CHRIS CONNOR HE LOVES ME,HE LOVES ME NOT SEALED ORIGINAL 1959 ATLANTIC STEREO LP
$
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· CHRIS CONNOR – HE LOVES ME, HE LOVES ME NOT – ULTRA-RARE ORIGINAL 1958 ATLANTIC STEREO LP SD-1240 (MONO ALBUM WAS RELEASED IN 1957, STEREO VERSION IN 1958)
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· BELIEVED TO BE PRESSED ON THE ORIGINAL GREEN ATLANTIC STEREO LABEL WITH BLACK PRINT , SUCH AS THE ONE SHOWN BELOW, FROM OUR PREVIOUS AUCTION .
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· ULTRA-RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Along with June Christy, Helen O'Connell, and Julie London, Chris Connor epitomized cool jazz singing in the 1950s. Influenced by Anita O'Day, the torchy, smoky singer wasn't one for aggression. Like Chet Baker on the trumpet or Paul Desmond and Lee Konitz on alto sax, she used subtlety and restraint to their maximum advantage. At the University of Missouri, Connor (who had studied clarinet at an early age) sang with a Stan Kentonish big band led by trombonist Bob Brookmeyer before leaving her native Kansas City for New York in 1947. Quite appropriately, she was featured in the lyrical pianist Claude Thornhill's orchestra in the early '50s. After leaving Thornhill, Connor was hired by Kenton at Christy's recommendation, and her ten-month association with him in 1952-1953 resulted in the hit "All About Ronnie." Connor debuted as a solo artist in 1953, recording three albums for Bethlehem before moving to Atlantic in 1955 and recording 12. Connor reached the height of her popularity in the 1950s, when she delivered her celebrated versions of Billy Strayhorn's "Lush Life" and George Shearing's "Lullaby of Broadway," and recorded such excellent albums as The Rich Sound of Chris Connor and Lullabies of Birdland for Bethlehem and Chris Craft and Ballads of the Sad Cafe for Atlantic. Connor made a poor career move in 1962, the year she left Atlantic and signed with a label her manager was starting, FM Records — Connor had recorded only two albums for FM when they folded. Connor's recording career was rejuvenated in the 1970s, and she went on to record for Progressive, Stash, and Contemporary in the '70s and '80s. Connor maintained a devoted following in the 1990s and continued to tour internationally.
Tracks
01 - High On a Windy Hill
02 - Round About
03 - Angel Eyes
04 - You Stepped Out Of Dream
05 - Why Can't I
06 - Suddenly It's Spring
07 - About The Blues
08 - Oh! You Crazy Moon
09 - But Not For Me
10 - I Guess I'll Hang My Tears Out Of Dry
11 - I Wonder What Became Of Me
12 - Thursday's Child
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We are proud to present here some of the finest recordings from the career peak of Chris Connor, one of the finest and most delicate chanteuses of the Jazz era. With a voice like hers, with that fine, elusive quality in her vocal chords, with her expressiveness and sheer feminity she simply had to become a legend. And, of course, good looks was a major plus. All Chris Connors albums from the 1950's are inordinately rare. We present here one of those rare birds, in a wonderful condition. Mouthwatering is the word.
Finding a still sealed original STEREO copy?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.
For additional historical or discography information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)
(b) The record comes in the original stock inner sleeve. (WE CAN ACTUALLY SEE IT THROUGH THE OPENING)
(c) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 10:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP (ACTUALLY, A LOOSE-FITTING PLASTIC BAGGY ATLANTIC USED IN THE LATE '50s AND EARLY '60s)
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on back side, apparently from aging.
- Cover has one corner slightly worn / dinged / bent (nothing significant)
- Cover has a light "wrinkle" (crease) in one of the corners.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 14 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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