Colette MAGNY Transit 1975 FREE JAZZ WORKSHOP LDX 74570

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  Colette MAGNY Transit 1975 FREE JAZZ WORKSHOP LDX 74570











About shipping costs : Please note that  since all my records are sent from France, I can not put the right ones on the head of the auction. 
They are not the USD 4.00 or the free shipping, sometimes, mentionned above.
You'll find them after the pictures and the description, on the bottom of this page. Thanks for understanding.

More than 50 rare Jazz LP's on sale . Please check my other auctions for more and save on shipping.

Cover : VG++
Traces due to age and storage

Record : VG++
Really heavy wax, obviously rarely been played but shows slight surface marks.

Legendary French avant garde/protest singer.She has collaborated with Raymond Boni,Michel Portal,Catherine Ribeiro,Un drame musical intantante,Didier Malherbe ,Andre Almuro amongst others.


"Colette Magny came first, (and has sadly died first) and was a massive influence on much French music to come. Beginning her career as a blues and folk singer, she became radicalized by the U.S. Civil Rights movement, the Nueva Canción musicians in South America, as well as the worldwide student revolt of that bygone era - you know the one. Her most astounding material is unapologetically violent, shocking, yet quite effective agit-prop accompanied by a heavy, romping jazzy rumpus.
I'm quite confused to see that the only Magny's album linked to the NWW list is Transit. Actually Colette Magny was some sort of politically involved blues/french chanson singer at the beginning of her career, but she soon evolved toward something much more experimental :

Transit (Le Chant du Monde LDX 74570)This one is the one that seems to be pointed out by the NWW list. Actually this is the less experimental of all. You have a 3 minutes track filled with tape loops that is probably the closest work to the NWW music she has done. And this is probably the reason why this album is usually mentioned. The rest of the album is french chanson, wih some very nice vietnamese texts and poetry read, including a testimony of torture practiced in vietnamese jails during the 60's. The musicians here are from a band called The Free Jazz Workshop (one of the earliest recordings with French clarinettist Louis Sclavis) wich is, despite its name, not free jazz at all on this record. The record is globally speaking quite conventional and despite the 3 minutes tape loops very much dedicated to the French audience, not to the non French speaking audience.
To conclude :Transit is the one with a short track that is the most similar to Steve Stapelton's work.Repression is half a blues number half a demented LP with some of the best French and American free jazz musicians of this time.Feu et Rythme is definitely the one to get if you're in vanguard music. The whole record is breathtaking. I just can't figure out why this one is always missed when refered to NWW, since it all makes sense this is the most forward thinking one of all.
So you know what to do from now on.

MY GRADING SYSTEM / MON SYSTÈME DE GRADATION :

I can not listen to all the records I'm selling, this gradation is only based on visual judgement. I have rather tendency to exagerate this gradation, however, in case of doubt, do not hesitate to ask your questions before bidding.
Je ne peux écouter tous les disques que je vends, cette gradation n'est donc fondée que sur un jugement visuel. J'ai plutôt tendance à volontairement exagérer cette notation, cependant n'hésitez pas à poser vos questions avant d'enchérir en cas de doute.

M (MINT) : Scellé, jamais joué, neuf dans son emballage d'origine.
Sealed, never opened or played, new in original package.

NM (NEAR MINT) : Copie quasi parfaite, joué très rarement. Au pire, une ou deux traces de surface insignifiantes. C'est le qualificatif le plus haut donné pour un disque non scellé.
Near perfect copy, played only a few times. At worst it may have one or two insignificant flaws. This is the highest grade I give for a non-sealed (used) record.

EX (EXCELLENT) : Copie très propre, quelques marques de surfaces (cheveux) insignifiantes. La pochette a des défauts très mineurs.
Clean copy, slight surface marks/hairlines, cover has minor defaults.

VG++ (VERY GOOD++) : Des marques de surface plus nombreuses, quelques défauts mineurs ou traces d'usage de la pochette.Non qualifié d'EX à cause de défauts un peu plus nombreux.
More surface marks, minor flaws, or cover wear, minor edge wear (cover). Nothing serious but is not graded EX because of few minor defaults

VG+ (VERY GOOD +) : A été joué souvent, traces d'usage et multiples micros rayures générant un bruit de fond au départ ou entre deux titres, mais le disque ne saute pas à la lecture. La pochette présente des traces d'usage ou de stockage importantes (coins ou tranche usés, noms, date, dédicace, etc...).
Played a lot, will show signs of handling, has numerous slight surface marks (hairlines) but no jumps or sticks. Cover wear (light ring wear, heavier corner or edge wear on cover)

VG (VERY GOOD) : Disque très usé, a été joué de nombreuses fois, des rayures importantes provoquant un bruit de fond permanent mais ne saute pas à la lecture. Encore écoutable (notamment à fort volume pour du gros son). La pochette est bien abîmée, déchirure, coins et tranche usés, importantes traces de stylo ou marqueur,
Used record, played a lot, has marks, few scratches, some crackling while playing and but no jumps or sticks. Still quite listenable. Cover may have heavy corner, edge wear or split seams

G (GOOD) : A été joué jusqu'à la corde (mais encore jouable sur certains titres), rayures multiples, craquements, sauts pendant la lecture. La pochette est très abîmée. Cette gradation ne concerne que les disques d'exception pouvant intéresser un collectionneur souhaitant récupérer le vinyl ou la pochette afin de compléter un exemplaire déjà présent dans sa discothèque...
Played a lot and more (but still playable), lot of scratches, crackles a lot while playing, may have jump or sticks and cover is damaged...so not so good ! This record must be very rare to be proposed in this state !!!

Remise en main propre impossible, tous les disques sont expédiés en colissimo

FRAIS D'EXPÉDITION / SHIPPING RATES

Je tiens à préciser que les frais d'expédition sont ceux que la poste pratiquent et sont calculés en fonction du poids de l'objet. Aucun surcoût (emballage, temps passé) ne vous sera facturé.
Please note that shipping charges are those that French post office practice and are calculated according to the weight of the LP ('s). No extra fees (packaging, time).

LES DISQUES NE POURRONT ÊTRE EXPÉDIÉS, POUR LA FRANCE, QU'EN COLISSIMO ( ÉVENTUELLEMENT RECOMMANDÉ ET ASSURÉ SUR PRÉCONISATION DE L'ACHETEUR, SURCOûT COMMUNIQUÉ APRÈS LA VENTE ) ET EN COURRIER PRIORITAIRE, ENREGISTRÉ OU NON, POUR L'ÉTRANGER.

For France (colissimo only) :
1 lp : USD 7,99 - 2 to 3 lp's : USD 9,73 - 4 to 8 lp's : USD 10,82 - Double lp : USD 9,73 

1 TO 8 EP : USD 7,99

For Europe (EU and Switzerland) by priority non registered airmail :
1 to 2 lp's : USD 10,90 - 3 to 4 lp's : USD 14,53 - 5 to 6 lp's : USD 16,71 - 7 to 8 lp's : USD 18,01

1 to 2 EP'S : USD 5,08 - 3 TO 6 EP'S : USD 8,43 - 7 to 8 EP'S : USD 10,90

For 9 (or more), shipment can only be done by International economic parcel.

For the rest of the world ( USA / ASIA / AUSTRALIA / AFRICA and outside European community ) by international priority non registered air mail : 
1 to 2 lp's : USD 14,24 - 3 to 4 lp's : USD 17,43 - 5 to 6 lp's : USD 21,79 - 7 to 8 lp's : USD 24,19

1 to 2 EP'S : USD 7,26 - 3 TO 6 EP'S : USD 9,88 - 7 to 8 EP'S : 14,24

For 9 (or more) LP's, shipment can only be done by International economic parcel.


Satisfait ou remboursé dans un délai de 7 jours après réception de vos disques (frais de retour à la charge de l'acheteur).
Satisfied or money back in the next 7 days after receiving your records. Buyer pays return shipping.

Toute question bienvenue / Please contact me if you have any question  308 (GS 5.3.7 (308))