EVERGREEN BLUESHOES The Ballad of… RARE ORIG UK 1969 EX LP. 1B/1U RARELY OFFERED
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Description
ONEADAYRECORDS – Serving-up a Festive Season of Entertainment.
I would like to wish all my customers, regulars and newcomers, a HAPPY NEW YEAR.
Over the Holiday Period, I will be offering some really lovely pieces for your perusal and future enjoyment, so please keep watching.
Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.
Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.
ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.
FINALLY: Late payers will now be blocked at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.
Artist or Band: EVERGREEN BLUESHOES
Album Title: The Ballad of Evergreen Blueshoes.
Producer(s): Mike Post.
TRACK LIST:
Side 1: Life’s Railway to Heaven; Walking Down the Line; Line Out; Amsterdam in 1968; Everything’s Fine Right Now; Johnny B. Goode.
Side 2: The Hedge Hog’s Song; The Raven; Mrs Cohen’s Little Boy; Moon Over Mt. Olympus; Jewish Teahouse; The Everblue Express.
Label/Format: .
Label Conditions: Both very clean, fresh and attractive with only light, fine and faint spindle marks and no wear around the hole area.
Cat Number: SHU 8399.
Mode / Speed: Stereo / 33.3 rpm.
Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.
Weight of this Record: 140 grams. A typical top quality pressing and weight from Decca.
Country of Manufacture: England.
Rarity: Rare: and highly undervalued, this sold in tiny amounts and UK originals are seldom seen or offered, especially in this fantastic condition.
Original Year of Release: 1969
Matrix Nos: ACAZ-3214-1L / ACAZ-3215-2L
Mothers / Stampers: 1 B / 1 U [the ultimate first and second stampers in the ‘BUCKINGHAM’ sequence]
Musicians: Skip Battyn - bass guitar, lead vocals; Lanny Mathijssen - guitar; Al Rosenberg - guitar; Ken Kleist - organ; Chester McCracken - drums.
Brief Info: Evergreen Blueshoes were another slightly out-there American band who made just this one album. Another deemed viable to release in small numbers in the UK on London Records, it sold in meagre numbers, thus finding one will never prove easy. Totally overlooked, like so many of the lesser-known, more obscure new American acts of the time, they received scant promotion and most are lost in the vaults of time. Skip Battyn at the time was a session musician, he decided to form a band and recruited two friends, Al Rosenberg and Clarence White, White did not stay long and the other members seen above joined. This one-off I regard as a somewhat ‘lost’ gem: the content is mixed and a little bit out-there. It has elements of psych-era Byrds, even with early Beefheart overtones. Rock, folk, pop-psych and country – indeed Battyn (often seen spelled Battin) later joined The Byrds, New Riders of the Purple Sage, and the Flying Burrito Brothers when this short-loved band folded. All credits on this album’s cover and labels spell his name Battyn. Originally issued in the United States in 1969 on Amos Records (AAS 7002), this was a small label that did little to promote this band or album, here in the UK, it almost left the radar immediately it was released. The American cover showed the band in a more revealing graphic dancing naked. The UK cover was far less revealing and has a somewhat different graphic in a similar mould. This is a strong example that appears hardly played with the cover to match, one for collectors of the more obscure one-off US bands that saw very limited British release, this will never prove easy to find better with so few units even pressed or sold.
Cover Grade and Format: EXCELLENT(++): a single format with front Clarifoil laminate, this covers all the folded edges and ends on the back via the spine. The main back panel is matt, unprotected with smooth card. Being a 1969 album, this has the mono/stereo peep-hole on the back, here filled by the original blue inner sleeve to denote this is a stereo copy. Printed and made in England by MacNeill Press. The date-coded 1969 Decca-style inner sleeve is included in supreme condition.
Cover Cosmetic Improvements: None Apparent.
Lamination & Front: A lovely vibrant front with unique UK artwork. The laminate retaining excellent shine, freshness and clarity with minimal traces of any dulling, even when viewed under angled light. No lifting and any small laminate creaes very few, light and faint – indeed, when viewed normally full-on, this superb, and quite rare UK cover looks little short of as made. Even the narrow unprotected strip on the right opening edge where the laminate ends is clean and unworn.
Cover Back: The unprotected back is also in impressive and still clean condition, this has aged little. Any grubbiness gentle and light near the edges that few will ever escape as a bare minimum. A small light surface crease near the top left corner area shows little, barely any others worthy of mention. The laminate end is also clean, and the peep-hole mono/stereo indicator is crisp and sharp. As seen in close-up, filled with the deep blue inner sleeve to denote a stereo copy inside.
Top Edge: The actual laminated fold is barely worn at all, and quite unusually, this Clarifoil laminated cover has NO bowing. Just the rear end panel that is a tiny fracition proud has slightly thickened here and there, this being ultra critical.
Bottom Edge: As above, the end panel a fraction more thickened, being the storage edge for around 45 years, that near impossible to avoid.
Right Edge(s), and Type: Clean, mostly sharp with very little wear. Any thickening or burring minimal and light as seen viewed end-on. Also seen from this angle, it reitterates just how thin this vintage card is, a typical Decca cover of the 1960s. Record enters on this edge that is guaranteed untrimmed or enhanced in any way.
Spine and Text: Solid, but thin, straight with any compression mild and light, the ends are narrowed in manufacture. All text is perfect and unworn under the solid and uncracked laminate, for good measure, this is very well centred on quite a limited depth.
Corners: Barely any tip wear with just the odd minor tip crease. All retain excellent or better shape.
Cover Summary: A very strong all-round example of this very elusive late 1960s cover, one that will prove very difficult to find better. This beautiful item should please most collectors and will rarely be seen in any condition as so few were sold.
The Inner Sleeve: PRACTICALLY MINT: a truly stunning Decca-style inner sleeve that is as clean and fresh as the day it was made. Very unusually, this was NOT lined, and I have rarely seen one of these that wasn’t. But the ultimate proof being, there is not even a hint of any adhesive on the inside top opening area. Polylinings had to be secured inside with a strip of adhesive, or they simply pulled out (as most will have seen or know). The plain fact is, this genuine 9-69 (September 1969) date-coded inner sleeve was never lined from day one. This being far from standard, it must have slipped the lining part of the manufacturing process and few ever would have done. This, apart from expert and caring storage, means this amazing inner sleeve has not aged at all. Most lined ones will see the seam adhesive strips darken and brown over time, of which this one has totally avoided. I would go as far to say, this is one of the cleanest, freshest, most unworn or aged Decca-style inners I have ever seen. Incredibly, ALL edges are unsplit with no repairs and there is barely a crease to be seen. A 45-year-old inner sleeve that looks new and there is NO disputing it’s vintage with the 9-69 date-code as seen in close-up.
Vinyl Condition/Visual Grading: EXCELLENT: a very fine visual copy that is very clean with equally fine shine and typically solidly pressed for a record manufactured by Decca. In terms of usage marks, a tiny fine one at the very start of side one with a few light clicks, but little else. Any other minor blemishes seen under bright light are purely within the vinyl itself. A copy hardly played on all the evidence and this record plays superbly well. Visually a super record that should please many, if not most collectors.
Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]
Sound Quality and Audio Grading: This quality album with obviously only a very limited run and sales before being deleted, plays – for most-all – even above it’s high visual grading with very little to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds are minimal indeed and this is an exceptional clean pressing by Decca for the related London UK label. The aforementioned tiny fine mark at the very beginning of side one, emits a small few brief, light clicks but little else on the rest. Note the labels still include the American AMOS reference as does the cover. Few copies will outperform this ultimate early UK pressing significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly and has been very well stored and carefully handled, almost certainly in a non-smoking environment. Very little spoilt my pleasure when play-grading this somewhat ‘lost’ record. So not quite ‘perfect’, how many 45-year-old record ever truly will be?, but it will prove very difficult to find significantly better and can be strongly recommended, certainly an unusual one-off that rarely surfaces.
Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Terrarium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.
PACKING - THIS IS WHAT YOU GET.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand+ based on over 10,000+ items sold in over 12 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffeners cannot be bent by hand, so what chance 2 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.
NOTE: First Time Bidders: Please ask me first.
PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of FOUR days if no payment is received. I will then cancel the dispute to end the, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site and they take the Ebay consequences (a strike or removal from the system). Small businesses need prompt payment to trade and these strict rules WILL be applied.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £8. (this includes insurance of £500). Add £2 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £3 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.
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