COIL "HOW TO DESTROY ANGELS" LP LAYLAH LAH5 EX+/M
£
23
$
30
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Description
You are bidding on COIL "HOT TO DESTROY ANGELS" 33 1/3 ep. ORIGINAL 1984 LAYLAH PRESSING. RARE!!
Condition:
Cover: EX+ - Very slight ring wear
Vinyl 1:Mint
Track listing
- "How to Destroy Angels" – 16:45
- "Absolute Elsewhere" – 0:00
Personnel
- John Balance – performer
- Peter Christopherson – performer
COIL How To Destroy Angels (Rare 1988 Belgian 3rd Version) single sided LP featuring an astonishing seventeen minute piece How To Destroy Angels which is described as ritual music for the accumulation of male sexual energy picture sleeve. The vinyl has the hand scratched message Shut Up Its Good For You in the run off area.
The B-side although crediting Absolute Elsewhere is non-grooved & intentionally unplayable! Both sleeve & vinyl are in fantastic condition LAY5
Here we have the very first Coil oil change. The engine in question would be the pop culture of the early '80s and how performances such as this, basically an extended duet for percussion and electronics, were perceived as inspirational and cutting edge. The moody trance this piece immediately evokes and clings to like a life raft was, to the newly exposed, something of a real alternative to drowning in a wave of groovy rock bands with packaged presentations and looks. Removed from any such sociological discussion and placed in comparison with the entire history of electronic music, percussion music, avant-garde improvisation, or any other related field of activity, this EP retains a surprising charm. An obvious hurdle to leap would be the "duh" factor -- the title track is as much about banging on gongs as destroying angels, although these are actions that could be connected. Anyone who has ever spent time making noise on a gong will have done everything on this record. The contrasts arising instantly from the instrument's built-in dynamic range are the main motivating factor in how the music develops, rather than any creative invention of the performers. The performance requirements of bringing these dynamics into play on a gong also require very little skill of any kind, meaning that most of the praise that can be directed at this recording has to do with the concentration displayed, both intense and impressive. The B-side of the recording is blank, creating an instant and quick composition entitled "Absolute Elsewhere" that might just be the more successful conception of the two. At least the person who said "I don't have time to listen to this stuff anymore" about the first side wouldn't be able to make the same comment!. - Eugene Chadbourne...From Allmusic
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