DAFT PUNK Random Access Memories DOPPIO LP VINILE 180GR SEALED SIGILLATO NUOVO.  La condizione "Nuovo". Edizione EU 2013 
EAN CODE:  0888837168618
PREORDINE (PRE-ORDER):  DATA CONSEGNA RICEVUTA DAL FORNITORE: 15 MARZO 2021 SI COMPRA, SI PAGA, SI ATTENDE. SPEDISCO APPENA LI RICEVO.
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JUL 8

Album Review: 'Random Access Memories' by Daft Punk

Live records, retrospectives and soundtracks aside, it’s taken avant-garde French dance duo Daft Punk eight years to return to their public with new studio album ‘Random Access Memories’. Thomas Bangalter and Guy-Manuel de Homem-Christo rose above the mass of other respected but obscure dance outfits to secure household name status amongst those who probably usually wouldn’t darken the doors of a House music establishment.  Their quirky automaton image -complemented by an ever-present vocoder-and ingenious use of arcane samples meant that by the time 2005’s ‘Human After All’ was released, although chart hits were few and far between, everyone and their grandmother knew who Daft Punk were.
‘What will those mavericks do next?’ we asked ourselves. Step back in time, that's what, with a tune that paid homage to late-70s disco-soul, ‘Get Lucky’ featuring Nile ‘It’s about time he gets his proper due’ Rodgers and Pharrell Williams. Despite the obviously retro feel, there was a certain neutrality about ‘Get Lucky’. It did not necessarily say very much about the direction they would take on RAM.  They’ve always looked back to go forward.  We might not have been wrong to expect more catchy refrains, samples chopped and looped beyond recognition to create something iconic, greater than the sum of its parts. You know, the usual.
But sticking with the status quo just wouldn’t be very Daft Punk.  Much like Justin Timberlake on ‘The 20/20 Experience’ the fellows have mellowed with age.  Make no mistake, Daft Punk still are and always will be a funk band at heart.  It’s just that the heavy four-to-the-floor house rhythm with which they used to express it, has slowed right down.  The synthesised Baroque trimmings and talk box are still present as reminders that this is definitely a Daft Punk record.  It’s just the introspective element previously hinted at on gorgeous funk ballad ‘Something About Us’ and sedate instrumental ‘Veridis Quo’ is given run of the house this time around.  Oh, and they use live instrumentation more than ever before.

The slow burning impact of single ‘Get Lucky’ is fairly representative of the album; a demure, perhaps even underwhelming first few bars transform into surreptitious delight.  The Punk’s penchant for repetition could be said to be their signature. They build on a simple motif. RAM favours a certain chord progression, sometimes even a certain key (B minor).  The beauty-and ambition-manifest in the layers and variations they weave in.  This simple but effective ploy keeps the focus on the arrangements, all the more important now that the organic has taken centre-stage.   But what helps set DP apart are their addictive hooks.  There’s no deviation from that attractive formula here as optimistic album opener ‘Give Life Back to Music’ attests.

Then sweet melancholia starts to set in. A robotic voice mourns his romantic losses on ‘Game of Love’. Keeping yet in step with the album’s pensive nature, ‘Within’ co-written by Chilly Gonzales is about the search for one’s identity...

‘..Many rooms to explore but the doors look the same…I need to know now, please tell me who I am’.

The boys’ not-quite-human alter-egos have never been more apt.  A similar sense of alienation is apparent on ‘Touch’.  Featuring the brittle, tentative vocals of Paul Williams, backed by a choir and lush orchestration, this is RAM’s most expansive offering. Williams haunting first verse gives way to an incongruously cheerful ragtime interlude which again slows as the choir sing the refrain ‘…If love is the answer, you’re home…’ melody and lyrics working in beautifully plaintive synchronism. Here the struggle turns outward.  The individual longs to genuinely connect with someone.  Could this be an urban isolation anthem?
A wistful air also lingers over another stand-out track ‘Instant Crush’, a mid-tempo, electro-Indie number featuring Julian Casablancas which has perhaps the most traditionally Daft Punk chorus.
On ‘Georgio by Morodor’ the man himself discusses his rise from jobbing musician to pioneering producer over an instrumental that alternates from silky-smooth mid tempo groove led by lyrical Rodgers-style riffs and Morodor’s trademark rolling Moog sound which ushered in the Disco age.

The album version of ‘Get Lucky’ is a strange animal indeed.  It wanders around aimlessly like a bird that cannot perch, one of those rare examples of a song that is done better justice by the radio edit.  Far more convincing is Pharrell’s other main contribution ‘Lose Yourself to Dance’.  Using the same thematically simple structure as previously mentioned, it nonetheless lodges very comfortably in the cranium, compelling you to down tools and shake your derrière as instructed.

‘Doin’ It Right’ with guest vocals from Panda Bear is ‘Random…’s crowning glory. With its pretty, if again very basic, chord progression, it has one of the most stark and synthetic arrangements of the lot.  The subtle changes in percussion and the robotic BVs make for an enticing game of audio spot the difference.