FLAMING LIPS Transmissions From The Satellite Heart LP WARNER 1993 US orig+color
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  $   41

 


€ 36 Sold For
Dec 18, 2019 Sold Date
Dec 8, 2019 Start Date
€   35 Start price
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  Italy Country Of Seller
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Description

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THE FLAMING LIPS

From Oklahoma,  ever-evolving indie band led by Wayne Coyne 

that became critical darlings for their discordant, psychedelia-tinged garage rock

"TRANSMISSIONS FROM THE SATELLITE HEART"

1993      LP     WARNER BROS. RECORDS     9 45334-1

PRINTED IN U.S.A.    ORIGINAL PRESSING

ORANGE/GOLD TRANSPARENT VINYL

STILL IN SHRINK SINGLE COVER

NOTES: Track B4, printed on sleeve and labels as "???????" is actually "Plastic Jesus" 

an American folk song written by Ed Rush and George Cromarty     

Barcode and Other Identifiers

Barcode: 0 9362-45334-1 2

LABEL: WARNER BROS. - YELLOW LABEL w/SHIELD LOGO - BLACK TEXT

Label Code: none

Catalog on cover: (spine) 9 45334-1

Catalog on labels: 1-45334

Matrix / Runout (Side A, Etched):  ?I? 1-45334-A-SR1 1-1   (Stamped): SRC

Matrix / Runout (Side B, Etched):  ?I? 1-45334-B-SR1   (Stamped): SRC

On labels: Produced by The Flaming Lips and Keith Cleversley

All songs written by Flaming Lips

Published by Lovely sorts of Death BMI

? 1993 Warner Bros. Records Inc.

(on Side B only): except + "Plastic Jesus" written by.........ASCAP

On Back Cover: Produced by The Flaming Lips and Keith Cleversley

Recorded Jan.-Feb. 93' at Studio 7.....

©? 1993 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S. Made in U.S.A.

tracklisting

Side A: TURN IT UP - PILOT CAN AT THE QUEER OF GOD - OH MY PREGNANT HEAD Labia In The Sunlight

SHE DON'T USE JELLY - CHEWIN THE APPLE OF YOUR EYE

Side B: SUPERHUMANS - BE MY HEAD - MOTH IN THE INCUBATOR

???????+ - WHEN YER TWENTY TWO - SLOW?NERVE?ACTION

grading

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The addition of guitarist Ronald Jones and drummer Steven Drozd recharges the Flaming Lips' batteries for the superb Transmissions From the Satellite Heart, another prismatic delicacy that continues the group's drift toward pop nirvana. In typical fashion, the record's left-field hit, the freak-show singalong "She Don't Use Jelly," bears little resemblance to the album as a whole; the remainder of Transmissions is much more sonically and structurally ambitious -- the towering "Moth in the Incubator" keeps generating new layers of noise before erupting into an amphetamine waltz, "Pilot Can at the Queer of God" dive-bombs with kamikaze recklessness, and the slow-burning "Oh My Pregnant Head" is as mind-expanding as its title...(AllMusic)


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