CHUCK BERRY One Dozen Berrys LP LONDON 1958 UK original MONO
  £   25
  $   33

 


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Dec 1, 2014 Sold Date
Nov 21, 2014 Start Date
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CHUCK BERRY

Of all the early breakthrough rock & roll artists, none is more important to the development 

of the music than Chuck Berry. He is its greatest songwriter, the main shaper of its instrumental voice, 

one of its greatest guitarists, and one of its greatest performers. 

Quite simply, without him there would be no Beatles, Rolling Stones, Beach Boys, Bob Dylan, nor a myriad others

"ONE DOZEN BERRYS"

Recorded by Chess, Chicago

1958     LP     LONDON RECORDS    HA-M 2132   MONO


MADE IN ENGLAND    ORIGINAL COPY

This version: upper rim text reads 'Made in England' 

Barcode and Other Identifiers

LABEL:  LONDON -  MAROON LABEL WITH SILVER TEXT

Catalog on cover: (on front) HA-M2132      (on back) HA-M 2132     

Catalog on labels: HA-M.2132  (APL.1066 / APL.1067)

Matrix / Runout (Side A, Stamped): APL-1066-1B

Matrix / Runout (Side B, Stamped): APL-1067-1B

On back cover

Long playing microgroove flexible record

This record must be played with a pick-up designed for long playing records

Play at 331/3 R.P.M.        To clean use a barely damp cloth

London Records, London, England              Made in England

Printed in England      CP. 58.11

On labels: London  Long Playing  American Series

Recording First Published 1968

Right Society 

on both sides:  (a) M.C.P.S.   (b) Chappell & Co.

Chuck Berry with Instrumental Accompaniment

from my records collection

tracklisting

Side A: SWEET LITTLE SIXTEEN - BLUE FEELING - LAJAUNDA

ROCKIN' AT THE PHILARMONIC - OH BABY DOLL - GUITAR BOOGIE

Side B: REELIN' AND ROCKIN' - INGO - ROCK AND ROLL MUSIC

HOW YOU'VE CHANGED - LOW FEELING - IT DON'T TAKE BUT A FEW MINUTES

  grading

RECORD  VG+

SLEEVE VG(-) (please, see pictures and read above description)

Chuck Berry's second album is ever so slightly more sophisticated than its predecessor. 

Although One Dozen Berrys is hooked around a pair of hit singles, "Sweet Little Sixteen" 

and "Rock & Roll Music," most of what's here doesn't really sound too much like either of those songs,

rather, the other ten tracks each constitute a close-up look at some individual component 

of the types of music that goes into brewing up the Chuck Berry sound. 

Thus, the slow instrumental "Blue Feeling" is a look at the blues sound that Berry initially 

proposed to bring to Chess Records; "How You've Changed" presents him in a slow ballad, 

singing in a manner closer to Nat "King" Cole than to any rock & roller of the era...(AllMusic)




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