Daevid Allen And Mother Gong ?– The Owl And The Tree LP UK 1989 Psych
£
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Description
BobTheMusicMan ? Vinyl, Music & Other Media Auctions
Discogs information:
Daevid Allen And Mother Gong ?– The Owl And The Tree
Label: Demi Monde ?– DMLP 1019 Format: Vinyl, LP, AlbumCountry: UK Released: 1989 Genre: Rock Style: Art Rock, Space Rock, Psychedelic Rock, Prog Rock
Tracklist
Owly Side A1 The Owly Song 6:39 A2 I Am My Own Lover 14:23 Tree Side B1 I Am A Tree 4:35 B2 Lament For The Future Of The Forrest 3:41 B3 Hands 3:22 B4 Unseen Ally 4:02 B5 La Dea Madri 7:02Companies, etc.
- Recorded At – Spring Studio
- Distributed By – The Cartel
- Pressed By – MPO
Credits
- Bass – Fretless Fred, Tim Ayres
- Drums, Percussion – Robert George
- Executive-Producer – Robin Healing
- Harmonium – Wandana Arrowheart*
- Mastered By – Porky (5)
- Saxophone, Vocals, Producer [Assistant] – Robert Calvert (2)
- Synthesizer, Guitar, Vocals, Engineer, Producer – Harry Williamson
- Vocals – Georgia O'hara
- Vocals [Spoken], Vocals [Space Whisper] – Gilli Smyth
- Vocals, Acoustic Guitar, Guitar [Glissando] – Daevid Allen
- Written-By – Daevid Allen (tracks: A1, A2), Gilli Smyth (tracks: B1 to B5), Harry Williamson (tracks: B1 to B5)
Notes
Recorded at Spring Studios, Melbourne, Australia 1988.Barcode and Other Identifiers
- Barcode: 5 017046 010196
- Matrix / Runout (Side A): DMLP 1019 A1 1019 A TASTY PORKY PRIME CUT MPO
- Matrix / Runout (Side B): DMLP 1019 B2 MPO J.T.
Our grading in condition section above.
Records graded to Record Collector guidelines.
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD?s and CASSETTES
As a general rule CD?s and Cassettes either play perfectly ? in which case they are in Mint condition ? or they don?t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD?s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
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