Cybotron-Implosion 1980 Aust prog/krautrock LP g/fold Rare ind Cleopatra M-
  A$   33
  $   22

 


A$ 33 Sold For
Mar 25, 2012 Sold Date
Mar 18, 2012 Start Date
A$   30 Start price
3   Number Of Bids
  Australia Country Of Seller
eBay Auctioned at
 
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Description


melmusic3345 Store


Cybotron-Implosion 1980 Australian prog/krautrock LP with gatefold cover. You will struggle to find a better copy than this.

Lable:Cleopatra Cat# CLP 203. Record is visually in M- condition. Cover is also M-. There is just a hint of ring wear on the rear from storage (most noticeable at the top). (see scans)

Tracks:

1. Eureka
2. Implosion
3. Suite 16/9th Floor
4. Encounter
5. Black Devil's Triangle
6. We'll Be Around

 

"Cybotron is to Australia what Tangerine Dream is to Germany, Jean-Michel Jarre is to France, Neuronium is to Spain and Wavestar & Steve Hillman is to England"

(Jeff D, Sedalia MO )


Formed in 1975 by Australian synth pioneer Steve Maxwell Von Braund with fellow musician Geoff Green, Cybotron paved a new musical path for Oz electronic music. Combining prog, kraut rock, and grafting an avant-garde darkness, Cybotron opened up a new sonic world to Aussie audiences. Von Braund found inspiration whilst living in England in 1970 having witnessed live bands like Pink Floyd, Hawkwind, Can etc., and brought these influences back with him upon his return to Melbourne when forming the band.

Implosion was Cybotron’s third full-length release. Unleashed in 1980 to melt people’s minds, it featured Von Braund, Mark Jones and Gil ‘Rats’ Matthews (of Billy Thorpe & The Aztecs fame), who produced the album both at his home studio and at legendary Armstrong’s Studios.It is a symphony of sound, ultra-dramatic and presents a super mind-bending inter-galactic journey. Lovers of Can, Neu, Faust, Amon Duul II, Kraftwerk, Tangerine Dream etc will find inspiration in Cybotron’s Implosion.

The following notes come from the Milesago website http://www.milesago.com/Artists/cybotron.htm

Although pioneering electronic outfit Cybotron emerged at the more recent end of the Milesago 'charter' during 1974-75, theis group deserves to be documented, since it one of the first (if not the first) Australian examples of pure electronic rock, a genre that later blossomed with the likes of Ollie Olsen's various projects. Here was the blueprint. Synthesisiser fanatic Steve Maxwell Von Braund teamed in the mid-70s with Geoff Green to form Cybotron in 1976, but Von Braund had already caused a considerable stir by releasing what is largely regarded as Australia's first fully electronic album, Monster Planet (Clear Light Of Jupiter, 1975).

Influenced by contemporary "Krautrock" electronic outfits like Can, Amon Duul, Neu, Ash Ra Tempel and Tangerine Dream (not surprisingly, the German-born Von Braund had been an associate/friend of some of these musicians) the ambitious suite impressed with its rich layers of synths, treated sax and electro-percussion. Former Masters Apprentices singer Jim Keays contributed vocals to the title track, while Aztecs drummer, producer and long-time collaborator Gil Matthews engineered and provided bass and drums support, with Henry Vynhal on treated violin.

The “mind-expanding brain food” offered by that debut release continued with the official formation of Cybotron during 1976, and the ensemble went on to create some marvellously inventive aural soundscapes. Their self-titled debut LP (1976) has been described as "a cross between late 60's Stockhausen and Kraftwerk's Autobahn album ... disco melodies warped with hypnotic synth fusion".

It was followed by a bootlegged live radio performance, Saturday Night Live (1977), and two further official albums. Colossus (1978) featured "a more progressive edge backed by a massive symphonic sound" and included contributions by Colin Butcher (drums, percussion, synthesiser). Mark Jones (bass, guitar, keyboards) joined for Implosion (1980) with Gil Matthews again playing drums and keyboards.

In more recent times an American electronic group has appropriated the name but has no other connection with "our" Cybotron. Von Braund and Green are still about, making "far-out music and vibes". In early 2002 Geoff Green reoprted that Cybotron is back in action and recording with Gil Mathews.

 

Vinyl:
M, mint condition, unplayed, with no marks on playing surface and labels as new.
M-, mint minus, either unplayed, with minimum scuffs caused by paper sleeve, or played once or twice only and still as new.
EX, excellent condition, record played carefully, very clean surface, minimum scuffing. 
VG, very good condition, scuffing or signs of groove wear but no bad scratches. Only minor pops or crackles.
G, good condition, well played with plenty of scuffs, light scratches and groove wear.Noise evident but no jumps.
F, fair condition, playable but heavily scuffed or scratched, with a lot of surface noise. Maybe minor jumps from scratches.

Covers:
M, Mint - As New
Ex, Excellent – Very little ware – no marks or worn corners
VG, Very Good  – some minor wear and some minor marks visible 
G, Good – worn cover, may have creased corners, heavier marks, small tears but still complete
F, Fair – cover is worn and maybe torn.

(+ or - means a little better or worse).

 

( Note : This item is located in Australia )
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