DAVID BOWIE " LODGER " LAMINATED GATEFOLD WITH INSERT 1979 RCA BOW LP 1 - EX

	£		15
	$		20

ARTIST - DAVID BOWIE

TITLE - " LODGER "   

LABEL - RCA

RECORD NO. - BOW LP 1

YEAR - 1979

SLEEVE - LAMINATED GATEFOLD - EX

VINYL - EX

WITH INSERT - small tape repair - see pics.

TRACK LISTING........

Companies, etc.

• Phonographic Copyright (p) – RCA Corporation
• Manufactured By – RCA Ltd.
• Published By – Bewlay Bros. Music
• Published By – Fleur Music
• Published By – E.G. Music Ltd.
• Published By – 100 MPH Music
• Printed By – Delga Press Limited
• Recorded At – Mountain Studios
• Mixed At – Record Plant, N.Y.C.
• Mastered At – Sterling Sound
• Copyright (c) – RCA Records
• Copyright (c) – Bewlay Bros. Music
• Copyright (c) – Fleur Music
• Copyright (c) – E.G. Music Ltd.
• Copyright (c) – 100 MPH Music

Credits

• Backing Vocals – Carlos Alomar (tracks: A4), Bowie* (tracks: A4, B3), Dennis Davis (tracks: A4), George Murray (tracks: A4), Simon House (tracks: A4), Tony Visconti (tracks: A4, B3)
• Bass – Dennis Davis (tracks: B3), George Murray (tracks: A1 to B2, B4, B5), Tony Visconti (tracks: B3)
• Bugle [Horse Trumpets], French Horn [Eroica Horn] – Eno* (tracks: B2)
• Drums – Carlos Alomar (tracks: B3), Dennis Davis (tracks: A1, A4 to B1, B4, B5)
• Effects [Ambient Drone] – Eno* (tracks: A1)
• Effects [Guitar Treatment] – Eno* (tracks: A5)
• Engineer – David Richards, Tony Visconti
• Engineer [Assistant] – Eugene Chaplin
• Engineer [Mix Assistant] – Gregg Caruso
• Engineer [Mix] – Rod O'Brien, Tony Visconti
• Guitar – Adrian Belew (tracks: A5, B1, B3 to B5), Carlos Alomar (tracks: A2, A4, A5 to B2, B4, B5), Bowie* (tracks: B3), Tony Visconti (tracks: A4)
• Guitar [Rhythm Guitar] – Adrian Belew (tracks: A3), Carlos Alomar (tracks: A3), Tony Visconti (tracks: A3)
• Keyboards [Chamberlain] – Bowie* (tracks: B1)
• Lyrics By – Bowie*
• Mandolin – Adrian Belew (tracks: A1), Simon House (tracks: A1), Tony Visconti (tracks: A1)
• Mastered By [Mastering Engineer] – Gregg Calbi*
• Music By – Eno* (tracks: A1, A2, A5 to B3), Alomar* (tracks: B1, B5), Bowie*
• Percussion – Dennis Davis (tracks: A2, A3, B2)
• Piano – Eno* (tracks: B3), Bowie* (tracks: A1, B1), Sean Mayes (tracks: A1 to A3, A5, B2)
• Piano [Prepared Piano], Effects [Cricket Menace] – Eno* (tracks: A2)
• Producer – David Bowie, Tony Visconti
• Saxophone – Stan* (tracks: A5)
• Synthesizer – Eno* (tracks: A5, B2), Bowie* (tracks: A4), Roger Powell (tracks: B4, B5)
• Violin – Simon House (tracks: A4, A5, B3, B4)
• Voice [Backing Voices] – Bowie* (tracks: A1, A3, B2, B5), Tony Visconti (tracks: A1, A3, B2, B5)

Notes

Barcode and Other Identifiers

• Matrix / Runout (Sides A & B label): AQL1 3254
• Matrix / Runout (Side A, runout, etched): gc. BOW LP 1 (PL - 13254) - A - 2 NO SENSE IS BETTER…
• Matrix / Runout (Side B, runout, etched): gc. BOW LP 1 (PL - 13254) - B - 1 …THAN NONE AT ALL

There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

• MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
• EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
• VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
• GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
• FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
• POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
• BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.