David Bowie "Station To Station" RCA 1327 Vinyl LP+ Insert reissue black labels
£
15
$
20
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Description
David Bowie ? "Station To Station" RCA Victor ?– APL1-1327 Vinyl, LP, Reissue with black RCA labels and silver text.
The vinyl appears to have been lightly played and looks to be in great condition. The sleeve shows slight ring-wear to the rear and is a little grubby, but intact with no tears or writing. The insert shows minimal signs of wear, no tears or writing. The spine is intact and completely legible. Matrix / Runout (Side A Runout Etched Variant 2): APL1 1327-A-5E Matrix / Runout (Side B Runout Etched Variant 2): APL1 1327-B-1E
"Station to Station" is David Bowie's tenth studio album, released by RCA Records in 1976. Commonly regarded as one of his most significant works, "Station to Station" was the vehicle for his last distinct performance persona, the Thin White Duke. The album was recorded after he completed shooting Nicolas Roeg's "The Man Who Fell to Earth", and the cover artwork featured a still from the movie. During the sessions Bowie was heavily dependent on drugs, especially cocaine, and later claimed that he recalled almost nothing of the production.
Musically, "Station to Station" was a transitional album for Bowie, developing the funk and soul music of his previous release, "Young Americans", while presenting a new direction towards synthesisers and motorik rhythms that was influenced by German electronic bands such as Neu! and Kraftwerk. This trend culminated in some of his most acclaimed work, the so-called "Berlin Trilogy", recorded with Brian Eno in 1977–79. Bowie himself said that "Station to Station" was "a plea to come back to Europe for me". The album's lyrics reflected his preoccupations with Friedrich Nietzsche, Aleister Crowley, mythology and religion.
Blending funk and krautrock, romantic balladry and occultism, "Station to Station" has been described as "simultaneously one of Bowie's most accessible albums and his most impenetrable". Preceded by the single "Golden Years", it made the top five in both the UK and US charts. In 2003, the album was ranked No. 323 on Rolling Stone magazine's list of the 500 greatest albums of all time.
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