Decemberists Her Majesty White Vinyl Limited Numbered Colin Meloy Death Cab
$
213
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Description
Used copy of The Decemberists’ Her Majesty LP from Jealous Butcher Records. This is the limited edition white vinyl copy that was part of the limited first pressing of exactly 523 copies. The first 200 copies are on white vinyl. The copies are hand-numbered in the lower right corner of the back cover. This one is numbered 131/523. Each cover is hand-screened and includes an insert with story, lyrics, and credits. There is no barcode on the cover. There is normal wear around the edges and corners and has browning as mentioned below.
Note: Payment must be received via paypal within two days of winning the auction. I will ship within two days of payment using Media Mail through the USPS. I live in a smoking household, so opened copies of records/CD’s I’m selling may or may not have brownish discoloration on the covers, most likely on the opened edge not covered by shrink wrap or plastic sleeve. This is especially true of albums with light colored covers. Please email me with any questions or if you would like more pictures of the item. Please check out my other auctions at: http://www.ebay.com/sch/tonirickman/m.html?_nkw&_armrs=1&_from&_ipg=25&_trksid=p3686
Release Date: September 9, 2003
Track List:
A1 Shanty For The Arethusa
A2 Billy Liar
A3 Los Angeles, I'm Yours
A4 The Gymnast, High Above The Ground
A5 The Bachelor And The Bride
B1 Song For Myla Goldberg
B2 The Soldiering Life
B3 Red Right Ankle
B4 The Chimbley Sweep
B5 I Was Meant For The Stage
B6 As I Rise
Review from allmusic.com:
On Her Majesty, the Decemberists' follow-up to their excellent debut, Castaways and Cutouts, the group cements its reputation as a seafaring Belle & Sebastian or a more grounded Neutral Milk Hotel. Tying together sweet symphonic pop with a ragtag theatricality, this album is more ambitious and more scattered than Castaways and Cutouts, making it an initially less accessible and more difficult listen. However, many of Her Majesty's most indulgent moments are among its best, including the high drama of the album opener, "Shanty for the Aretheusa," an epic that runs with the dark beauty that haunted the corners of the Decemberists' debut and gives it a wild, rambling edge. Likewise, "The Gymnast, High Above the Ground" also displays the band's expertise at creating subtle but palpable drama and swooning romanticism with just a few musical brush strokes. The wonderfully named "I Was Meant for the Stage," a triumphantly bittersweet song for the inner drama queen in everyone, shows off Colin Meloy's uniquely expressive voice: at one moment he's lispingly fey; the next, he's sneering self-deprecatingly. These beautiful, challenging songs make the band's occasional dips into treacle, such as the cloying "Billy Liar," forgivable, but what makes Her Majesty such a solid album is the consistent quality of the songs pitched between its high and low points. "Los Angeles, I'm Yours" flirts with soft rock, coming across as a latter-day single from Al Stewart; "Your Red Right Ankle" is an intimately and creatively detailed love song; and "Song for Myla Goldberg" has a sunny, winning appeal. Even though Her Majesty isn't quite as striking and full-formed as Castaways and Cutouts, it's still a consistently charming album that finds the band coming into its own.