Duke Ellington Cotton Club Days Signed by Louis Metcalf
  $   50

 


$ 50 Sold For
Nov 25, 2013 Sold Date
Nov 15, 2013 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Payment | Shipping | Additional Information Duke Ellington Cotton Club Days Signed by Louis Metcalf


 


 


This Record is signed on the back of the Sleeve by Louis Metcalf

this record is from the Gene Shaw (noted jazz trumpeter)

record collection

Duke Ellington

Cotton Club Days

 On the Ace of Hearts Label

Mono AH 23.

33rpm Lp

Ace of Hearts: AH 23

Cotton Club Days: a Historic Collection of Recordings Made By Duke Ellington and His Orchestra. c. 1962.

 1927-1930. Freddy Jenkins, Cootie Williams, Arthur Whetsol, Bubber Miley, Louis Metcalf, trumpets; Tricky Sam Nanton, Juan Tizol, trombones; Barney Bigard, clarinet; Johnny Hodges, Otto Hardwick, saxes; Harry Carney, Rudy Jackson, saxes and clarinet; Duke Ellington, piano; Fred Guy, banjo; Wellman Braud, bass; Bass Edwards, tuba; Sonny Greer, drums.

Vinyl and Jacket are Near Mint.

 

Mr. Metcalf passed in 1981, here is his obit from the NY Times:

Louis Metcalf, a jazz trumpet player who was a member of the Duke Ellington Orchestra that opened the Cotton Club in Harlem in 1927, died Tuesday at Mary Immaculate Hospital in Jamaica, Queens. He was 76 years old and lived in Queens.

One of the first jazz musicians Mr. Metcalf worked with was the pianist Willie (The Lion) Smith. He also played with bands led by King Oliver, Fletcher Henderson, Luis Russell and Sam Wooding. In the late 1930's, he began leading his own jazz groups.

During the 1950's and 60's, Mr. Metcalf's group was a regular attraction at the Metropole, a nightclub near Times Square that featured jazz. He continued to appear with his combo throughout the New York metropolitan area until last summer.

Mr. Metcalf is survived by his wife, Shirley; four sons and a daughter.

 

 

See my other listings for more signed jazz records and much more!

 

 

Jazz Box5



we sell UNUSED old store stock 90% of the time, and there is sometimes handling or shelf wear and/or minor flaws that do not detract from the piece -- we therefore always call the music "Used" or "Acceptable" so that people do not expect that the piece is in flawless condition, although nine times out of ten it is. Sometimes, the wrinkling or minor damage can occur during our handling from place to place or what have you, but again, we strive to keep it real and keep the prices reflective of any possible cosmetic imperfections.

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SEAN MORAN 363 BEVERLY ROAD DOUGLASTON, NEW YORK 11363

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