DONALD BYRD BYRD IN FLIGHT NM ORIG'60 BLUE NOTE MONO LP
$
329
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· DONALD BYRD with HANK MOBLEY, JACKIE McLEAN, DUKE PEARSON AND OTHERS – BIRD IN FLIGHT – ORIGINAL 1960 BLUE NOTE MONO LP BLP-4048
· ORIGINAL U.S. PRESSING
· ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH '63RD STREET., NEW YORK', ADDRESS ON THE LABEL
· The record has a "DEEP GROOVE" (an indent in the label about 1/2-inch from the perimeter of the label, which on SOME labels is associated with very early or first pressings)
· The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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By the time of this fourth Blue Note album by trumpeter Donald Byrd, it became clear that his playing was becoming stronger with the passing of time. This album features separate studio sessions from January and July of 1960 with constants Duke Pearson on piano and drummer Lex Humphries. Bassists Doug Watkins and Reggie Workman split duties six tracks to three, as do tenor saxophonist Hank Mobley and alto saxophonist Jackie McLean, making for some interesting sonic combinations, although Byrd is the dominant voice. Several of these selections are penned by Byrd, but it is pianist Pearson who contributes four of the most potent compositions on Byrd in Flight, supplying the wings for these quintet recordings to take off with. Of the Pearson originals, "Gate City," with Mobley, is an attractive soul shuffle with a basic tandem line played one time through; "Bo," with Byrd and McLean, is a singing, easy blues; and "My Girl Shirl" is an all-Byrd-led bopper with McLean in late and a brief Latin break. Byrd's "Ghana," dedicated to that country's liberation, is not so much Afrocentric as it is a hip modal Afro-Cuban to hard bop streaker in an assertive tone. "Lex" is typical hard bop fare, with the tenor saxophonist and trumpeter going to town, while a supreme version of the ballad standard "Little Boy Blue" has the ever present Pearson and Byrd in slow musical repast about lost opportunities, primed by the sultry bass playing of Workman. Given the split-decision nature of the two bands, and because it's nigh impossible to pick a favorite between the soulful Mobley and the more shrill McLean, listeners will have to decide if they can happily live with both versions of the group on one album, or hear more via other recordings apart from this seminal recording Donald Byrd hath wrought. Either way, the lover of hard bop to post-bop wins in the end.
(EXCERPT FROM AN ONLINE REVIEW BY MICHAEL G. NASTOS, ALL MUSIC GUIDE /ALLMUSIC.COM/)
Two separate dates are combined on this Blue Note album. Trumpeter Donald Byrd, pianist Duke Pearson and drummer Lex Humphries are heard in both quintets with either tenorman Hank Mobley or altoist Jackie McLean and Doug Watkins or Reggie Workman on bass. The consistently strong originals by Pearson and Byrd ("Little Boy Blue" is the lone standard) give this set its own personality and purpose. An excellent example of early '60s hard bop.
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
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THIS IS A RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastilite Corporation’s pressing plant.
(d) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(e) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(f) Mono pressing of this title is much rarer, and by far more preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.
(g) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- A visible water stain affects about 10% of the back panel (VISIBLE ON BACK SIDE ONLY) ; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible
- Cover has some fraying/wear along the spine
- Cover has two corners slightly worn / dinged (nothing significant)
- Cover has a visible wrinkle (crease) in the cardboard base on the front panel
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- Cover has some light ring wear (nothing significant); (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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