Dust-to-Digital - Sorrow Come Pass Me Around: A Survey of Rural Black Religio...
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  $   26

 


€ 22 Sold For
Jan 27, 2017 Sold Date
Mar 9, 2016 Start Date
1 Number Of Bids
  Switzerland Country Of Seller
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Description

Allgemein

Artikel Name: Sorrow Come Pass Me Around: A Survey of Rural Black Religious Music
Genre: Blues Produkt Typ: LP (Vinyl) Label: Dust-to-Digital Titelanzahl: 16

Trackliste LP - 1

1. Ephram Carter and His Fife & Drum Band - Sorrow Come Pass Me Around 2. Willard Artis "Blind Pete" Burrell - Do Remember Me 3. Babe Stovall - Ship is At the Landing 4. Oscar Crawford / Annie Mae Jones / Annie Lee - You Don't Know What the Lord Has Done For Me 5. Reverend Rubin Lacy - Talk About a Child That Do Love Jesus 6. Robert Nighthawk Johnson - Can't No Grave Hold My Body Down 7. Norma Jean / Robert Nighthawk Johnson / Shirley Marie Johnson / Dorothy Lee - You Got To Give an Account 8. Katie Mae Young - By the Grace of My Lord, I've Come a Long Way 9. Eddie Lee "Mustright" Jones - My Sun Don't Never Go Down 10. Robert Nighthawk Johnson - Climbing High Mountains 11. Chester Davis and Congregation / Compton Jones / Furry Lewis - Glory, Glory Hallelujah 12. Willard Artis "Blind Pete" Burrell - Little Talk With Jesus Makes It Right 13. Frank and Odie Rosemon / Pattie Rosemon - I Heard the Voice of Jesus Say 14. Babe Stovall - When the Circle Be Unbroken 15. Napoleon Strickland - Motherless Children 16. Willard Artis "Blind Pete" Burrell - I Shall Not Be Moved  

Beschreibung

Beschreibung

That southern gospel, when mixed in with country and blues, became a powerful ingredient in what would become R&B, soul, rock and most of modern pop music, is hardly a secret. It took Saturday night and Sunday morning to put all of that together, so to speak, but gospel music, or spiritual and religious music, anyway, was hardly off limits to blues performers working southern juke joints and rent parties, and church music and the blues spent a lot more time together than most folks realize. This compilation of field recordings proves the point. Recorded between 1965 and 1973 by a team headed by David Murray (a team which also included guitarist John Fahey), it features 16 gospel and spiritual songs performed in living rooms, back porches and other non-church settings, most of them done by musicians generally assumed to be blues players. At the field level featured here, the difference between the blues and gospel is shown to be slight, and that difference is mostly lyrical. One can't help but be reminded that it is generally critics, researchers, and scholars who insist on categorizing such things into separate tropes, when, after all, musicians and their audiences are more concerned with how it sounds than what it is. This rough, engaging, and revealingly rustic set of field recordings was originally released on LP in 1975 by a small label called Advent Productions, and was reissued years later on CD in the digital era by Dust-To-Digital in 2013. ~ Steve Leggett

Steve Leggett

Mitwirkende

  • Record Label: Dust-to-Digital


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