CHUCK BERRY IN LONDON NM ORIG CHESS MONO LP BLACK LABEL

$

43

WE CURRENTLY HAVE   NEARLY 300   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

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·       CHUCK BERRY – CHUCK BERRY IN LONDON  (NOT TO BE CONFUSED WITH THE 1970’S “CHUCK BERRY LONDON SESSIONS”!!!) – ORIGINAL 1966 CHESS RECORDS MONO LP 1495

·       ORIGINAL U.S. PRESSING

·       IMPOSSIBLY RARE BLACK CHESS LABEL WITH MULTICOLORED CHESS SET LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH,  SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in a condition quite similar to the one shown, but is not completely identical in every minute detail ).

PLEASE NOTE that the album we are offering has a small writing on the back panel, not shown on our photo

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This album, along with St. Louis to Liverpool and Fresh Berry's, constitutes part of Chuck Berry's lost Chess years, and, for most listeners, a broader "lost period" for Berry. At the time, his music was never more widely copied and covered, courtesy of the British invasion bands streaming into the U.S. in person and on record, yet he couldn't chart a single or get top bookings in the U.S. Chuck Berry In London has its feet planted in 1965, offering harder blues-based numbers like "Why Should We End This Way" and "I Got a Booking," both influenced by Big Bill Broonzy (the latter, in particular, is Berry's rewrite of "Key to the Highway"), along with lean hot-rockers like "St. Louis Blues" and the loud, sneering "I Want to Be Your Driver." The latter was a clear influence on Bob Dylan's "Obviously Five Believers," and demonstrates that Berry was still an influence on rock & roll as late as 1965. Therein lies the beauty of this record — it shows Berry evolving as a singer and guitar player, exploring sides of his music and persona in a very contemporary way, and not at all awkwardly. He does revert back to past formula here and there — "His Daughter Caroline" is the kind of sentimental ballad that Berry used to insert between his classic rock & roll on his early albums, in attempt to break the mood and vary the pacing. "Jamaica Farewell" and the Spanish-flavored "The Song of My Love" are more diverting and successful.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some writing on its back side (date of December 25, 1965 (Christmas 1965) written in blue ballpoint pen, about ¼ x 1. ½  inch in size)

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 4 (back side)

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover shows some light yellowing on back side, apparently from aging.

-        Cover has one corner slightly worn / dinged (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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