DUSTY SPRINGFIELD You Don't Have To Say You Love Me LUSTY WHITE SOUL SHOUTER
  $   20

 


$ 20 Sold For
Mar 23, 2019 Sold Date
Mar 16, 2019 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

DUSTY SPRINGFIELD You Don't Have To Say You Love Me LUSTY WHITE SOUL SHOUTER

A VG PLUS LP ON PHILIPS PHM 200-210

FROM 1966 A DEEP GROOV EMONO PRESSING

STILL WITH SHRINK WRAP OVER COVER!

WITH THE ORIGINAL PHILIPS INNER SLEEVE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

MORE INFO FROM ALLMUSIC.COM
If you overlook the title track, a pop hit in the manner of "Stay Awhile" et al, this is Springfield's best R&B album of her early career. "Won't Be Long" shows Springfield as a soul-shouter par excellence, now with the backing to match, a reasonable fascimile of an authentic American sound, and she alternates with her softer ballad singing. But whether she's covering songs by Goffin-King ("Oh No! Not My Baby," "I Can't Hear You"), Burt Bacharach ("Long After Tonight Is Over"), Randy Newman ("I've Been Wrong Before"), or Ragavoy and Russell ("It Was Easier to Hurt Him"), she makes it come out in her most alluring R&B style. There are a few breaks in the mood, like a less than compelling "La Bamba" and a rendition of "Who Can I Turn To" that's close in spirit to Dionne Warwick at her poppiest, but generally Springfield is consistently superb here, even elevating Rod Argent's "If It Don't Work Out" in an achingly soulful rendition. The 1999 Mercury reissue contains a trio of tracks never before issued in the U.S. "Doodlin'" and "Packin' Up" are lively enough, and the latter features an uncredited guitar solo, a first on a Springfield record and a fine counterpoint to her lusty, shouted performance, but the real jewel is her poignant, lyrical rendition of "That's How Heartaches Are Made."

COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. BB HOLE BOTTOM LEFT CORNER. TOP LEFT CORNER WITH SMALL CRUSH MARK ON POINT. BOTTOM RIGHT FRONT CORNER WITH PEEL BACK. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. SIDE ONE LABEL WITH A PIECE OF CLEAR TAPE OVER LOGO. THE HIGH LUSTER VINYL BLANK WITH A VERY FEW LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION AND WHICH NEED TO BE LOOKED FOR TO BE SEEN. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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  841 (GS 7.0.16 (841))


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