Dave Brubeck Quartet -Time Out;1959 ORIGINAL COLUMBIA STEREO CS8192, 6-EYE LABEL
  $   175

 


$ 175 Sold For
Mar 6, 2013 Sold Date
Feb 18, 2013 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description




This is the original, first release of
The Dave Brubeck Quartet
Time Out


  • Label:  Columbia ?– CS 8192
  • Format:  Vinyl, LP, Album, Stereo
  • Country:  US
  • Released:  1959
  • Genre:  Jazz
  • Style:  Bop, Hard Bop
  • This 1959 original LP is on The Absolute Sound (TAS) list for recordings of special merit.
Label Notes
  • Columbia Red label.
  • Stereo - Fidelity on top of label.
  • 6 eye label: 3 white "eyes" on both left and right edges.
  • COLUMBIA is printed in white.
  • Other print is black.
Track listing ?

Side one 
1.     "Blue Rondo à la Turk"       6:44
2.     "Strange Meadow Lark"       7:22
3.     "Take Five"       5:24
Side two
1.     "Three to Get Ready"       5:24
2.     "Kathy's Waltz"       4:48
3.     "Everybody's Jumpin'"       4:23
4.     "Pick Up Sticks"       4:16

All compositions by Dave Brubeck, except "Take Five" by Paul Desmond.
Personnel
The Dave Brubeck Quartet
  • Dave Brubeck – piano
  • Paul Desmond – alto saxophone
  • Eugene Wright – bass
  • Joe Morello – drums

Production
  • Teo Macero – producer
  • Fred Plaut – engineer
  • S. Neil Fujita – cover artwork
  • Liner Notes - Steve Race

  • Time Out is a jazz album by The Dave Brubeck Quartet, released in 1959 on Columbia Records, catalogue CS 8192. 
  • Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9/8 and 5/4.
  • The album is a subtle blend of cool and West Coast jazz.
  • It peaked at #2 on the Billboard pop albums chart, and has been certified platinum by the RIAA, the first jazz album to ever achieve that status.
  • Time Out was the first jazz album to sell more than a million copies.
  • The single "Take Five" also sold more than a million.
  • In 2005, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry.
  • It was also listed in the book "1001 Albums You Must Hear Before You Die".
  • Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time.
  • It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation.
  • But for once, public taste was more advanced than that of the critics.
  • Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever.
  • That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring.
  • Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost.
  • The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics.
  • Take Five doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging.
  • Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form.
  • This belongs in even the most rudimentary jazz collection.
  • Few jazz recordings from the LP era have enjoyed the enduring popularity of the Dave Brubeck Quartet’s Time Out.
  • A brisk seller when released in 1959, it has remained in print ever since, and sold enough copies to be certified platinum.
  • That was a great year for jazz -- Miles Davis’s Kind of Blue and Charles Mingus’s Mingus Ah Um were also released in 1959.
  • All three were produced by Teo Macero, engineered by Fred Plaut, and released by Columbia Records.


  • You rarely see something this old, this good!

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