FLEETWOOD MAC Then Play On VG++ 1969 Reprise 6368 NO BARCODE Peter Green
$
17
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Description
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First pressings are made from first generation lacquers and stampers. They usually sound vastly superior to later issues and re-issues (which are often pressed from whatever tapes or digital sources are currently available). First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider and subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive, with inner details more clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant.Vinyl: VG++ Play Tested. Sounds Great! Reprise Labels are Clean. This is the 1969 Reprise Release! From the Mac's First great era, previous to the Buckingham-Nicks cabal, this is one of the great lost Fleetwood Mac Masterworks.
In the Dead wax: the "glyph" signifying Artisan Sound Recorders.
Cover: VG+ (see photos) Gatefold
Goldmine Standards. I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl.
See Review Below!
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AllMusic Review by Michael G. Nastos [-]
This Peter Green-led edition of the Mac isn't just an important transition between their initial blues-based incarnation and the mega-pop band they became, it's also their most vital, exciting version. The addition of Danny Kirwan as second guitarist and songwriter foreshadows not only the soft-rock terrain of "Bare Trees" and "Kiln House" with Christine Perfect-McVie, but also predicts Rumours. That only pertains to roughly half of the also excellent material here, though; the rest is quintessential Green. The immortal "Oh Well," with its hard-edged, thickly layered guitars and chamber-like sections, is perhaps the band's most enduring progressive composition. "Rattlesnake Shake" is another familiar number, a down-and-dirty, even-paced funk, with clean, wall-of-sound guitars. Choogling drums and Green's fiery improvisations power "Searching for Madge," perhaps Mac's most inspired work save "Green Manalishi," and leads into an unlikely symphonic interlude and the similar, lighter boogie "Fighting for Madge." A hot Afro-Cuban rhythm with beautiful guitars from Kirwan and Green on "Coming Your Way" not only defines the Mac's sound, but the rock aesthetic of the day. Of the songs with Kirwan's stamp on them, "Closing My Eyes" is a mysterious waltz love song; haunting guitars approach surf music on the instrumental "My Dream"; while "Although the Sun Is Shining" is the ultimate pre-Rumours number someone should revisit. Blues roots still crop up on the spatial, loose, Hendrix-tinged "Underway," the folky "Like Crying," and the final outcry of the ever-poignant "Show Biz Blues," with Green moaning "do you really give a damn for me?" Then Play On is a reminder of how pervasive and powerful Green's influence was on Mac's originality and individual stance beyond his involvement. Still highly recommended and a must-buy after all these years, it remains their magnum opus.
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