David Bowie Rare RCA '82 Green Label PL45406 LP 33RPM Ex Italy Import +Loricraft

	£		42
	$		55

For Audiophiles: This Item Ships with LORICRAFT PRC6 Pro-Cleansed VINYL + Collectors Outer Sleeve + Antistatic Sleeve + Original Enclosures

David Bowie Rare RCA '82 Green Label PL45406 LP 33RPM Ex Italy Import Ed

What's Included with David Bowie Rare RCA '82 Green Label PL45406 LP 33RPM Ex Italy Import Ed VINYL CONDITION USED - NEAR MINT (NM) SLEEVE CONDITION USED - EXCELLENT (EX) LORICRAFT MODEL USED PRC-6 L Art Du Son LORICRAFT CLEAN 5*STARS Yes All Discs/Sides ANTISTATIC SLEEVE INC Yes All Discs OUTER COLLECTORS COVER INC 12inch CLEAR

DESCRIPTION DETAIL

Rare David Bowie Low RCA '81 Red Label YL13856 LP 33RPM Ex Italy Import Ed   Bowie* – Rare Label:RCA – PL 45406 Format:Vinyl, LP, Compilation Country:Italy Released:1982 Genre:Rock Style:Glam, Classic Rock   Tracklist A1 Ragazzo Solo, Ragazza Sola Bass – Tony Visconti Drums – Terry Cox Keyboards – Rick Wakeman Producer – Gus Dudgeon Stylophone – David Bowie Written-By – Mogol 5:02 A2 'Round And 'Round Written-By – C. Berry* 2:41 A3 Amsterdam Lyrics By [English Lyrics] – M. Schuman* Written-By – J. Brel* 3:25 A4 Holy Holy Piano, Vocals – Mick Ronson 2:15 A5 Panic In Detroit Baritone Saxophone – Richard Grando Bass – Herbie Flowers Drums – Tony Newman Guitar – Earl Slick Keyboards – Mike Garson Keyboards, Synthesizer – Michael Kamen Vocals – Gui Andreisano*, Pablo Rosario, Warren Peace 5:49 A6 Young Americans Backing Vocals – Ava Cherry, Luther Vandross, Robin Clark (2) Bass – Willie Weeks Congas – Larry Washington Drums – Andy Newmark Piano – Mike Garson 3:11 B1 Velvet Goldmine Alto Saxophone, Tenor Saxophone – David Bowie Piano – David Bowie, Rick Wakeman Producer [Assisted By] – The Actor (2) 3:08
B2 Helden Backing Vocals – Antonia Maass, David Bowie, Tony Visconti Bass – George Murray Drums, Percussion – Dennis Davis Keyboards, Saxophone, Koto – David Bowie Lead Guitar – Robert Fripp Rhythm Guitar – Carlos Alomar Synthesizer, Keyboards, Guitar [Treatments] – Brian Eno Written-By – A. Maass*, B. Eno* 6:07
B3 John, I'm Only Dancing (Again) Backing Vocals – Ava Cherry, Luther Vandross, Robin Clark (2) Bass – Willie Weeks Congas – Larry Washington Drums – Andy Newmark Piano – Mike Garson 3:26
B4 Moon Of Alabama Bass – George Murray Guitar – Adrian Belew Keyboards, Synthesizer – Roger Powell, Sean Mayes Percussion – Dennis Davis Violin [Electric] – Simon House Written-By – B. Brecht*, K. Weill* 3:51
B5 Crystal Japan (Instrumental) 3:07 Companies, etc. Mastered At – RCA Studios, Rome Manufactured By – RCA S.p.A. Distributed By – RCA S.p.A. Printed By – Co.Gra.Fo. S.r.l. Phonographic Copyright (p) – RCA Corporation   Credits Alto Saxophone – David Sanborn (tracks: A5, A6, B3) Bass – Trevor Bolder (tracks: A2, A4, B1) Compiled By – Carlo Basile, Fabrizio Ferrucci Drums – Mick "Woody" Woodmansey* (tracks: A2, A4, B1) Guitar – Carlos Alomar (tracks: A6, B3, B4), David Bowie (tracks: A1, A4, A6 to B3), Mick Ronson(tracks: A2, A3, B1) Mastered By – Piero Mannucci Photography By – Greg Gorman Piano – David Bowie (tracks: A6, B1, B3) Producer – David Bowie (tracks: A2 to A4, B2 to B5), Ken Scott (tracks: A2 to A4, B1), Tony Visconti(tracks: A5, A6, B2, B4, B5) Vocals – David Bowie (tracks: A1 to B4) Written-By – D. Bowie* (tracks: A1, A4 to B3, B5)   Notes Track A1: Italian version of 'Space Oddity', released in October 1970. Track A2: Released in April 1973 as B-side of 'Drive-In Saturday', was recorded during the 'Ziggy Stardust' sessions. Track A3: Released in September 1973 as B-side of 'Sorrow'. Track A4: Released in June 1974 as B-side of 'DiamondDogs'. Track A5: Released in September 1974 as B-side of 'Knock On Wood', was recorded live 1974 but not included in the 'David Live' double album. Track A6: A different mix than the original track, done for the U.S. market and released in February 1975. Track B1: Released in September 1975 as third track of maxi-single 'Space Oddity', was a 'Hunky Dory' outtake. Track B2: 'Heroes', German version, released in September 1977. Track B3: Released in December 1979 but recorded in 1975 during the 'Young Americans' sessions. Track B4: Also known as 'Alabama Song' released in February 1980. Track B5: Released in March 1981 as B-side of 'Up The Hill Backwards', was recorded during the 'Scary Monsters' sessions.   Issued with printed inner sleeve with lyrics (English).   Manufactured and distributed by RCA SpA, Rome, Italy Stampa Co. Gra. Fo. s.r.l. - Foligno '82 RCA Corp. Barcode and Other Identifiers Rights Society: SIAE Matrix / Runout (Label Side A): LKAY 38476 Matrix / Runout (Label Side B): LKAY 38477   Matrix / Runout (Etched Side A Variant 3): LKAY 38746 2S-1B8 8 ? P Piero 16-11-82 Matrix / Runout (Etched Side B Variant 3): LKAY 38747 1S-1A 23 P? 4 Piero 11-11-82 This Record includes the Loricraft PRC-6 Deep Cleanse Package: See Below for Details •  Loricraft PRC6 Record Cleaning Machine is Loricraft’s latest offering in the Vinyl Cleaning Marketplace and is the standard that other cleaners are measured by. • The bigger chassis houses a larger pump that provides the same suction as other models but is quieter. • The forward/reverse facility aids the cleaning process to practically eliminate bound in dirts and cleaning agents. • Vacuum suction is concentrated in a tiny nylon nozzle tip that rides on a nylon thread, thus focusing the suction action and protecting the record surface at the same time. • The antistatic nylon thread is manually drawn out a few millimetres before each cleaning so that the record is only ever touched by a small, clean, soft surface. • L’Art du Son cleaning fluid is used. This is diluted with distilled water at a factory set percentage applied to surface of record and brushed into grooves to soak and lift out dirt prior to extraction. • Less than a minute is all it takes to clean each LP side thoroughly, leaving the grooves completely dry. • Guaranteed Sound Improvement and Greater Clarity (static free) than an uncleansed competitor product*   *Comparing for equal Year/Label/Condition/Origin Increased Signal Clarity Reduced Noise • Prevents any Stylus Fluff Detritus Build Up when Playing! Static attraction eliminated between sleeve and platter. Distortion removed and Sound Levels Reproduced to Restore 100 percent of groove potential. • For Discernably higher perfomance delivering DE FACTO Audible Reproduction on higher end Turntables. • The aim “silence tone arm” from non studio mastered rumble and tonal imperfections due to worked in detritus fingerprint,  and that which the factory production originally enabled*. • Therefore your Record is Quieter between tracks and brighter clearer with marginal increase of source improvements levels across the original mastering & recording spectrum.    *Effects on Unnecessary overtrack travel (elevated tracking due to detritus) caused through prior usage and/or  the further removal of factory print (bound dust and static) from non Sterile Production Environment (steam dust attracted at cooling stage and cooled into pressing)

CONDITION:Lyric Sleeve :EX / Cover : EX / Vinyl:NM (Very Clean) in Poly/Paper Sleeve : EX

Item is in Vinyl Condition: USED - NEAR MINT (NM) / Sleeve (Cover) Condition: USED - EXCELLENT (EX)  (original) but highly collectable music on Vinyl that can only give pleasure and gather value as the years go by!

Rare and hard to find from the Vinyl Condition: RCA Studios Rome  series.

Buyers please bear in mind the items are collectibles and are of excellent original recorded quality.

100% Vinyl Condition: RCA  original and genuine guaranteed!

CODE Vinyl Gradings M Mint:  Absolutely perfect in every way. Unused. NM Near Mint: The vinyl looks glossy and clearly has only been played a few times. There are no marks on the vinyl. EX Excellent: Odd very light marks where the vinyl has been in and out of the inner sleeve a few times, or small signs of use generally. VG+ Very Good+ Further faults are acceptable, but these dont compromise the record visually or audibly. A little rub, light inaudible marks, a little background crackle. VG Very Good: Some light pops clicks, light visible scratches. Still listenable and Visually Pleasing , However it is visually and audibly USED G Good:  Used with Poor Audible Quality

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