ELVIS PRESLEY. "HIS HAND IN MINE" RCA UK 1960 LP. MONO. EX+.
  £   25
  $   33

 


£ 25 Sold For
Jan 22, 2015 Sold Date
Jan 13, 2015 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
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Description

Elvis Presley ?– His Hand In Mine

Label: RCA Victor ?– RD 27211, RCA Victor ?– LPM-2328 Format: Vinyl, LP, Mono 
Country: UK Released: 1960 Genre: Pop, Folk, World, & Country Style: Gospel

TracklistHide Credits

A1 His Hand In Mine Written-By – Lister* A2 I'm Gonna Walk Dem Golden Stairs Arranged By – Elvis Presley A3 In My Father's House Arranged By – Luther PresleyWritten-By – Luther Presley A4 Milky White Way Arranged By – Elvis Presley A5 Known Only To Him Written-By – Hamblen* A6 I Believe In The Man In The Sky Written-By – Richard Howard B1 Joshua Fit The Battle Arranged By – Elvis Presley B2 Jesus Knows Just What I Need Written-By – Lister* B3 Swing Down Sweet Chariot Arranged By – Elvis Presley B4 Mansion Over The Hilltop Written-By – Stamphill* B5 If We Never Meet Again Written-By – Brumley* B6 Working On The Building Written-By – Bowles*, Hoyle*

Credits

  • Accompanied By [With] – Jordanaires, The



Review by John Bush  [-]

From rock & roll firebrand to pop crooner to gospel believer, Elvis' career went in many directions that his earliest critics could hardly have believed. Was it heresy or conversion or commercialism that had caused Elvis the Pelvis to record a gospel EP in 1957, and then a full LP in 1960, just months after he returned from his Army stint? The answer was, of course, none of the above. What the critics didn't understand was that Elvis wasn't just a cultural phenomenon but a cultural chameleon, a vocalist who took in a range of influences -- from Big Mama Thornton to Dean Martin to the Statesmen -- without ever considering the possibility of a contradiction. The same teenager who couldn't stop listening to black R&B was also in attendance at each one of the monthly gospel singing meetings held in Memphis during the early '50s -- and the teenage Presley was well-known to Jake Hess and the Statesmen for his exuberance and innumerable questions about the technical side of gospel quartet singing. Several years after his first rock success, during a single late-night-and-early-morning session in October, 1960, Presley recorded the material for his first full gospel LP, His Hand in Mine. Combining the spiritual force and the physical release he'd experienced from the best gospel singing,Elvis revealed himself as an all-time-great gospel singer, someone who had energy to spare (hardly a surprise) but also immense reserves of control and precision (a rarer commodity among rock & roll singers). Most of the songs were standards from the Statesmen, Blackwood Brothers, and other classic quartets Elvis loved, and represent some of the best ballad singing of his career -- after all, it was recorded at the peak of his balladic powers, a time when "It's Now or Never" and "Fame and Fortune" had not yet given way to "Can't Help Falling in Love." He's fantastic serving as the lead voice in a group vocal -- years of advice from the best had paid off -- and he shows off his excellent high-tenor singing in a range of situations (tender on "Known Only to Him," playful on "I Believe in the Man in the Sky"). His Hand in Mine isn't just one of Elvis' best LPs, it's one of the best (and best-recorded) gospel sessions of all time.


Strictly Graded - RECORD COLLECTOR Grading System.

Grading System: In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated a set of standards for the condition of second-hand records, I have added a (+) or (-) to my gradings where applicable.

 

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.

The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.

 

 

 

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