Dinah Washington 12" 33 RPM SWINGIN' MISS D 1956 LP EmArcy DEEP GROOVE NM- JAZZ
  $   50

 


$ 50 Sold For
Jan 21, 2015 Sold Date
Dec 14, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Extremely rare 1956 first pressing on the original drummer label, includes original glassine (waxed paper) sleeve! 

DISC: Very shiny and minty condition! Near perfect labels. Light scuff marks from the inner sleeve keep the disc from truly NM condition, but I am very comfortable setting grade at NM-! Not a very significant drop!

JACKET: Beautiful laminated jacket is likewise very shiny and minty condition! Better than the disc itself! No writing, no splits, no foxing, no ring wear, no ghost under the laminate! Truly wonderful condition! Also NM-!

SIDE-A A-1 14390 They Didn't Believe Me (Kern - Reynolds) 2:45 A-2 14392 You're Crying (Quincy Jones) 6:45 A-3 14395 Makin' Whoopee (Donaldson - Kahn) 2:25 A-4 14393 Ev'ry Time We Say Goodbye (Cole Porter) 2:25 A-5 14391 But Not For Me (Gershwin - Gershwin) 2:23 A-6 14388 Caravan (Ellington - Mills - Tizol) 2:35 SIDE-B B-1 14387 Perdido (Lengsfelder - Drake - Tizol) 3:22 B-2 14396 Never Let Me Go (Livingston - Evans) 2:45 B-3 14389 Is You Is Or Is You Ain't Ma Baby (Austin - Jordan) 2:48 B-4 14394 I'll Close My Eyes (Reid - Kaye) 3:56 B-5 14386 Somebody Loves Me (Gershwin - McDonald - DeSylva) 2:30

A-6, B-1, B-3, B-5:
Dinah Washington (vo) with Quincy Jones Orchestra:
Joe Wilder (tp), Charlie Shavers (tp), Ernie Royal (tp), Clark Terry (tp),
Jimmy Cleveland (tb), Urbie Green (tb), Quentin Jackson (tb), Tommy Mitchell (b-tb),
Anthony Ortega (as), Hal McKusick (as, fl),
Lucky Thompson (ts), Jerome Richardson (ts), Danny Bank (bs),
Don Elliott (tp, mellophone, vib, bongo),
Clarrence “Sleepy” Anderson (p), Barry Galbraith (g), Milt Hinton (b), Jimmy Crawford (ds),
Quincy Jones (arr, cond, dir).
Recorded in New York City on December 4, 1956.

A-1, A-2, A-4, A-5:
Same personnel as A-6, except:
Nick Travis (tp) replaces Joe Wilder,
Bernie Glow (tp) replaces Ernie Royal,
Ernie Wilkins (arr on A-4).
Recorded in New York City on December 5, 1956.

A-3, B-2, B-4:
Same personnel as A-1, except:
Doc Severinsen (tp) replaces Nick Travis,
Jimmy Maxwell (tp) replaces Bernie Glow,
Recorded in New York City on December 6, 1956.

I always separate discs from jackets and inner for shipping to prevent seam splits, UNLESS THE LP IS SEALED OF COURSE.

I always provide generic inner sleeve for the disc, and I always provide outer poly sleeve for the jacket and inner.

If you purchase multiple listings, please wait for invoice so they may be combined properly before you pay, otherwise you will miss the following postage discounts:

USA combined postage will add $1 per additional disc.

Canada First Class will add $2 per additional disc.

All other International services will add $4 USD per additional disc.

  • Confirmed address delivery is mandatory with tracking whenever PayPal is used for payment. This means NO international first class mail excepting Canada. If you are not in the USA or Canada and you wish to pay less for postage I am willing to help; please email before the final 24 hours of the listing to ask for details.
  • I ship only to confirmed addresses.
  • International buyers are entirely and solely responsible for all taxes, tariffs, and any other fees associated with importing and customs.


  All records are visually graded with the following familiar Goldmine-based scale.                                                                                     

M, MINT

Absolutely perfect in every way - certainly never played, possibly even still sealed. Should be used sparingly as a grade, if at all.

NM, NEAR MINT

A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.

VG++ (NM-)
                          VERY GOOD ++
                          (NEAR MINT MINUS)

There now formally exist a grade between NM and VG+, which simply means, "not quite NM yet not VG+ either." To me, VG++ and NM- mean the same thing, and are used interchangeably.

VG+,
                          VERY GOOD +
                          (Also EXCELLENT)

Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

VG,
                          VERY GOOD

Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

G / G+
                          GOOD / GOOD PLUS

Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it. 




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