ERIC CLAPTON self-titled MFSL 1-220 HALF SPEED MASTERED 200g Audiophile OOP MINT

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ERIC CLAPTON (self-titled) MFSL 1-220 HALF SPEED MASTERED 200 gram High Definition pressing Special limited edition ? 2949

Tracklist

A1 Slunky Written By – Bramlett & Clapton 3:40 A2 Bad Boy Written By – Bramlett & Clapton 4:17 A3 Lonesome And A Long Way From Home Written By – Bramlett & Russell 4:00 A4 After Midnight Written By – John J. Cale 3:15 A5 Easy Now Written By – Clapton 2:55 A6 Blues Power Written By – Clapton & Russell

3:45 B1 Bottle Of Red Wine Written By – Bramlett & Clapton 2:55 B2 Lovin' You Lovin' Me Written By – Bramlett & Clapton 3:45 B3 Told You For The Last Time Written By – Bramlett & Cropper 2:30 B4 Don't Know Why Written By – Bramlett & Clapton 3:35 B5 Let It Rain Written By – Bramlett & Clapton 5:17

*(all photos are of the actual item)

• Bass Guitar – Carl Radle
• Drums – Jim Gordon
• Engineer – Bill Halverson
• Guitar – Stephen Stills
• Guitar, Vocals – Eric Clapton
• Organ – Bob Whitlock*
• Piano – John Simon, Leon Russell
• Rhythm Guitar – Delaney Bramlett
• Saxophone – Bobby Keys
• Trumpet – Jim Price
• Vocals – Bob Whitlock*, Bonnie Bramlett, Delaney Bramlett, J. I. Allison*, Rita Coolidge, Sonny Curtis
• 
  

Notes

Half-Speed Production and Mastering by Original Masteringworks. Specially plated and pressed on 200 grams of High Definition Vinyl. Special Static Free - Dust Free Inner Sleeve. 
Heavy Duty Protective Packaging. Mastered from the Original Master Tapes. Manofactured by MoFi Manufacturing, a division of MFSL, Inc., 105 Morris Street, Sebastopol, CA 95472, under license from PoliGram Special Markets, ? © 1970. All rights Reserved. 

Gatefold jacket. Special limited edition ? 2949.

Barcode and Other Identifiers

• Barcode: 0 15775 12201 7

AllMusic Review by Stephen Thomas Erlewine
     Eric Clapton's eponymous solo debut was recorded after he completed a tour with Delaney & Bonnie. Clapton used the core of the duo's backing band and co-wrote the majority of the songs with Delaney Bramlett -- accordingly, Eric Clapton sounds more laid-back and straightforward than any of the guitarist's previous recordings. There are still elements of blues and rock & roll, but they're hidden beneath layers of gospel, R&B, country, and pop flourishes. And the pop element of the record is the strongest of the album's many elements -- "Blues Power" isn't a blues song and only "Let It Rain," the album's closer, features extended solos. Throughout the album, Clapton turns out concise solos that de-emphasize his status as guitar god, even when they display astonishing musicality and technique. That is both a good and a bad thing -- it's encouraging to hear him grow and become a more fully rounded musician, but too often the album needs the spark that some long guitar solos would have given it. In short, it needs a little more of Clapton's personality.