exclusively. Thanks to Grover Jackson and Joanne and all at Jackson/Charvel Guitars and to Dave Storey, Gary Kahler, Roger Garvin and Sue Ellwanger at Kahler.

Steve will only ever play Gibson Guitars. Thanks to all the staff at Gibson Guitars.

Messers Clark and Collen use Randall Amplification (to get that "rad" Def Leppard guitar sound...). They would like to thank Bill Acton and Chuck Widner at Randall for help above and beyond the call of duty.

Joe plays golf with Spalding "Executive" Irins and Woods, "Dunlop 65", Golf Balls (courtesy of Shell Garages, Ireland); and Soccer with anyone who'll get out of bed.

Finally, we would like to thank everybody at Hoshino Industries (Tama Drums and Ibanez Guitars) for their help and support over the past couple of years.
Who knows, Joe, maybe that Bass Drum will make it on stage, yet!!

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Rating System

 

Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.

Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.

 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a V G+++ record highly acceptable.

Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.