CHUCK BERRY FRESH BERRYS MEGA-RARE ORIG CHESS BLUE LABEL MONO LP IN SHRINK 1A/1A

$

128

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       CHUCK BERRY - FRESH BERRYS  - ORIGINAL 1965 CHESS RECORDS MONO LP 1498

·       ORIGINAL U.S. PRESSING

·       ULTRA-RARE, UNDOCUMENTED BLUE AND SILVER LABEL WITH A SILVER “CHESS PIECE” LOGO ON TOP; WE HAVE BEEN SEEING THIS LABEL ON CANADIAN CHESS PRESSINGS BUT THIS IS THE FIRST TIME WE SEE IT ON A CERTIFIABLE U.S. PRESSING – POSSIBLY ONE-OF-A-KIND PRESSING.

·       PLEASE NOTE: WHILE STEREO VERSION OF THIS ALBUM WAS ONLY RELEASED ON ONE (BLUE FADES TO WHITE) CHESS LABEL, MONO VERSION OF THIS ALBUM WAS RELEASED ON A STAGGERING ARRAY OF CHESS LABELS, HAVING BEEN ISSUED AT THE CUSP OF TRANSITION FROM ONE CHESS LABEL TO ANOTHER, APPARENTLY WHEN CHESS MANAGEMENT WAS TRYING TO DECIDE WHICH LABEL DESIGN AND LOGO TO USE NEXT.  THUS FAR, WE HAVE ENCOUNTERED AT LEAST FOUR PATENTLY FIRST MONO PRESSINGS OF THIS TITLE :

·       (1) BLACK CHESS LABEL WITH  MULTICOLORED  CHESS SET LOGO;

·       (2)  BLUE-FADES-TO-WHITE CHESS LABEL WITH “HORSE’S HEAD” LOGO, MID-60’s STYLE

·       (3)  DARK BLUE CHESS LABEL WITH 'HORSE'S HEAD' LOGO AND SILVER PRINT AND FINALLY, THIS

·       (4): ALL-SILVER CHESS LABEL WITH SILVER PRINT AND 'HORSE'S HEAD' LOGO. 

·       OF THESE FOUR VARIANTS, THE LATTER TWO (ALL-BLUE AND ALL-SILVER) MAY HAVE BEEN EITHER FLUKES, OR ONE-OFFS, UNIQUE TO THIS PARTICULAR TITLE (WE HAVE NO RECOLLECTION OF EVER SEEING EITHER LABEL ON ANY OTHER CHESS TITLE). FROM WHAT WE CAN DETERMINE, BLUE CHESS LABEL EVEN REMAINS UNDOCUMENTED AND IS BY FAR THE RAREST OF THE FOUR LABEL VARIANTS; FRANKLY, WE DO NOT EXPECT TO SEE ANOTHER SPECIMEN OF CHESS BLUE AND SILVER LABEL ANY TIME SOON, IF EVER.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Berry's last album for Chess, for the next four years, has him back in the U.S., and running smack in the mid-'60s blues revival, playing with the likes of Paul Butterfield and Mike Bloomfield (who were beginning a brief but productive association with Muddy Waters around this time). The material varies from first-rate songs ("It Wasn't Me," "My Mustang Ford," "Ain't That Just Like a Woman") that sound utterly contemporary, to fascinating experiments ("One for My Baby") and filler like "Everyday We Rock and Roll" and "Merrily We Rock and Roll." He still rocks out, and sounds like he's having a great time playing blues with Bloomfield and Butterfield ("Sad Day-Long Night" etc.), sounding like an old Chicago bluesman, which, ironically, was the direction he chose to go in during his subsequent four-year stint with Mercury Records. He still does some straight rock & roll -- "It's My Own Business" is a great teen-rebellion number -- and the occasional indulgence of his taste for music from the islands ("Run Joe"), in what was essentially an era-closing album, and his last attempt at making a contemporary album with his established sound. Berry's next step was four years of neglect, followed by his rediscovery as an "oldies" act.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP  (A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole in one of the corners

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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