DAVIS, Miles - Live In Europe 1967:The Bootleg Series Vol 1 - Vinyl (5xLP)
£
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Miles DAVIS
Live In Europe 1967:The Bootleg Series Vol 1
Music On Vinyl
180 gram audiophile vinyl 5xLP box set + booklet Cat: MOVLP 421BRel: 26 Aug 24
Jazz Side 1 - Track 1. Agitation (LP1) Side 1 - Track 2. Footprints Side 1 - Track 3. 'Round Midnight Side 2 - Track 1. No Blues Side 2 - Track 2. Riot Side 2 - Track 3. On Green Dolphin Street Side 3 - Track 1. Masqualero (LP2) Side 3 - Track 2. Gingerbread Boy Side 3 - Track 3. The Theme Side 4 - Track 1. Agitation Side 4 - Track 2. Footprints Side 4 - Track 3. 'Round Midnight Side 5 - Track 1. No Blues (LP3) Side 5 - Track 2. Masqualero Side 6 - Track 1. Agitation Side 6 - Track 2. Footprints Side 7 - Track 1. 'Round Midnight (LP4) Side 7 - Track 2. No Blues Side 8 - Track 1. Masqualero Side 8 - Track 2. I Fall In Love Too Easily Side 9 - Track 1. Riot (LP5) Side 9 - Track 2. Walkin' Side 10 - Track 1. On Green Dolphin Street Side 10 - Track 2. The Theme
Miles Davis' The Bootleg Series, Volume 1: Live in Europe 1967 is a monumental release, capturing the essence of one of jazz's most legendary ensembles. This 5xLP box set from Columbia/Legacy, featuring 180-gram audiophile vinyl, showcases previously unreleased live performances by Davis' second great quintetiWayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams. The set documents five concerts from October and November 1967, a transitional period in Davis' career. While this quintet never achieved the pop-cultural impact of Davis' earlier or later groups, their work during this era remains highly influential. The recordings reveal a band pushing the boundaries of bebop with exhilarating spontaneity and creativity. Tony Williams' dynamic drumming is particularly noteworthy, adding intense energy to tracks like 'Footprints,' while Hancock's innovative piano work and Shorter's probing saxophone contribute to the band's distinctive sound. Live in Europe 1967 represents a crucial moment before the group's shift to electric jazz, epitomising the quintet's mastery of live improvisation and interaction.
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