COMPONENTS Bobby Hutcherson RARE BLUE NOTE MONO NY USA

$

45

COMPONENTS Bobby Hutcherson RARE BLUE NOTE MONO NY USA


A VG+ ORIGINAL LP ON BLUE NOTE 4213

FROM 1966 IN MONO WITH NEW YORK USA ON LABEL

STILL WITH SHRINK WRAP OVER COVER!

RECORDED BY RUDY VAN GELDER WITH VAN GELDER IN THE DEAD WAX

WITH THE ORIGINAL BLUE NOTE BLACK AND WHITE THUMBNAIL INNER SLEEVE AS SHOWN

WITH FREDDIE HUBBARD ON TRUMPET, JAMES SPAULDING ON ALTO SAX & FLUTE, BOBBY ON VIBES & MARIMBA, HERBIE HANCOCK ON PIANO, RON CARTER ON BASS AND JOE CHAMBERS ON DRUMS

8 TRACKS INCLUDE PASTORAL, JUBA DANCE, MOVEMENTS, AIR, WEST 22ND STREET THEME, LITTLE B'S POEM, TRANQUILITY

SHRINK PARTIALLY PULLED BACK SLEEVE SIDE. ALSO PULLED BACK LOWER RIGHT CORNER BACK WHERE THERE IS AN INKED NUMBER ON THE CARD STOCK. SOME LIGHT OVERALL AGE DISCOLORATION TO WHITE CARD STOCK PORTIONS. SLEEVE EDGE AND CORNERS WITH SOME SMALL ROUGH SPOTS.

VIRGIN SPINDLE HOLE. SOME LIGHT SURFACE PAPER SLEEVE STORAGE IMPRESSIONS FROM SHELVING. A FEW LIGHT SURFACE PLAY LINES. SIDE ONE WITH A LIGHT AND SMALL LINE IN TRACK 3(LITTLE B'S POEM) THAT CAN BE LIGHTLY FELT WITH FINGERTIP.

PERFECTLY MINT COPIES OF THIS RARELY SEEN MONO LP NOW FETCH 150 PLUS

FROM A PRIVATE JAZZ COLLECTION RECENTLY ACQUIRED

FROM THE ALLMUSIC.COM WEBSITE:
Review
by Steve Huey
Perhaps the single album that best sums up Bobby Hutcherson's early musical personality, Components is appropriately split into two very distinct halves. The first features four Hutcherson originals in a melodic but still advanced hard bop style, while the latter half has four free-leaning avant-garde pieces by drummer Joe Chambers. Hutcherson allots himself more solo space than on Dialogue, but that's no knock on the excellent supporting cast, which includes Herbie Hancock on piano, James Spaulding on alto sax and flute, Freddie Hubbard on trumpet, and Ron Carter on bass. It's just more Hutcherson's date, and he helps unite the disparate halves with a cool-toned control that's apparent regardless of whether the material is way outside or more conventionally swinging. In the latter case, Hutcherson's originals are fairly diverse, encompassing rhythmically complex hard bop (the title track), pensive balladry ("Tranquillity," which features a lovely solo by Hancock), down-and-dirty swing ("West 22nd Street Theme"), and the gaily innocent "Little B's Poem," which went on to become one of Hutcherson's signature tunes and contains some lyrical flute work from Spaulding. The Chambers pieces tend to be deliberate explorations that emphasize texture and group interaction in the manner of Dialogue, except that there's even more freedom in terms of both structure and tonal center. (The exception is the brief but beautiful closing number, "Pastoral," an accurate title if ever there was one.) Components illustrated that Hutcherson was not only the most adventurous vibes player on the scene, but that he was also capable of playing more straightforward music with intelligence and feeling.

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 277 (GS 5.2 (277))