FAIRPORT CONVENTION " WHAT WE DID ON OUR HOLIDAYS " LAMINATED ILPS 9092 - VG
  £   19
  $   25

 


£ 19 Sold For
Jun 24, 2018 Sold Date
Jun 14, 2018 Start Date
£   10 Start price
4   Number Of Bids
  Great Britain Country Of Seller
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Description

ARTIST - FAIRPORT CONVENTION 

 

Fairport Convention are a British folk rock band. Formed in 1967, they are widely regarded as a key group in the English folk rock movement.[1] Their seminal album Liege & Lief is considered to have launched the British folk rock movement, which provided a distinctively English identity to rock music and helped awaken much wider interest in traditional music in general. The band have drawn heavily on the Child Ballads, songs of the British Isles from the later medieval period until the 19th century.

The large number of personnel who have been part of the band are among the most highly regarded and influential musicians of their era and have gone on to participate in a large number of significant bands, or enjoyed important solo careers

TITLE - " WHAT WE DID ON OUR HOLIDAYS "

LABEL - ISLAND - BROOMSTICK LOGO

RECORD NO. - ILPS 9092

SLEEVE - FULLY LAMINATED - VG

VINYL - EX

TRACK LISTING... FROM DISCOGS SITE

A1 Fotheringay Written-By – Denny* 3:03 A2 Mr. Lacey Written-By – Hutchings* 2:50 A3 Book Song Written-By – Matthews*, Thompson* 3:12 A4 "The Lord Is In This Place....How Dreadful Is This Place." Written-By – Hutchings*, Thompson*, Denny* 1:50 A5 No Man's Land Written-By – Thompson* 2:23 A6 I'll Keep It With Mine Written-By – Bob Dylan 5:50 B1 Eastern Rain Written-By – Joni Mitchell 3:36 B2 Nottamun Town Arranged By – Fairport*Written-By – Trad.* 3:07 B3 Tale In Hard Time Written-By – Thompson* 3:24 B4 She Moves Through The Fair Arranged By – Fairport*Written-By – Trad.* 4:09 B5 Meet On The Ledge Written-By – Thompson* 2:49 B6 End Of A Holiday Written-By – Nicol* 1:06

Companies, etc.

  • Record Company – Island Records Ltd.
  • Recorded At – St Peters Westbourne Grove
  • Produced For – Witchseason Productions Ltd.
  • Engineered At – Sound Techniques, London
  • Copyright (c) – Warlock Music Ltd.
  • Copyright (c) – Blossom Music
  • Copyright (c) – Essex Music
  • Published By – Warlock Music Ltd.
  • Published By – Blossom Music
  • Published By – Essex Music
  • Pressed By – EMI Records
  • Printed By – Robor Ltd.

Credits

  • Cello – Clare Lowther (tracks: A3)
  • Design [Sleeve Design] – Diogenic Attempts Ltd.
  • Electronics – Prof. Bruce Lacey (tracks: A2)
  • Engineer – John Wood
  • Performer – Ashley S. Hutchings*, Ian M. Matthews*, Martin Lamble, Richard Thompson, Alexandra Elene Maclean Denny*, Simon Nicol
  • Photography By – Richard Bennett Zeff
  • Photography By [Front] – Annie Brown
  • Producer – Joe Boyd

Notes

Final issue on pink rim island label in a laminated sleeve. This matrix number ending 3U/4U overlaps into the next pressing on the later orange island label. So date on this is somewhere around 1974. 

Published by: 
Tracks A1 to A5, B2 to B6: Warlock Music. 
Track A6: Blossom Music. 
Track B1: Essex Music. 

Sleeve Printed in England By Robor Limited

Barcode and Other Identifiers

  • Matrix / Runout (Side A stamped): ILPS 9092 A - 3U 
  • Matrix / Runout (Side B stamped): ILPS 9092 B - 4U

 

 

SIX  LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.

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There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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