CLYDE McPHATTER "Golden Blues Hits" Mercury('62) HEAR
$
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Description
ARTIST : GOLDEN BLUES HITS
TITLE: Clyde McPhatter & Groups
LABEL & RECORD #: MERCURY #20655 (1962) MONO! VINYL CONDITION: HEAR !! : NM LABELS CONDITIONS: SEE SCAN : NM COVER CONDITION: SEE SCAN : NM with Original Mercury Sleeve! REMARKS: Sincerely one of my favorite recordings in a LP!!!! ALL TRACKS ARE SUPERB AND CLYDE WAS AT HIS BEST!!! TRACKS SIDE A: 1. The Clock2. What'd I Say
3. Raining in My Heart
4. What Am I Living For
5. Kansas City
6. Honey Hush
TRACKS SIDE B:
1. I'm Gonna Be a Wheel Someday
2. Fever
3. C.C. Rider
4. The Bells
5. Honest I Do
6. Blues Stay Away From Me
WEB REMARKS: A R&B IDOL...CLYDE McPhatter:
Clyde McPhatter (vocalist; born November 19, 1932, died June 13, 1972)
“If there is one voice through which the glories of R&B ran their course in the 1950s,” wrote Nick Tosches, “it very well may be Clyde McPhatter’s.”
Clyde McPhatter possessed a unique vocal instrument, a lively high tenor that captured the promise and fervor of the teenage Fifties. McPhatter was one of the first singers to cross over from the church to the pop and R&B charts. He was a Baptist minister’s son who was born in North Carolina and spent his teen years up north, in New Jersey and New York. He made the crossing from sacred to secular at age 18, when he was invited to join singer Billy Ward’s vocal group, the Dominoes, after turning heads with his performance of Lonnie Johnson’s “Tomorrow Night” in an amateur show at Harlem’s Apollo Theatre. McPhatter was initially billed as “Clyde Ward,” and it was claimed that he was Billy’s brother.
McPhatter’s radiant, gospel-trained tenor exploded onto the R&B scene in the early Fifties on “Do Something for Me,” “Have Mercy Baby,” “The Bells” and other of the Dominoes’ dozen R&B hits. On “Have Mercy Baby,” which topped the R&B charts for ten weeks in 1952, McPhatter worked himself to the brink of tears. By recasting gospel’s fervid emotionality - a style known as “sanctified” singing - in a rhythm & blues setting, he presaged what would come to be known as soul music.
Chafing under Ward’s discipline, McPhatter left the Dominoes in 1953 and was quickly offered a recording contract and star billing with his own group by Ahmet Ertegun at Atlantic Records. Clyde McPhatter and the Drifters cut a string of hugely popular R&B hits, including “Such a Night,” “Money Honey” (the biggest R&B hit of 1954), “Honey Love” and a timeless doo-wop version of “White Christmas.”
A stint in the army cut short his tenure with the Drifters, but he resumed his career as a solo artist upon his discharge, enjoying another successful run at Atlantic during the latter half of the Fifties. (The Drifters continued without him, recruiting a succession of lead singers.) In 1958, McPhatter scored the biggest hit of his career, “A Lover’s Question,” a doo-wop/R&B classic that captured his voice at a peak of ripeness. He had a dozen more R&B and pop hits during the later Fifties at Atlantic, including such highlights as “Treasure of Love” (his first Number One as a solo artist) and the sublime “Without Love (There Is Nothing).” His last Atlantic hit, “You Went Back On Your Word,” came late in 1959, at which point his contract expired.
After a brief stint at MGM, which yielded a minor hit, “Let’s Try Again,” McPhatter moved to Mercury Records, where he spent the first half of the Sixties working with producer Clyde Otis. At Mercury, he scored such hits as “Lover Please” and “Little Bitty Pretty One” and recorded some highly regarded albums, including the urbanely conceptual Songs of the Big City. He also recorded five critically prized but commercially unsuccessful singles for the Amy label in the mid-Sixties. In 1966 a disillusioned McPhatter moved to England, where he was still revered. He returned to the States in 1970, marking the event with an album entitled Welcome Home. Sadly, it turned out to be his last recording. McPhatter’s career had been in steady decline due to mounting personal problems, including a debilitating alcoholism, and he died in his sleep of a heart attack at the age of 39.
While Clyde McPhatter’s groundbreaking contributions as a soul and R&B vocalist have gone generally undernoticed outside of music circles, his fervent voice and passionate delivery influenced such artists as Smokey Robinson, Ben E. King (one of his heirs in the Drifters), Aaron Neville and Jackie Wilson (his successor in the Dominoes).
“He was one of the first guys I ever listened to,” Robinson said shortly after McPhatter’s death in 1972. “When he first came on the scene with [Billy Ward and the Dominoes], he was The Man.”
“Anything Clyde sings is a prayer,” Aaron Neville told Goldmine’s Bruce Sylvester. “When I was growing up, I don’t care what else was going on in the world - Jim Crow, all the other stuff - you could put on Clyde McPhatter and it would all disappear.”
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Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other) and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!
RECORD OR COVER GRADED VG or LESS WILL BE "SOLD AS IS"
MINT: Unplayed, still sealed.
NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM COVERS:
have no creases, ring wear or seam splits of any kind.
Picture Sleeves: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.
VG++ (Excellent) RECORDS:
Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS:
Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VG+ RECORDS:
may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ COVERS:
should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
VG+ PICTURE SLEEVES:
might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.
VG RECORDS:
They have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG COVERS and PICTURE SLEEVES:
will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or stamped a price tag on it, too.
RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"
Items are to be paid within 5 days (if not paid by that time it will be subject for relisting) of auction close and will be shipped within 48 hours of receipt of payment. Paypal is the preferred method of payment.
Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL 34639
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