DON BRADSHAW - LEATHER, DISTANCE BETWEEN US ORIG, ENID

	£		193
	$		256

DON BRADSHAW - LEATHER

"DISTANCE BETWEEN US"

ORIGINAL COPY. FIRST UK PRESSING. Released 1972 . Stereo. Distance Records, catalogue / Matrix numbers; DIST+76/77  DIST+100A/101.

Original 1972 UK 2XLP. Allegedly this is Robert John Godfrey of Enid and Barclay James Harvest fame. Interesting blurb below...

                What is certain is that this private pressing is seriously RARE! Can't have been many pressed.

This record is deleted and not available new on vinyl or CD.

The last 3 copies sold went for £212, £205 and £216 respectively.

Not currently for sale anywhere else worldwide.

99p start.

Sleeve Condition : VERY GOOD.

Gatefold laminated cover showing obvious signs of wear, has a couple of bends on the front as per photo. Some corner scuffs and minor spine rubs and also a 4cm split on the left hand spine. The naked woman is fine though.

Vinyl Condition, Visual: EXCELLENT-NEAR MINT.

A very shiny copy with very few surface marks.

Vinyl Condition, Audible: EXCELLENT.

Some light crackles mostly at the beginning of each side but this LP generally plays great.

Label Condition : MINT.

No ring wear or signs of any spindle marks.

TRACK LISTING:

RECORD 1/ SIDE A: DISTANCE BETWEEN US PART 1

RECORD 1/ SIDE B: DISTANCE BETWEEN US PART 2

RECORD 2 / SIDE A: DANCE OF THE GOBLINS

RECORD 2 / SIDE B: AUTUMN MIST

This item is offered with a money back guarantee, please see below.

The music on this bizarre double album from 1972 is somewhere between gothic horror and psychedelic. Don Bradshaw Leather was apparently some kind of British occult group who self-released this album with no credits. (Also, on the record cover the name is spelled "Bradsham-Leather," not Bradshaw Leather, as it is referred to in everything from the Nurse With Wound list to the book and web guide on early U.K. psychedelic rock -Tapestry of Delights.) The title track, which takes up the first two sides, begins with some spooky piano rambling and then more mysterious sounds are added in. Soon tribal rhythms pound away while an organ seeps in with more creepy tones. The track gets a bit more intense as the organ and piano jam with the rhythms. Though most of it is instrumental, some wordless female vocals appear toward the end of side one, as the music settles down slightly. The rest of Distance Between Us is quite similar -- spooky organ and keyboard chords, obsessive piano plinking, primitive drum circle-style percussions, and other mysterious noises and drones in the background, with an overall pervasive gothic ambience, a horror film/cinematic feel. At times quiet and restrained, other times full of freaked-out energy, parts of this would not be out of place on one of Shinjuku Thief's Witch albums. The obsessively scary mood is sustained over all four sides. ~ Rolf Semprebon, All Music Guide

Who the hell is Don Bradshaw-Leather? Not much is known about him, but his self-released LP Distance Between Us (Distance Records, 1972) is certainly one bizarre egg. It's on the infamous Nurse With Wound list of Steven Stapleton's favorite weird records, so it's no wonder that this was brought to my attention by David Late Tibet of Current 93 (and sometime NWW collaborator). David sent me a copy and described it as a strange DIY horror symphony beyond words, and it indeed is dificult to describe. There's hardly a thing about this double LP on the web besides want lists and offers for sale (it seems to be averaging around $200 for original vinyl), though rumor has it that Don was a wealthy hippie (some say a member of Barclay-James Harvest, which David refutes) who was squatting around London in the early 1970's, whereabouts unknown now. The four lengthy tracks here ("Distance Between Us" Parts 1 & 2, "Dance of the Goblins", and "Autumn Mist") are dense, swirling, and hellish tapestries of blurred instrumentation, squawking voices buried in the mix, and seemingly no layout of progression from point A to point B in various movements (i.e. it's all a giant progression, but almost like a dog chasing its tail in a mad frenzy). Tracks have the leanings of some epic Messaien pieces in some ways, though imagine Bradshaw-Leather taking his symphony and filtering it through some kind of lo-fi source like a boombox or something and then just went bananas in the post-mix. And if the front cover wasn't insane enough, he's again in Wolfman-garb on the back with a screaming topless woman. The whole sleeve package seems to be hand-cut and stitched as well.

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UK Record Collector Grading System:

MINT: The record itself is in brand new condition with no surface marks or deterioration in the sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.

EXCELLENT (US version of this term: Near Mint): The record shows some signs of having been played, but there is very little lessening in the sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD (US version of this term: VG++): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover, or extra items, without any major defects, is acceptable.

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