DEAD CAN DANCE - SPLEEN AND IDEAL - 1985 UK PRESS 12" MPO CAD 512 A² 4AD GOTHIC
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Description
Working diligently with my librarian hat on. I am really proud of how well we took care of our things and collectables…just kinda forgot. We have hundreds of quality pieces…some seldom seen especially in the U.S. Some are rare or at least hard to find. I welcome International Buyers…I know you have to pay high taxes for both countries …and it takes forever, but collecting is like that, I know.
If the record/tape/whatnot is a mess - you will know about it and see it, if it was a cut out, I will show and tell. Nonsmoking home, original owners (okay a few finds in thrifting Years ago)...Happy to pass on to someone who wants it.
WE HAVE A WORKING REGA TURNTABLE, A GOOD NEEDLE AND A DOUBLE TAPE DECK -WE SPOT CHECK MOST EVERYTHING.
(This one you are bidding on 2017)
Dead Can Dance ?– Spleen And Ideal
Label: 4AD ?– CAD 512
Format: Vinyl, LP, Album
Country: UK
Released: Nov 1985
Genre: Rock
Style: Alternative Rock, Modern Classical, Ethereal
Tracklist
Hide Credits
A1 De Profundis (Out Of The Depths Of Sorrow) Soprano Vocals – Andrew Hutton
A2 Ascension
A3 Circumradiant Dawn
A4 The Cardinal Sin
A5 Mesmerism
B1 Enigma Of The Absolute
B2 Advent
B3 Avatar
B4 Indoctrination (A Design For Living)
Companies, etc.
Recorded At – Woodbine Studios
Mixed At – Woodbine Studios
Mastered At – The Town House
Phonographic Copyright (p) – 4AD
Copyright (c) – 4AD
Published By – Beggars Banquet Music Ltd.
Pressed By – MPO
Credits
Art Direction – Brendan Perry
Cello – Gus Ferguson, Martin McGarrick*
Engineer – John A. Rivers, Jonathan Dee
Instruments [All Other], Voice – Brendan Perry, Lisa Gerrard
Photography By [Sleeve] – Colin Gray
Producer – Dead Can Dance, John A. Rivers
Timpani – James Pinker, Tony Ayres
Trombone – Richard Avison, Simon Hogg
Violin – Carolyn Costin
Written-By – Dead Can Dance
Notes
Recorded and mixed at Woodbine St. Recording Studios during September-November 1985.
This record was mastered on to metal at The Townhouse.
Special thanks to Julian and Maureen for their gracious hospitality.
?&© 1985 4·A·D
Published by Beggars Banquet Music.
Printed inner sleeve.
Barcode and Other Identifiers
Matrix / Runout (Runout Side A): MPO CAD 512 A²
Matrix / Runout (Runout Side B): MPO CAD 512 B²
Spleen And Ideal (1985)
"Now if I could only choose just one DCD album, it would be Spleen And Ideal (the title of which was directly penned from a collection of Baudelaire poems). An ambitious leap into the dark, oozing with philosophic zeal and heavy orchestrated (neo-classical) slants. A transcendent and poetic masterpiece sombre in tone, spinning melancholic for the greater good.
stuff that so often tarnishes our ideals and drags us into senselessness Spleen And Ideal is a rather magical, strangely uplifting affair, running deep with hypnotic hooks and lyrics that stab to the heart of things. Songs that grapple with truth, illusion, the malevolence of human nature, the stuff that so often tarnishes our ideals and drags us into senselessness. Notions the cover echoes in its broken star held aloft, aligned with the awkward skew of a half-demolished building in the distance, that defiant streak of red from the cloaked figure shining like an wordless metaphor.Again this is a album of his and hers, with Lisa limelight-stealing with “Mesmerism” and “Circumradiant Dawn”, while “Avatar” takes the verve of “Ocean” to new swallow-filled heights. What a voice — I remember seeing her live for The Serpent’s Egg tour (?) and being gobsmacked that her voice was actually xxx-times better than the album recordings.
Brendan compliments her arabesques brilliantly, though (they made for a powerful duo), with a rich authoritative boom that holds your imagination and, given the subject matter, without a sniff of snobbery. A thought-provoking tide backed by driven momentums, the dual timpani on “Enigma Of The Absolute”, for example, that excellently holds to the word-fall like a slave-filled galleon rowing along in strict unison, the prescriptive genius of sawing violin creeping in, underlining his existential conclusions.The closing “Indoctrination” signs off the album in a trickling labyrinth of plaintiffs, to which Brendan recants against the poison of conditioning, turning what could have been pretentious into something piecing and insightful. A truly timeless piece of work that would bleed into the symphonics of “Realm Of A Dying Sun”, continue to expand out on the utterly brilliant Serpent’s Egg and by the early ’90s was delving into medieval court music of Aion."
Nice piece from
Author-Michael Rodham-Heaps-
From the Freq site retrieved September 13, 2017
-Michael Rodham-Heaps-
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